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Opening Monologues
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Because I Once Saw the Light
It was raining very heavily on the day my parents got divorced.
There are two copies of the agreements on the table. One declares that the signee will stay with Dad, who's a gambling addict and has already racked up a huge debt, in the old town.
The other declares that the signee will follow Mom, who will marry a rich businessman, and move to a coastal town.
In the previous life, my younger sister, Tamara Browning, kicked up a fuss because she wanted to stay with Mom. So, I packed up my luggage quietly and went with Dad.
Soon after, Dad quit gambling and received the compensation due to our house being demolished in a governmental project. Since then, he showered me with love and affection.
Meanwhile, Tamara wasn't allowed to even leave the house. On top of that, she was neglected by everyone, so she died from depression.
Now that we're given a second chance in life, Tamara snatches the cigarette out of Dad's fingers before hugging him, refusing to let him go at all.
"Tiana, my heart aches for Dad's situation. You should live a good life with Mom. I'll give that chance to you."
I deign to say anything at all. Instead, I just pick up the train ticket that'll take me to the coastal town.
But what Tamara doesn't know is the reason behind Dad's decision to quit gambling in the previous life. At that time, I had overexhausted myself from paying off his debt, and I began vomiting blood due to my brain cancer. I practically had to risk my life just to get him to quit gambling once and for all.
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ChaptersFirst Kiss
Before, I believed in First Love, but my First Love was defeated with a First Kiss. And only the First Kiss can change everything."It's not something you see ... It's just how you feel it".
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ChaptersWHEN I START
The contract marriage between the CEO and the Mafia brings a unique story where the CEO has an illicit lover and the Mafia has a mental disorder because her fiancee died. Has a sad story, and thousands of mysteries to be solved. Will both of them be able to reach their respective goals and then end the ridiculous relationship? Or slowly love comes over time and makes them reluctant to part?
Read more here...
This world is a game, if you are not good at playing then you are being played. When playing we need confidence, if we are not good at convincing and impressing people with our intelligence. Confuse them with your stupidity, so they feel they have won.
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ChaptersOpening the Door
Mack got hurt on the job. it could be a normal thing as a police officer. When he was brought to the the hospital though he saw her. He knew it was her. The one female he had always wanted.
Haven saw her old friend from college when they brought him in with the other police officers. Though she was a doctor she hardly ever worked on that floor. Everything gets turned upside down when they meet again.
7.5
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ChaptersEnds and Beginnings
The day before our wedding, my fiancé Cyrus eloped with his long-lost love.
I chased after him, but he shoved me away viciously, causing me to lose consciousness.
When the doctor called him as my life was on the brink, all he did was scoff and say, “She’s just pretending again. In a coma? Hah, she’s still alive, isn’t she?”
That moment, my heart shattered.
After I was discharged from the hospital, I cancelled the wedding, just as he wanted. But then he began to regret it…
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ChaptersBEGIN AGAIN
He understood me like no other.He knew me inside out. I could never hide anything from him.Well.....apart from the strange sudden flutter my heart made one day. Something which should not belong to him.Yet it did.....
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ChaptersQuestions About Opening Monologues
Which best opening lines of a book became famous quotes?
4 Answers2025-05-29 04:58:44
I've always been captivated by opening lines that instantly hook you. One of the most iconic is from '1984' by George Orwell: 'It was a bright cold day in April, and the clocks were striking thirteen.' This line sets the tone for a dystopian world where even time feels off-kilter. Another unforgettable opener is from 'Pride and Prejudice' by Jane Austen: 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.' This witty, ironic line perfectly encapsulates the social commentary of the novel.
Then there's 'Moby-Dick' by Herman Melville with its simple yet profound 'Call me Ishmael,' a line that feels like an invitation into a grand adventure. 'The Catcher in the Rye' by J.D. Salinger starts with 'If you really want to hear about it, the first thing you'll probably want to know is where I was born,' which immediately pulls you into Holden Caulfield's rebellious, stream-of-consciousness narrative. These opening lines aren't just famous; they're gateways into the souls of their stories.
Then there's 'Moby-Dick' by Herman Melville with its simple yet profound 'Call me Ishmael,' a line that feels like an invitation into a grand adventure. 'The Catcher in the Rye' by J.D. Salinger starts with 'If you really want to hear about it, the first thing you'll probably want to know is where I was born,' which immediately pulls you into Holden Caulfield's rebellious, stream-of-consciousness narrative. These opening lines aren't just famous; they're gateways into the souls of their stories.
What are the best opening monologues in film history?
