Menagerie

The year was 1934; I was twenty-two years old. I never thought of myself as anything special. I was barely making it through the Great Depression. There were many days I lived off of scraps. I was the king of odd jobs, just enough to get by. I had done it all, from being a field hand to a miner. It all changed one night when I stumbled across a traveling circus, Cirque du Lune. I had never seen such a sight. Instead of the usual menagerie, this circus was overrun with wolves. There was one performer who caught my eye; it was as if an angel had descended from heaven on a silk ribbon.

“Honey, our daughter can’t marry a loser. She is our only child, we can not hand her over to a nobody, especially at such a cruiser time.” Catherine’s mother cried out to her husband. “So, an underdog for a husband. How ironic! As the saying goes, 'like mother, like daughter.”Chloe teased in a low voice, making sure that only Catherine could hear those words. Although Rome said nothing, his blood was boiling with rage and thirst for revenge. “I'll be back,” Rome said.

PART 1: ANA AND AMBROSE Analyn is a human in a world full of werewolves. Her family is one of the last remaining holdouts to their violent takeover, but all she wants to do is live in peace away from the fierce beasts. But her father has other plans. Using her as a pawn in the name of peace, he arranges for her to marry the notorious future Alpha of the Lightbridge Shadows, only the strongest pack in North America. Despite his young age, Ambrose has built the reputation of a ruthless and ferocious wolf who showed no mercy. He doesn't want anything to do with Ana because he finds humans weak and useless. But his father had other plans for Ambrose's future as the Alpha. Now she has to pretend to be the perfect happily wedded wife on the outside while she's married to Ambrose, who hated her on sight. But Analyn isn't one to just meekly follow the rules, and she's determined to push all of his buttons. PART 2 and 3: Bonus stories.

Rhea Ravelle, heiress of a powerful and influential family, goes against her family's wishes and cuts ties with them. She chooses to marry Carter Jamison, a man with a failing career and two children born out of wedlock. For six years, she raises his children as if they were her own and helps Carter rebuild his crumbling business. Under her care, the kids grow into kind, well-mannered little stars, and Carter's company finally makes it big and goes public. But right at the celebration marking his entry into high society, the biological mother of his two children suddenly shows up. And Carter, who is usually so calm, completely loses it. He begs the woman to stay, making Rhea the laughingstock of the entire city. That night, he doesn't come home. Instead, he takes the children and runs straight back to his old flame, playing house as a happy family. Soon after, Carter files for divorce. "Thanks for everything, Rhea. But the kids need their birth mother." The children's mother also says, "Thank you for taking care of them all these years. But a stepmother will never compare to a birth mother." So blood beats love? If that's how it is, then she's done playing stepmother. However, the children reject their birth mother flat-out, and they don't want Carter either. They declare, "Rhea is our only mom! If you're getting divorced, then we're going wherever she goes!"

They say Alpha King Maximus is a monster — too big, too brutal, too cursed. His bed is a death sentence, and no woman has ever left it alive. So why did he choose me? The fat, unwanted omega. The one my own pack offered up like trash. One night with the merciless King was supposed to end me. Instead, it ruined me. Now I crave the man who takes without mercy. His touch burns. His voice commands. His body destroys. And I keep going back for more. But Maximus doesn’t do love. He doesn’t do mates. He takes. He owns. And he never stays. Too bad for him…I’m not the weak, pathetic girl they threw away. I’m something far more dangerous —the one woman who can break his curse… or break his kingdom.

Sharon McKinzie's husband's first love was dying. He often said to Sharon, "Sharon, Kelly doesn't have much time left. Don't be petty and hold things against her." To make up for the regrets of his past, he traveled with Kelly—through mountains and rivers, beneath starlit skies and over distant seas. He even handed over the wedding they had planned—his and Sharon's—to Kelly Walt, without shame or hesitation. Even their five-year-old son clung to Kelly. "Mommy isn't even half as pretty as Kelly," he said. "Kelly's pretty. Why can't Kelly be my mommy?" Sharon decided to grant them their wish. She left behind the divorce papers and walked away without a word. Later, her ex-husband and son knelt before her—her ex-husband full of regret, her son's cheeks streaked with tears. "Honey… please come back to us." "Mommy… do you really not want us anymore?" Just then, a handsome man wrapped his arm around Sharon's waist. "There you are, honey," he said gently. "Our son's still at home, waiting for you to feed him."