That walrus is such a drama queen! I mean, he spends the whole poem chatting up these oysters like they’re old pals, then turns on the waterworks right before devouring them. It’s peak 'sorry-not-sorry' energy. Some folks say it’s about the inevitability of betrayal, but I think Carroll was just having fun with irony—the ultimate 'crocodile tears' gag. The way the oysters trust him totally reminds me of naive side characters in anime who get tricked by the charming villain. Classic tragicomedy.
The Walrus's tears in 'The Walrus and the Carpenter' have always struck me as this weirdly poignant moment in an otherwise absurd poem. At first glance, it feels like Lewis Carroll is just messing with us—here’s this giant, mustachioed sea mammal sobbing over oysters he’s about to eat. But when you dig deeper, there’s this layered guilt and hypocrisy. The Walrus plays the sentimental fool, waxing poetic about 'shoes and ships and sealing-wax' while luring the oysters to their doom. His crying isn’t genuine remorse; it’s performative. It mirrors how people in power often pretend to care while exploiting others. Carroll was a master of satire, and this feels like a jab at Victorian morality—tears as a cheap cover for cruelty.
What fascinates me is how the Carpenter doesn’t cry at all. He’s just there, quietly complicit. The contrast makes the Walrus’s tears even more grotesque. It’s like watching a villain monologue about their tragic backstory mid-heist. Maybe the Walrus cries because he knows he’s a fraud, or maybe Carroll’s just reminding us how easy it is to manipulate emotions. Either way, those tears stick with you. They turn a silly children’s poem into something uncomfortably human.
2026-01-26 22:45:06
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Poor Unfortunate Wolf
Klaira Blains
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Sapphire's trapped in her uncle's pack. He hates her in so many ways. Everyone in the pack does, even her cousin Ivory. So, she gets the jobs no one wants to do while Ivory is the golden child. She's got everything and gets away with everything. While Sapphire must pick up her slack in the packhouse. All the while, suffering the hateful words and actions of the pack. Her emotions are mixed as she reaches adulthood. Sapphire expects being cast from the pack. She plans to leave on her terms. Little does she know Ivory wants to remove her from not just the pack, but the world. Magnus is the Alpha of a pack moving into the area. A pack her uncle doesn't want there, but it's small and can easily be crushed in her uncle's estimation. But Magnus isn't stupid. He's not showing his true numbers. He tried to get a non-aggression pact with Sapphire's uncle. But that fell apart after meeting Ivory and Sapphire. It wasn't repairable after the evidence he saw. What unfolds after that is fated mates, misunderstandings, hateful greed, and a poor unfortunate wolf caught in the middle of some dangerous politics. Read on to see what happens when Magnus kidnaps Sapphire and destiny has its way with them.
Karl's life is being threatened and there is only one way to change that, he has to eat from the tree. It was said that whoever did would turn evil but will also be made strong, strong enough to protect his pack from the people seeking to destroy them. He is the last of the purest Alpha wolf bloodline seen in centuries, he is the one the prophesy was talking about, the one they said would save his pack from their curse.
Indeed he had been spoken of since the beginning of time in the holy scriptures, it spoke of a boy who would cry wolf and bring all to their knees.
But there is something that is going to hold him back, his mate. He had found her, immediately she had looked into his eyes and asked him where he was going he knew she was the one.
When she had touched his fur with fascination, he had known she was the one he was meant to mate with. A wolf only has one mate throughout their lifetime and he had found his until he discovered she was an enemy, daughter to the one who sought to kill him. Her death would bring life to his pack
Sirius remembers being born.
He knows who he is.
He knows the Commander will come.
He remembers before.
He knows the future.
A hybrid dog/wolf serving the British Military?
Look closer.
He will pay the debt he owes humankind.
Then he will take his rightful place.
The first book is his history.
The Lycanthrope.
The King who needs a Queen.
The second book is his future.
He will make many sacrifices and face many battles.
Sirius must win
For the sake of the Immortals,
For the sake of humankind
For the sake of the Earth.