3 Answers2026-04-26 04:55:24
There's a reason people still quote 'The Godfather' decades later—that opening monologue by Bonasera is pure cinematic gold. The way he whispers 'I believe in America' while the camera lingers on his face, half-shadowed, sets the tone for the entire film. It’s not just exposition; it’s a masterclass in how to hook an audience. Coppola doesn’t explain the Corleones’ power—he makes you feel it through this undertaker’s trembling voice. And then there’s 'Goodfellas,' where Henry Hill’s 'As far back as I can remember, I always wanted to be a gangster' instantly throws you into his reckless, charismatic world. These monologues don’t just start stories—they define them.
Another favorite? The chaotic energy of 'Trainspotting's' 'Choose life' rant. Renton’s sarcastic, rapid-fire rejection of societal norms is like a punch to the gut, and it perfectly mirrors the film’s anarchic spirit. Or the haunting simplicity of 'Sunset Boulevard'—a dead man narrating from a pool? Chilling. These openings aren’t just clever writing; they’re promises. They tell you, 'Buckle up, this won’t be like anything else.'
Another favorite? The chaotic energy of 'Trainspotting's' 'Choose life' rant. Renton’s sarcastic, rapid-fire rejection of societal norms is like a punch to the gut, and it perfectly mirrors the film’s anarchic spirit. Or the haunting simplicity of 'Sunset Boulevard'—a dead man narrating from a pool? Chilling. These openings aren’t just clever writing; they’re promises. They tell you, 'Buckle up, this won’t be like anything else.'
How to write a compelling opening monologue for a play?
3 Answers2026-04-26 21:01:20
Writing an opening monologue feels like setting the first stone in a mosaic—every word needs to carry weight while hinting at the bigger picture. I always start by asking: What’s the emotional core of the play? If it’s a tragedy, maybe the monologue drips with foreshadowing, like the narrator in 'Macbeth' murmuring about 'fair is foul.' For something contemporary, think of 'Fleabag'—raw, disarming, and instantly relatable. The key is to make the audience lean in, not just listen. A trick I love is borrowing from poetry: use rhythm to create tension. Short, punchy sentences for urgency; long, winding ones for introspection. And never underestimate the power of a single evocative detail—a cracked teacup, a missed call—to anchor the abstract in something tangible.
Another angle is to subvert expectations. Imagine a comedy where the opening monologue sounds like a eulogy, only to reveal it’s about a burnt lasagna. Surprise hooks people. Also, consider the character’s voice—are they witty, weary, or wildly unreliable? Their diction should feel like fingerprints. I once wrote a monologue for a hustler character, peppering it with half-truths and abrupt subject changes to keep the audience guessing. Remember, the best openings don’t just inform; they seduce. They make you forget you’re sitting in a chair, waiting for a story to begin.
Another angle is to subvert expectations. Imagine a comedy where the opening monologue sounds like a eulogy, only to reveal it’s about a burnt lasagna. Surprise hooks people. Also, consider the character’s voice—are they witty, weary, or wildly unreliable? Their diction should feel like fingerprints. I once wrote a monologue for a hustler character, peppering it with half-truths and abrupt subject changes to keep the audience guessing. Remember, the best openings don’t just inform; they seduce. They make you forget you’re sitting in a chair, waiting for a story to begin.
Why are opening monologues important in storytelling?
3 Answers2026-04-26 09:35:17
Opening monologues have this magical way of pulling you into a story before the action even starts. I love how they set the tone—whether it's the gritty confession of a detective in 'True Detective' or the whimsical ramblings of a protagonist in 'The Hitchhiker's Guide to the Galaxy'. They’re like a handshake with the narrator, a way to establish trust or intrigue. When done well, they don’t just dump exposition; they reveal character. Take 'Fight Club', for example—that first monologue about insomnia and corporate ennui instantly makes you feel the protagonist’s numbness. It’s not just about what’s said, but how it’s said: the rhythm, the pauses, the unspoken tension.
And let’s not forget unreliable narrators! A monologue can be a trapdoor, making you question everything that follows. 'American Psycho' opens with Patrick Bateman’s chillingly mundane observations, lulling you into complacency before the horror kicks in. Even in games like 'Disco Elysium', the monologue is your inner voice, shaping your perception of the world. It’s storytelling’s secret weapon—compact, intimate, and loaded with potential.
