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after loosing twenty men to an unknown attacker in the Amazon rain forest, Brazil calls on U.S.A to help with investigations as to what is going on in the forest. a U.S infantry unit of seven strong men, are deployed into the forest to investigate the matter and bring back information regarding the attack on the Brazilian military. their mission becomes impossible as they loose communication and are now on their own in the rain forest with no idea of what awaits them. With no report from the first team, U.S.A sends in another team to extract the first team within two weeks, ignorant of the fact that what they will face will become a world problem that would make the world question America's action. little does anyone know that what will happen yo the U.S and her President is as a result of a twelve year revenge plot perpetrated by a very powerful player.

Raised by a monster from Transamagei since being abandoned at birth, Zea is hunted down and forced to become a part of the Soul Stealers that killed his family and stole his name. Everything he has known no longer exists. Moon is nothing but a demon with a false name and a murderous desire to slaughter and devour anyone who stands in his way of becoming a true Soul Stealer. Having to work with the young Soul who killed his father, Moon must carry out his own Mission to earn his survival; capture the illusive White Wolf and her family. But as the sinister truth behind the capture is discovered, Moon must decide if his life and those of his friends are worth more than what is morally right.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.