A lonely and injured Alpha male werewolf was found by a vet in a forest when she went trekking along with her stepsister and her friends. She brings him home to get him treated thinking that he is any other normal wolf that got hurt. Little did she know that the wolf was actually not hurt but just being lazy to even eat the food given to him. So, he was abandoned by his clan to fend off by himself.
Sazia's heart gets broken when she finds out that the love of her life chose someone else to be with at the mated ceremony.
Trying to run away from her past, she melts herself into the human form and loses a bit of her memory due to the incident.
With a new name and a new identity, she tries to restart her life again but fate has other plans for her.
What would happen when her past starts to haunt her and she is the only one left to save the werewolf pack?
Would she go back to her old life or will she choose to move on? There's only one way to find out…
I was eghteen and homeless for almost a year until I was found in the woods by someone compelled to help. This woman feels a connection with me and knows my secret. I was unaware werewolfs existed until I became one and she's one too. Her family takes me in and I become an added member of the Alphas family. I owe them my life and they've given me so much more then I ever hoped for. It worries me though that I can't help but feel like something bad may happen. It's probably just my pessimistic nature I'm sure it will get better over time.
That scene in 'Walrus and the Carpenter' always gets me. The Walrus isn't just crying because he feels bad about tricking the oysters—it's deeper than that. Lewis Carroll's whole poem is packed with satire and absurdity, and the Walrus represents this manipulative yet strangely remorseful figure. He knows what he's doing is wrong, but he does it anyway, and the tears are this weird mix of guilt and performance. It's like when someone knows they're being a hypocrite but can't stop themselves. The way Carroll writes it, with all those exaggerated sobs, makes me think the Walrus is almost parodying his own emotions. But then there's the Carpenter, who just doesn't care at all, which makes the Walrus seem even more theatrical. It's such a clever little moment that makes you wonder if the Walrus is truly sad or just putting on a show.
And honestly, that duality is what makes the poem so fascinating. The Walrus cries, but he still eats the oysters. It's like a commentary on how people can perform empathy while still doing selfish things. I always end up rereading that part, trying to figure out if the tears are genuine or just another layer of manipulation. Carroll was a genius at leaving things ambiguous.
I've always been fascinated by the surreal, dreamlike quality of 'The Walrus and the Carpenter,' and that ending! It leaves you with this eerie, unresolved feeling. After all that walking and talking, the oysters—those poor, gullible little creatures—get devoured by the duo. The Walrus sheds crocodile tears, pretending to feel guilty, while the Carpenter just focuses on the meal. The last lines hit hard: 'But answer came there none— / And this was scarcely odd, because / They’d eaten every one.' It’s such a dark twist for a seemingly whimsical poem. Lewis Carroll really knew how to sneak in biting satire under the guise of nonsense. Makes me wonder how many times I’ve missed the deeper meaning in other childhood stories.
What sticks with me is how the poem mirrors real-world exploitation. The oysters trust the Walrus and Carpenter, only to be betrayed. It’s a cautionary tale wrapped in absurdity, and that contrast is what makes it unforgettable. Every time I reread it, I notice new layers—like how the moon’s disapproval earlier in the poem foreshadows the tragedy. Genius, really.
The ending of 'The Walrus and the Carpenter' from Lewis Carroll's 'Through the Looking-Glass' is a mix of dark humor and melancholy. After luring the young oysters with promises of a delightful walk and conversation, the Walrus and the Carpenter devour them all. The poem concludes with the Walrus weeping crocodile tears, pretending to feel remorse, while the Carpenter coldly asks for bread and butter to accompany the meal. It's a satirical jab at hypocrisy, especially in authority figures who exploit the innocent. The oysters' fate is grim—they’re eaten without a second thought, emphasizing how naivety can lead to tragic consequences.
What sticks with me is the way Carroll wraps such a brutal lesson in whimsical verse. The Walrus’s faux-sympathy ('I weep for you') feels eerily familiar, like politicians or salesmen who feign concern while taking advantage. The Carpenter’s indifference is just as chilling. It’s not just a nursery rhyme; it’s a commentary on power dynamics. I always wonder if Alice, listening to Tweedledee recite this, picked up on the darker undertones or just saw it as another absurd Wonderland tale.