And let’s not forget unreliable narrators! A monologue can be a trapdoor, making you question everything that follows. 'American Psycho' opens with Patrick Bateman’s chillingly mundane observations, lulling you into complacency before the horror kicks in. Even in games like 'Disco Elysium', the monologue is your inner voice, shaping your perception of the world. It’s storytelling’s secret weapon—compact, intimate, and loaded with potential.
Who delivers the most iconic opening monologues in TV?
3 Answers2026-04-26 16:52:53
Nothing sets the tone for a TV show like a killer opening monologue, and Bryan Cranston's Walter White in 'Breaking Bad' absolutely owns this space. That first monologue in the pilot—standing in his underwear in the desert, recording a shaky video for his family—was pure desperation and dark foreshadowing. It wasn’t just the words; it was the way Cranston’s voice cracked, like he was barely holding it together. Later seasons upped the ante with his 'I am the danger' speech, but that initial moment hooked me instantly.
Then there’s 'The Newsroom'—Jeff Daniels’ rant about America not being the greatest country anymore is legendary. It’s like someone bottled raw frustration and poured it into a script. The way he dismantles nostalgia with facts while the camera lingers on stunned faces? Chills every time. These monologues aren’t just introductions; they’re declarations of what the show is. Cranston’s vulnerability vs. Daniels’ fury—both are masterclasses in how to grip an audience before the title card even drops.
Then there’s 'The Newsroom'—Jeff Daniels’ rant about America not being the greatest country anymore is legendary. It’s like someone bottled raw frustration and poured it into a script. The way he dismantles nostalgia with facts while the camera lingers on stunned faces? Chills every time. These monologues aren’t just introductions; they’re declarations of what the show is. Cranston’s vulnerability vs. Daniels’ fury—both are masterclasses in how to grip an audience before the title card even drops.
Can opening monologues set the tone for a movie?
3 Answers2026-04-26 17:08:54
Opening monologues are like the first brushstroke on a blank canvas—they define the entire palette of a film. Take 'Fight Club' for example; that sardonic, nihilistic voiceover by Edward Norton immediately plunges you into the protagonist's fractured psyche. It's not just exposition; it's a mood stabilizer, priming you for the chaos ahead. On the flip side, 'The Grand Budapest Hotel' uses Ralph Fiennes' whimsical narration to transport you into a storybook world before the first frame even appears. The tone isn't just set—it's hand-delivered with a bow.
What fascinates me is how monologues can subvert expectations too. 'Megamind' starts with a villain's grandiose speech, making you question who the real hero is. Or consider 'Deadpool,' where the fourth-wall-breaking rant doubles as a mission statement for the film's irreverence. When done poorly, though, monologues feel like lazy info dumps (looking at you, 'Blade Runner' theatrical cut). But at their best, they're the DNA of the movie—a helix of style and substance spiraling into your brain.
What fascinates me is how monologues can subvert expectations too. 'Megamind' starts with a villain's grandiose speech, making you question who the real hero is. Or consider 'Deadpool,' where the fourth-wall-breaking rant doubles as a mission statement for the film's irreverence. When done poorly, though, monologues feel like lazy info dumps (looking at you, 'Blade Runner' theatrical cut). But at their best, they're the DNA of the movie—a helix of style and substance spiraling into your brain.
Where to find famous opening monologues for auditions?
3 Answers2026-04-26 09:19:51
Finding the perfect opening monologue for an audition can feel like hunting for buried treasure—thrilling but overwhelming! I’ve scoured so many resources over the years, and my go-to starting point is always playscripts. Classic playwrights like Tennessee Williams or Arthur Miller pack their works with emotionally charged speeches that directors recognize instantly. 'A Streetcar Named Desire' has Blanche’s fragile yet poetic lines, while 'The Crucible' offers John Proctor’s raw, defiant moments. Local libraries often have anthologies specifically for auditions, which I love because they curate monologues by theme and intensity.
For something more contemporary, I’d dig into streaming platforms like BroadwayHD or National Theatre at Home. Watching actors perform these monologues live adds layers to my interpretation—seeing how Andrew Scott delivers Hamlet’s soliloquy versus David Tennant’s version taught me about pacing. If you’re into indie vibes, podcasts like 'The Monologue Doctor' break down lesser-known gems from new playwrights. Bonus tip: Avoid overdone pieces like 'To be or not to be' unless you can spin it freshly. Last time I auditioned, I used a monologue from 'The Wolves' by Sarah DeLappe, and the casting team praised its originality.
