Is Tam-O'-Shanter A Novel Or A Poem?

When Athena, a hybrid, meets Cameron, the billionaire Lycan King's son, in the parking lot of Silverwood Academy, an unlikely bond forms. But Athena has been trained to resist the mate bond at all costs, believing it will lead to her mate's death. Cameron's legacy depends on activating their bond and he's determined to win Athena over. Can they defy the goddess's warning and risk everything for love, or will their forbidden attraction seal their fate?

She was meant to save the heroine, but now she's carrying the tyrant's baby. "Found you." He smirked, tightening his grip on Selene's arm. ~~~ Selene is an avid reader of dark romance and is currently obsessed with a tragic tale where the beautiful Rosalind, daughter of a fallen noble, becomes a servant and falls into the clutches of the ruthless tyrant king, Alaric. When Rosalind becomes pregnant, the king casts her aside for another woman, leaving her to die in heartbreak. Devastated after finishing the book, Selene's emotions overwhelm her-until, in a flash, she's pulled into the very world that shattered her heart. But to her surprise, she's no longer just a reader but Rosalind's loyal servant. She then accepts her destiny and becomes determined to rewrite the story and protect the female lead from the king's cruelty. Yet fate has a twisted sense of humor. As Selene tries to shield Rosalind from King Alaric, the tyrant becomes captivated by Selene's fiery defiance and wit. Instead of Rosalind, it's Selene who catches his eye... and soon, it is she who is carrying the tyrant's child.

Seven Classic Faery Tales are given a very adult makeover. You are entering a world of myth, magic, and Immortals. Throw in the humans for the added spice of erotica and violence. Mix together and you have dark adult faery tales ........ Do not read if easily offended!

In the quiet woods, under the stars, Elara and Kaelen share a special, intimate moment. It feels forbidden because everyone has always told them they shouldn’t be together but it also feels right. Elara was raised to fear the dark, and Kaelen is made of shadow itself. But in each other’s arms, they start to see the truth: light and shadow aren’t enemies they belong together. For 400 years, the land of Luminara has lived by that lie. A powerful group called the Order rules everyone, using fear to make people obey. No one asks why winters are getting longer, why food is getting harder to grow, or why the moon is slowly losing its light. Elara never thought she would change anything. She’s just a normal girl, and all she has left of her mother who disappeared years ago is an old brass locket. But one day, the locket starts to hum with strange power. Then a man made of dark mist and starlight steps out of the trees. His name is Kaelen. He is the guardian the Order has hunted for hundreds of years, calling him a monster. But he tells Elara the secret no one is allowed to say: Light can’t live without shadow. If you separate them, the whole world will die. Now Elara is on the run. Valerius, the cruel leader of the Order, is chasing her he wants to steal the locket’s power so he can rule forever. She is also followed by Morgrath, a twisted shadow who offers her something scary: total power, no more fear, no more running if she lets the darkness take over. And deep under the mountains, something very old and powerful is waking up. It could fix everything… or destroy it all.

Merida was a certified black sheep of the family. She loves to hear her grandmother's story about fairies, dragons, pirates and princesses and her favorite was the tale about the legendary pirate named Escarial, and a Princess called Athalia. Listening to her grandma’s folktales was her routine all throughout her eighteen years of existence. That’s why when her grandmother died without having at least a last talk with her, she turned badly depressed. She didn’t go to school at all, and just stayed in her grandmother’s room to lock herself away from the rest of the world. Three days after her grandmother’s funeral, strange things happened in her room. The painting her old woman often gazed on suddenly moved and glowed. She succumbed to it, helpless, and had nothing to do to save herself because of the force that was beyond overwhelming. The next thing she knew, she was in North Sonnenfield. What’s more shocking to her was the name she’s called as by her servants; Princess Athalia—the heir of the throne, and the only daughter of King Eldar of North Sonnenfield. She was in awe, because she remembered that King Eldar was the character in the story. The palace where she found herself lost was the same place where the brave princess who ventured the dangerous sea had lived. She loves being in a Sonnenfield. However, she knew to herself that the day will come when she would wake up from a dream. But life always has a twist because Captain Escarial came to the scene. She expects that he will be gentleman just like pirate captain in the book. But to her horror, this Captain Escarial is snobbish, rude and proud. Oh, how she hates him!

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.