Phoebe Waller-Bridge is one of those rare talents who seems to effortlessly collect accolades while making it look like she’s just having fun. Her breakout show, 'Fleabag,' basically swept the Emmys in 2019—Outstanding Comedy Series, Lead Actress, and Writing for a Comedy Series. Not bad for a one-woman stage play turned TV phenomenon! She also snagged two Golden Globes for 'Fleabag,' and let’s not forget her BAFTA for Best Female Comedy Performance.
But wait, there’s more! She contributed to 'No Time to Die,' and while she didn’t win for that, her sharp wit elevated the Bond script. Then there’s 'Crashing,' her earlier series that didn’t get as much awards love but still showcased her knack for awkward, hilarious human dynamics. Honestly, her trophy shelf must be buckling under the weight by now. What I love is how her work feels so personal yet universally relatable—like she’s handing you a martini and a middle finger at the same time.
Phoebe Waller-Bridge's work is pure gold, and luckily, most of it’s pretty accessible! 'Fleabag' is a must-watch—it’s on Amazon Prime Video, and honestly, it’s worth subscribing just for that. The way she breaks the fourth wall feels like you’re sharing secrets with a mischievous friend.
If you’re into darker humor, 'Killing Eve' (which she created and wrote the first season of) is available on Hulu and AMC+. Sandra Oh and Jodie Comer’s cat-and-mouse game is addictive, though later seasons dip in quality once Phoebe stepped back. For something quirky, her early sitcom 'Crashing' is on Netflix—short but packed with her signature awkward charm. Oh, and don’t forget 'Run' (HBO Max), a rom-com thriller she stars in; it’s underrated but has her classic chaotic energy.
Phoebe Waller-Bridge is one of those creators who leaves you hungry for more after every project. Last I heard, she’s been teasing something new, but she’s always been tight-lipped until things are solid. After 'Fleabag' and her work on 'Killing Eve', I wouldn’t be surprised if she’s brewing another masterpiece. She’s got this knack for blending raw humor with heart-wrenching drama, and I’m low-key hoping for another solo project where she stars too. Her collaborations with Amazon for the 'Tomb Raider' series show she’s expanding her range, but honestly, I’d kill for another deeply personal, one-woman show like 'Fleabag'. The way she crafts dialogue feels like she’s eavesdropping on my inner monologue.
Rumors floated around about her developing a comedy series for HBO Max, but nothing’s confirmed. Knowing her, she’s probably juggling ten ideas at once. Whatever it is, I trust her to deliver something that’ll make me laugh, cry, and question my life choices—preferably all in one episode. Until then, I’ll just rewatch 'Fleabag' for the 50th time and pretend I’m fine.