Is The Turn Of The Screw Based On A True Story?

Princess Chloe's son, Elliot, finds that his mate is a childhood friend that he has loved since childhood. Elisabeth was abandoned and left for dead by her biological mother as soon as she was born. Queen Winnie raised her to be a white witch, knowing her biological mother is Dahlia, Queen of the dark witch coven. Elisabeth and Elliot are going to have to work together, with the help of The Alliance, to kill Dahlia before she drains Elisabeth's and her siblings' magic to use for her own evil purposes.

My adopted daughter, Phoebe Marsh, possessed an evil ability. Whenever she got hurt, the pain would also be inflicted directly on my biological daughter, Maisie Shaw. She deliberately hurt herself, covering her body with wounds and bruises. Then, she would turn around with cold eyes, watching Maisie writhe on the floor in agony until she passed out from the pain. With no medical solution available, I broke down and held Maisie close, begging my husband, Brandon Shaw, to send Phoebe away. However, he would erupt in fury. "It's obviously Maisie who's been faking illness for attention, and you're making up this ridiculous story to get rid of Phoebe. She's just a fragile, helpless child. How can you be so vicious?" After that, Phoebe escalated her self-harm even more viciously. Meanwhile, Maisie spent every day curled up in the corner of her bed, refusing to let anyone touch her. On Maisie's birthday, Phoebe threw herself from the fifth floor. Just as Maisie was blowing out her candles and making a wish, she suddenly began bleeding from all her facial orifices, and she died instantly. Yet, Phoebe only suffered minor scrapes. I died from overwhelming grief shortly after. When I opened my eyes again, I had returned to Phoebe's first day in our home. Maisie was playing with her Legos when she suddenly clutched her ankle and started crying. This time, I grabbed the broom from behind the door and swung it toward Maisie, shouting, "I'll beat you up for faking illness and seeking attention!"

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

When Covid hits, the Thomas Family decided to pack up their lives in the city and move to Buttershire, to the family mansion on the hill. But there is a secret to the mansion, that no one told the family when they got the keys. Whilst the adults seem oblivious to what is happening around them, the teenage knows that the clock is ticking. What they discover is truly not for the faint of heart.

After years of running from her past, Lissa returns to the one place she never wanted to see again—her childhood home. The town hasn’t changed, but Lissa has. Now a mother, a wife, and a survivor, she’s trying to rebuild a life while standing on the crumbling foundation of her trauma. Just a few months. Just until she finds her footing. But the house doesn’t let go so easily. It smells of mildew and memory. Dust covers more than furniture—it coats every secret Lissa tried to bury. As she navigates motherhood, old friendships, and a strained relationship with her sister, Lissa discovers more than ghosts in the attic. A photograph violently scribbled out. A letter from someone she hoped was lost to time. And a journal that brings her back to the girl she used to be. Her husband, Colt, tries to be her anchor. Her son, Lucas, is her reason to fight. But a single name—just one letter, T—is all it takes to fracture her resolve. The past isn’t dead. It’s waiting in the basement. In a letter tucked behind old receipts. In the quiet corners of her memory where no one else can go. As the days pass, the house begins to feel like a trap.Lissa must decide if she’s strong enough to dig through the wreckage of her past… or if some secrets are better left buried. Told with raw emotion and atmospheric suspense, House of Quiet Screams is a story of trauma, resilience, and the silent strength it takes to confront what once felt un faceable. For Lissa, surviving was never the end of the story—facing what comes after might be the beginning.

When the power meter in the house trips, Mom's foster daughter, Juniper Hawthorne, is trapped in the dark for five minutes. Even though I have claustrophobia, Mom locks me in an empty, pitch-black room. "You knew Juniper was terrified of the dark, yet you intentionally shut off the power just to frighten her! I'll teach you how to behave today!" I cry and beg her not to, but all I receive in return is a harsh slap. "Claustrophobia? That's just what happens when a kid grows up too spoiled." Late that night, I sense someone breaking into the house. The first thing I do is to call Mom, a renowned criminal psychologist, for help, only to be yelled at. "You're still really getting into this role just to fight Juniper for attention, aren't you? "Kidnappers, huh? Well, go ahead and die so you'll stop bothering me!" As she wishes, I'm brutally tortured and killed. My body is buried beneath Mom's favorite flowerbed. After I die, my soul is trapped in the body of a cat. All I can do is helplessly circle Mom until five days have passed. The police arrive with a mangled body and request her help in creating a portrait of the killer.