For something more contemporary, I’d dig into streaming platforms like BroadwayHD or National Theatre at Home. Watching actors perform these monologues live adds layers to my interpretation—seeing how Andrew Scott delivers Hamlet’s soliloquy versus David Tennant’s version taught me about pacing. If you’re into indie vibes, podcasts like 'The Monologue Doctor' break down lesser-known gems from new playwrights. Bonus tip: Avoid overdone pieces like 'To be or not to be' unless you can spin it freshly. Last time I auditioned, I used a monologue from 'The Wolves' by Sarah DeLappe, and the casting team praised its originality.
What movies feature the best dramatic monologues?
4 Answers2026-05-03 05:27:28
One film that immediately springs to mind is 'Network'—specifically Peter Finch's iconic 'I'm mad as hell' speech. It's raw, chaotic, and feels disturbingly relevant even decades later. The way Finch's Howard Beale unravels on live TV, blending desperation with prophetic rage, is masterful.
Then there's Al Pacino in 'The Devil's Advocate,' where his monologue about God as an 'absentee landlord' is pure theatrical fire. It's over-the-top in the best way, dripping with charisma. For something quieter but equally powerful, Julianne Moore's breakdown in 'Magnolia' is a masterclass in vulnerability—her character's confession about regret and love is heartbreaking.
Then there's Al Pacino in 'The Devil's Advocate,' where his monologue about God as an 'absentee landlord' is pure theatrical fire. It's over-the-top in the best way, dripping with charisma. For something quieter but equally powerful, Julianne Moore's breakdown in 'Magnolia' is a masterclass in vulnerability—her character's confession about regret and love is heartbreaking.
What are the best acting monologues for beginner actors to practice?
2 Answers2026-06-26 00:09:41
Monologues for beginners are tricky because you want something that showcases emotion without demanding a Shakespearean level of technique. A lot of lists throw 'To be or not to be' at you right away, which is a trap; it's so famous any mistake feels huge. I'd steer clear of the classics at first and look at contemporary plays where the language is more natural.
Something from 'Rabbit Hole' by David Lindsay-Abaire comes to mind, maybe Becca's speeches about grief. The emotions are raw and immediate, but the words aren't overly poetic, so you can focus on being truthful instead of wrestling with iambic pentameter. Neil LaBute's early works, like scenes from 'The Shape of Things', also have these intense, conversational monologues that are great for learning how to build tension just with your voice and subtle shifts.
For a slightly different angle, monologues from screenplays adapted to stage can work too. The opening voiceover from 'American Beauty', if you cut the visuals, is a masterclass in cynical, detached delivery that still has to hold attention. The key is finding a piece where you connect to the character's frustration or desire, even if it's quiet, because that connection is what reads as 'acting' rather than just recitation.
Something from 'Rabbit Hole' by David Lindsay-Abaire comes to mind, maybe Becca's speeches about grief. The emotions are raw and immediate, but the words aren't overly poetic, so you can focus on being truthful instead of wrestling with iambic pentameter. Neil LaBute's early works, like scenes from 'The Shape of Things', also have these intense, conversational monologues that are great for learning how to build tension just with your voice and subtle shifts.
For a slightly different angle, monologues from screenplays adapted to stage can work too. The opening voiceover from 'American Beauty', if you cut the visuals, is a masterclass in cynical, detached delivery that still has to hold attention. The key is finding a piece where you connect to the character's frustration or desire, even if it's quiet, because that connection is what reads as 'acting' rather than just recitation.
What are the best acting monologues for beginners to practice?
3 Answers2026-06-26 16:45:05
Honestly, I'd steer clear of the usual Shakespeare suspects for total beginners—'To be or not to be' is a minefield of expectation. A monologue needs to be a story you can grab onto, not just famous words. Something from a modern play with a clear, immediate want works better.
I found my footing with the 'I'm a person!' rant from Wendy Wasserstein's 'The Heidi Chronicles'. It's furious and funny, the character is just talking to her date, and the emotional shift from sarcasm to genuine hurt is so playable. You don't need to embody centuries of theatrical history, just a smart woman having a terrible night. That relatability is the training wheels you need.
Beginners should look for pieces where the character is trying to change someone in the room with them, not pontificating to the cosmos. It keeps you anchored.
I found my footing with the 'I'm a person!' rant from Wendy Wasserstein's 'The Heidi Chronicles'. It's furious and funny, the character is just talking to her date, and the emotional shift from sarcasm to genuine hurt is so playable. You don't need to embody centuries of theatrical history, just a smart woman having a terrible night. That relatability is the training wheels you need.
Beginners should look for pieces where the character is trying to change someone in the room with them, not pontificating to the cosmos. It keeps you anchored.
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