Titles are like the first handshake with your reader—they gotta grip tight but leave room for mystery. When I brainstorm, I start by listing key images or emotions from the story. For my dystopian tale about memory loss, I jotted down phrases like 'fading ink,' 'blank mirrors,' and 'echoes in static.' Then I played with combinations until 'The Static Echo' clicked—it hints at the tech glitches and emotional voids in the plot.
Sometimes borrowing from poetry or songs helps too. Once I lifted a line from a Rilke poem for my romance novella—'Letters to the Salt Wind'—because the protagonist kept writing unsent letters by the sea. Mixing tangible objects with abstract feelings often creates that 'aha' moment. Lately, I've been obsessed with single-word titles that carry weight, like 'Vertigo' or 'Petrichor,' but they only work if the story earns that simplicity.