How Does The Time Traveller'S Guide To Elizabethan England Explain Daily Life?

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Now everything is changing...with everyone of us sweeping under the carpet the scars of yesterday's sins. Those scars are what kept me alive until you are all born to hear the story. The world government was powerful and taking advantage of the human colonial minds, they buried our freedom and equity. But now that we the Elites whom they educated and rose to revolts against the fingers that had fed us... What do you call it? Oh! yes they had termed it Rebellion. They did call us rebels, for seeking a small ration part of the best that nature has given to mankind. Al-sural-tu-Nas. This for mankind, tell ye that the beast you trained in the dark had turned to an angel in the day. We are filled from the pot of lies now that our bellies cannot contain what they obtain, the promises that were compromised, treaties that were breached, least they covered the black mails and lies with a blanket of Diplomacy. But now is the snatch of the gallon beer from the drunkard because now there is what when diplomacy fails.....is war. "Now we are free." Later in the future a seed germinates bearing fruits of the YESTERDAYS as she possess the abilities to time travel and set broken pieces together but this has consequences in the future of mankind. Read along

Valentine Crimson is a young twenty-two year old adult who accidentally time travels to a wrong place back in 2015 in west where he meets the only heir of the royal family Angelica Kenneth. He saved her life and returns back to his time period 2022 by default. After seven years they meet again. Angelica Kenneth who has now disguised herself as a normal citizen named Lucia. When, Valentine saw her for the first time, he fell in love and wants to stick around. But sticking around with her majesty will bring danger to his life too, unaware of the possible danger coming at him, he falls for her deeper and deeper. . It's a rom-com drama novel inspired with sci-fi and adventure. It is a slow romance.

Abigail, a struggling writer, time-travels to 19th century France, landing in the lavender fields of Provence. There she meets Vincent, a solitary artist with a mysterious past. Together, they explore the land and inspire each other's work, leading to a passionate, yet doomed, affair. As the hourglass drains, Abigail must choose between her modern life or her love for Vincent in the past

A young widow is given one more chance at life when her life is reversed back in time using a time travel machine that had been her late husband's father's life's work, way before she was forced into an arranged marriage. But what does the new trip in time hold for her, especially when she meets her then husband in a new setting, and sees him in a different light, bearing in mind that he is already dead? And how fast is a whirlwind romance when she has to go back to her place in time to an empty bed? "You don't...look like someone who has a long time to live." I said to him, watching as his gaze became a little sad. "I guess when you live right, you don't need to."

When 19-year-old waitress Millie takes a summer job as companion to wealthy Lady Vera Ashington at her Suffolk stately home, she has no idea that a mystery will unfold which puts her own life and her family's business at risk. Unexplained deaths will test her morality. Can the end justify the means? Lady Ashington (Vera) fears a breakdown due to personal regrets. She has one last go at seeking long-term happiness. Having taken Millie as a companion, the two women become friends and enjoy arguing about Vera's wealth and her inability to use it wisely. ‘ Too much cake', is the problem. Millie empowers Vera. She keeps a first person diary, and includes Vera's viewpoint. This diary is the novel. It tells how the talents of two very different women, when harnessed, move mountains. But, Vera's local influence means every good deed, leaves a loser. Millie had not appreciated this and conflicts mount. Things reach a head when a couple in the village, are murdered . The evidence isn't clear. Who would profit from their deaths? Is Vera implicated? Must Millie fear for her life?