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Tavisha Khushanov is a spoiled, protected third-generation Russian/American Bratva Princess. Whatever the Princess wanted, she was given by the hard, muscled men of her father's Bratva. He is the Pakhan, their Leader; his word is law, and he administers it brutally. It's a small, tight community set in the heart of Houston, Texas. Outsiders are not welcome and actively discouraged. Killian O'Hara is a third-generation Irish/American, the leader of The Oasis Blues Motorcycle Club, situated in Galveston, Texas. They have been dealing with the Houston Bratva for decades. Their fathers and grandfathers worked together, keeping the peace and always having each other's backs. When Pavel Khushanov decides to double-cross the Bikers, involving the FBI and CIA and gets Killian arrested. War is declared, and Tavisha becomes collateral damage, a hostage to her name, but she is not what Killian expects.

Brianna grew up among the socialites and the Occult of New Orleans. When her adoptive father dies when she is only 10 she discovers just how sinister her mother can be. Now 21 she is in a race against time to get out before the Vipers find out exactly what they are losing. So that one day she can return and seek the retribution owed for the death of her father and to keep his coven's legacy from falling into darkness. Following her fathers divine word as a seer she takes to the Bayou to discover "The Beast that is her heart," What she finds is a whole lot of testosterone and a struggling family trying to keep a foothold as their pack dies out. They too have a vendetta of their own, for an old wound that Brianna's presence dredges up in their hearts. Can Brianna avenge herself and her father? Can they each protect their hearts? Because there's more than one beast in the swamp that she is falling for. Will she choose wisely or will she even choose at all? Being tangled in a web of friendships, family and broken souls, will they find their way together? or will the Vipers devour her soul?

When Skyla Foster's mother sends her to New Orleans to escape her abusive father, she finds herself at an extravagant ball in the heart of the French Quarter hosted by one of the most notorious werewolf packs in Louisiana. She meets Kael, Knox, and Kyran Monroe, identical werewolf triplets. With the brothers by her side, she learns about her status as a rogue, fated mates, pack dynamics, and the Moon Goddess's influence. But Skyla's freedom is fragile, and her father's threats loom over her newfound life. The triplets are fiercely protective of her, but will the brothers be able to protect her when it really matters? This is book one of the Midnight on the Bayou series. book two - Beta - The Bayou Boys is now available!

Lena thought graduate school would be about focus, discipline, and finally proving to herself that she belonged in the world of academics. Books, research, and long nights in the library—that was the plan. Romance had no place in it. Especially not with the one man who should have been completely off-limits. Professor Jace Carrington is everything Lena was warned about. Brilliant. Confident. Dangerous in his quiet control. His lectures command attention, his presence silences a room, and when his eyes find hers across the crowded lecture hall, she feels both seen and undone. He is a man who draws lines with precision—and a man who knows exactly how to make someone want to cross them. What begins as a spark of curiosity turns into stolen glances, late-night office hours, and conversations that blur the line between mentorship and something far more intimate. Jace’s rules are simple: no one can know, and she always has a choice. But rules are easy to write and far harder to follow. The deeper Lena falls, the more she realizes this isn’t just attraction—it’s obsession, it’s surrender, and it’s freedom all at once. Secrets, however, have a way of surfacing, and on a campus where whispers spread like wildfire, forbidden love can burn everything in its path. Lessons After Dark is a steamy, character-driven romance filled with power, temptation, and the dangerous pull of a secret relationship. For readers who crave tension, intimacy, and the thrill of crossing every line you were told not to, this story will keep you turning pages long after the lights go out.

Nubia has her life planned out. She is working on her master's degree in post colonial studies. She has a quiet apartment and a schedule she sticks to. Every Wednesday night she finishes class at nine thirty, walks to the bus stop, and waits. The bus is always late. There is always a stranger sitting on the bench. He wears headphones and draws in a sketchbook. He never speaks. She calls him Pencil Boy in her phone and does not think much about it. Then one October night the bus is delayed by forty three minutes. Eli studies architecture but he draws people instead of buildings. He has been sketching Nubia for six weeks without ever saying a word. He is quiet and pays close attention to things. He has learned to keep people at a distance because it feels safer that way. But when the cold night gets to Nubia and he gives her his hoodie, the silence between them finally breaks. What begins as pie at a late night diner turns into a Wednesday night tradition. Then a friendship. Then something much deeper. As Nubia and Eli grow closer, they must face the things that make them different. Race. Class. The dreams they are chasing. The families they come from. And the strong pull of a connection neither of them can ignore. Set over one school year, 43 Minutes is a warm and sensual love story about two people learning to truly see each other. It is about letting yourself be seen. And it is about the moments that change your life in less than an hour but stay with you forever.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.