Thirteen Going On Thirty

MATURE CONTENT!! FOR 18+ ONLY “ What the fuck did you call that reason again?” he asked coldly, making me wonder where his gentleness had gone! “ I… I’m five years older than you, Kelvin, and being in a relationship with you…” “ Bullshit!” he snapped and suddenly grabbed my neck roughly. My eyes widened. “ What are you doing, Kelvin! I’m your teacher…” “ You didn’t think about that when you let me kiss and finger your pussy huh? You even screamed my name like your lord" then he chuckled. "Look, you can’t even free yourself from my grip.” Then he effortlessly pulled me closer and leaned toward my ear. “ I will make you beg for my love, Lisa. You will learn the hard way that the age gap you valued between us is just a number. You will have nowhere to go but my side, unless you travel off this planet, Lisa. I’ve already claimed you, leaving you with no choice… now get out,” he said calmly, yet very dangerous. I quickly grabbed my bag and escaped from the room! How did I even get myself into this situation? I suddenly felt Kelvin was more dangerous than Timothy, my ex-husband!! Not only am I older than Kelvin! I’m also his homeroom teacher, for goodness sake!! His parents intentionally avoided young teachers and trusted me with their son because I’m older! Now look who is dating him!! ….. Ever since Lisa resigned from being his teacher, her life has turned upside down!

At nineteen, you're expected to have the perfect blueprint. To navigate university effortlessly and finally act like a real adult. ​Kelsey Vance is ready for it. ​But reality doesn't care about blueprints. When the illusion fades, nineteen becomes less about having the answers, and more about the beautiful chaos of who you become when the expectations vanish.

Millie is caught in between her old life and new. She stayed in an apartment to be nearby her drug addict father until he passed. Although she is devastated by her father’s passing, she has a new found freedom. She’s leaving her old life behind in San Diego and now getting a do over in L.A where she’ll have a fresh start, career and a new apartment. The only problem is there’s 37 days between her old lease and new. Millie’s best friend Steph offers a place to stay with her, all is good and fine until she finds out the truth about where she’s actually staying. The mansion, previously a hotel is owned by suspected drug traffickers that are not to be messed with. Millie finds herself falling for one of them, which stirs up a lot of trouble. Will she be strong enough to handle the challenges ahead that come with her new love interest?

This is a story of two close friends (Courtney and Judy) and the odds that meet them as soon as Courtney turns 18. They hope for a bright future together but have no clue on things that are yet to unfold in their lives.

I should have never turned her away. So many years have passed, and she’s back in my life. But our parents dating for a while left me refusing her. And she left for the romantic city of Paris. My pretty girl becoming a ballerina. Forever gone. But life has a way of taking things full circle. Due to an injury, she’s back in our small town. My second chance to make things right stares me in the face. She’s all grown up, and still stealing my every thought. But I can’t compete with her dreams. Letting her go is what’s required of me, and I do it, but not without cost. Never in a million years did I expect her to take a gift with her. A secret. My baby.

When 19-year-old waitress Millie takes a summer job as companion to wealthy Lady Vera Ashington at her Suffolk stately home, she has no idea that a mystery will unfold which puts her own life and her family's business at risk. Unexplained deaths will test her morality. Can the end justify the means? Lady Ashington (Vera) fears a breakdown due to personal regrets. She has one last go at seeking long-term happiness. Having taken Millie as a companion, the two women become friends and enjoy arguing about Vera's wealth and her inability to use it wisely. ‘ Too much cake', is the problem. Millie empowers Vera. She keeps a first person diary, and includes Vera's viewpoint. This diary is the novel. It tells how the talents of two very different women, when harnessed, move mountains. But, Vera's local influence means every good deed, leaves a loser. Millie had not appreciated this and conflicts mount. Things reach a head when a couple in the village, are murdered . The evidence isn't clear. Who would profit from their deaths? Is Vera implicated? Must Millie fear for her life?