Is 'Time Is A Cruel Mistress' A Metaphor In Poetry?

"There's something so fascinating about your innocence," he breathes, so close I can feel the warmth of his breath against my lips. "It's a shame my own darkness is going to destroy it. However, I think I might enjoy the act of doing so." Being reborn as an immortal isn't particularly easy. For Rosie, it's made harder as she is sentenced to live her life within Time's territory, a powerful Immortal known for his callous behaviour and unlawful followers. However, the way he appears to her is not all there is to him. In fear of a powerful danger, Time whisks her away throughout his own personal history. But going back in time has it's consequences; mainly which, involve all the dark secrets he's held within eternity. But Rosie won't lie. The way she feels toward him isn't just their mate bond. It's a dark, dangerous attraction that bypasses how she has felt for past relationships. This is raw, passionate and sexy. And she can't escape it.

We can't really control time, if time paused we can't really do anything about it. If the time starts to move again then take chances before it's too late. During their past life, they already know will come to an end. But a chance was given for them to live and find each other to love again.

Aurora is the only daughter in a wealthy family, she has a hot temper, is arrogant, and likes to show off. She dyed her hair blue, pierced her earrings, and got tattoos. She was a spoiled child who was over-indulgent. Suddenly, in one class like any other day. Aurora becomes invisible. She had no reflection in the mirror, could not touch anything, She could only touch what she was carrying with her. The classmates around were still laughing and chatting as usual. Even if she screams, no one will hear. Aurora is extremely scared, she tries to go home to seek help, but after returning home she finds her family has been changed. The family that was once warm and happy suddenly had nothing left because the past had changed. Now, her mother, Breana Clayden, had been in prison thirteen years ago, and her father, William Dylson, had married another woman twenty years earlier. And now, he has another family, another wife, and another child. And Aurora - is a person who was never born. A strange person in the form of an old clock appears - Luan, Luan tells her that the past has changed, and she has become an outcast of time. At the same time, that person gives her the opportunity to reclaim everything, and reclaim her happy family, her identity, and her future. Did this strange man named Luan have any plots? If Aurora fails to prevent the time paradox from happening, what punishment will she be subject to? How will Aurora choose? The dark and confused truth lurks behind the film of time, deep in the past, will she find it?

Elspeth Amorelle Keene, a college business major live in a world where everything is predicted. All people in their world are born with two clock birthmarks on their palms which indicate the date of love and the date of death. During her last day, she unexpectedly had an encounter with the physics genius who's popularly known in Aestwood University. Without her knowing, meeting him means the start of her complicated life. Will she try to change something or just accept the fact that she's ill-fated?

Hang on with me for a second, as the first few chapters might be a bit confusing; however, it will all be solved in the meantime. Eternal Malediction is a fantasy novel with elements of psychological pain and growth. It follows the main character, Roy Shyam, a cynical yet compassionate 17-year-old cursed with the ability of transmigration, bound by an entity whose obsession with him ensures he can never escape. Every time Roy dies, he is transmigrated to another universe, a new version of him. Entering the life of each universe's Roy while facing subtle to absurd circumstances. This eternal malediction breaks down his identity and prevents him from speaking of it, which summons the being, causing him to go back in time to a place he was before. We are then introduced to another version of Roy, one where our Roy has yet to take over his body; he emerges in a society where continents, countries and law thrive through the use of prana, a force that connects life, will and reality. Here, Roy forms a faction called Nova in Veil and draws the attention of the Celestial Watch, the protector of the land where he lives. The plot moves from intimate suffering to the rebirth of a new character, culminating in his choices about memory, fate and what it exactly means to live.

On Mount Olympus, one law is ironclad: a god must never fall in love with a mortal. But Aresios, the God of War and heir to the King of the Gods, bound his very soul to mine. For me, he endured ninety-nine bolts of divine lightning and knelt before the Olympian altar for three days and three nights. Ichor soaked his armor, yet he smiled and kissed my lips. "Elara, don't be afraid. I want only you." The gods finally relented, on one condition: he had to leave behind a pure-blooded divine heir. After that, the words I heard most from Aresios were, "Just wait a little longer." The first time, it was to wait while he bedded another goddess. He and Cassia, the Goddess of Fate, lay together for thirty nights, until his golden ichor quickened in her womb. The second time, he told me to wait. Their first child was a girl, unable to inherit his divine mantle. The gods demanded a son. So he lay with Cassia for another ninety-nine nights, until she once again conceived a divine child. Just when I thought the ordeal was over, their newborn daughter was struck by Hydra's venom. The entire divine realm was convinced I had done it. As I was thrown into a cold bronze cage by the river Cocytus, Aresios stood outside the door, his eyes crimson. "You know what Hydra's venom does to an infant god. Why would you harm our daughter?" That one word. Our daughter. I was too numb to feel the pain. When the bronze cage door opened again, I unclenched my blood-drenched fists. This time, I would not wait.