If you’re hunting for 'The Prince of Egypt,' I’d start with Vudu or YouTube Movies. They usually have a solid selection of older animated films, and you can rent it for like $3–4. I’ve also seen it pop up on Peacock occasionally, since NBCUniversal owns DreamWorks now. Honestly, it’s worth digging through a few services because this movie’s a masterpiece—the Hans Zimmer score alone justifies the search effort. Pro tip: Set a ‘price alert’ on JustWatch if you’re not in a rush; it’ll notify you when it’s available or discounted somewhere.
I’ve had luck finding 'The Prince of Egypt' on Sky Store (if you’re in the UK) or Microsoft’s rental service. It’s one of those films I recommend owning digitally because you’ll want to revisit it. The scene where the Nile turns to blood? Still unmatched in animation history. Check your local library’s digital app too—mine had it on Hoopla for free streaming last year!
Man, 'The Prince of Egypt' is one of those timeless animated films that still gives me chills every time I watch it. If you're looking to stream it, your best bet is probably checking out platforms like Amazon Prime Video or Apple TV—they often have DreamWorks classics available for rent or purchase. Sometimes it pops up on Netflix or Hulu, but it’s pretty hit-or-miss depending on licensing agreements.
I remember buying the DVD years ago because I couldn’t bear not having it in my collection. The music, the animation—everything about it is just chef’s kiss. If you’re into physical media, you might find it secondhand for cheap, but streaming’s way more convenient these days. Just keep an eye out for sales; digital copies go on discount surprisingly often!
Google Play Movies has it! I rewatched it there last month after craving that ‘Through Heaven’s Eyes’ sequence. The quality was great, and it’s one of those films that holds up even on a small screen. If you’re okay with ads, Tubi sometimes cycles it into their free lineup too—just gotta catch it at the right time.
Funny enough, I just saw it on DirecTV’s on-demand section yesterday! If you’ve got a cable login, it might be tucked away there. Otherwise, eBay’s a wildcard for cheap digital codes—people sell them from old Blu-rays. Just make sure the seller’s legit. The movie’s a 10/10, so any hassle to find it is worth it.
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The Prince's Flame
Lally O Shea
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Eoin Sinclair is the crowned Prince, son of the Werewolf King and Queen. His mother is the legendary Green wolf. He is to be the next King. He agrees to mate his girlfriend Amira after all she is the Princess of the Sirens and raised to be Royal. She knows how to be a calm, submissive, Luna.
Kayda is a fire dragon werewolf hybrid her father Danny is the Warrior Gamma of the Royal Pack. Dottie her mother is the last pure bred fire dragon. Kayda realises her relationship with Eoin might not be what she assumed. After all, he thinks she is immature, unruly, and childish, and those are the reasons he has told her to her face. No way they're mates.
***** *** *******
"This isn't wrestling." Eoin grunted. "I could easily throw you off." he added.
"But you haven't." I grinned, shifting my hips slightly.
"Because I don't want to hurt you." he said. " Get off." he added through gritted teeth.
"Nope Prince." I smirked, emphasising his title Prince and popping the P disrespectfully. "Besides, you already hurt me, so kiss it better." I smirked, leaning dangerously low to him and pushing out my split lip.
"Kayda." he growled in warning. "Last chance, get off me."
"And if I don't, do I get that spanking?" I asked .
Eoin snapped. I saw it happen in his eyes. I had pushed him to his limit. He swiftly stood up with me in his arms and walked a few paces. Before I knew it, he had me bent over a fallen tree log on the edge of the clearing my head and upper body over the log and my butt in the air.
******* ********* *****
Will the future Kings Flame burn him, or will it set him on fire?
Book 3 of the Green Wolf series.
After discovering her boyfriend cheated on her with her best friend, Maritza travels to Egypt alone, hoping to leave her broken heart behind.
But one unexpected accident changes everything.
A single drop of her blood awakens an ancient prophecy, sending her three thousand years into the past—where she is mistaken for a witch and hunted by those who fear her.
Only one man recognizes the truth.
Pharaoh Kharef, the most feared ruler of Ancient Egypt.
As palace conspiracies, forbidden magic, and forgotten gods begin to stir, Maritza must find a way back to her own time... or risk becoming the queen history was never meant to remember.
Some destinies are written in the stars.
Hers was written in blood.
Prince Aldridge Camionare, the seventh prince of the Holy Land, found out that he was a prince later than he should. With a mother who died, a father who doesn’t care for him and siblings who will never accept him is left to do his duties.
Aldridge minded his ways until he met the Duke's son who he had fallen in love with. The two of them had their fun together until rumours spread about an affair which the Duke apparent immediately put an end leaving Aldridge distraught and helpless.
During this time he uncovered a plot that threatened the crown and was granted three gifts, one of them allowing everyone who wanted to be with the same sex immunity from death. With this new law, Aldridge could do whatever he wanted as long as it was not against the crown and with daddy blessing, he went in search of someone who would never leave him.
Shawn Seghatchian was found in the dungeon by Prince Aldridge to stand as his personal bodyguard. Being released and following the prince's orders, Shawn later realised that something unexpected was developing between the two of them but as things develop, the nobles cause troubles, so many troubles for the prince and his prisoner.
But does this really affect the bond between the Prince who has a personality disorder and the prisoner who is as loyal as a dog? AND while they saved the kingdom one body at a time?
Cover art by: Pen Guevarra
In a kingdom where alliances are sealed in blood and power is never freely given, Delila Alden never imagined her life would collide with royalty. When she crosses paths with Tobias Rostov, the crown prince of Aruyios, their meeting sets off a chain of events neither of them can control.
Lila is stubborn, fiery, and determined to survive the weight of her past. Tobias is disciplined, noble, and bound by duty to his kingdom. What begins as an impossible bond soon grows into something undeniable, a connection that defies the laws of their world.
But the path to love is never simple for a prince and his chosen girl. From dangerous rivalries to ancient traditions, every step they take together threatens to tear them apart. Secrets rise, loyalties are tested, and enemies circle closer. Lila must grow into her strength, discovering power she never knew she had, while Tobias struggles to balance his love for her against the future of his crown.
As war looms and betrayal strikes from within, the couple must decide how far they will go to protect each other and the kingdom they are destined to rule.
A story of passion, sacrifice, and destiny where a girl becomes a princess, and a prince learns that love can be the fiercest weapon of all.
“You dropped your spoon,” the stranger says as he grabs it. “I’ll go get another,” and the stranger goes to fetch another.
When he gets back, Gianni is clinging to life because of his hunger. He is barely managing his posture. Quickly, the stranger gives the spoon to him. But as soon as it reaches the latter’s trembling hand, it falls to his bed sheets.
“I can’t hold a spoon,” Gianni is despairingly disheartened.
Moments of silence fills the air until the stranger’s warm hand holds Gianni’s chin open.
“Open your mouth,” the stranger says as he feeds him with a spoonful off bouillabaisse.
Surprised, Gianni feels the luxury of comfort once more. The stranger’s hand is so warm and comforting. He could not help but feel shy and embarrassed.
“I’m sorry,” Gianni silently says. “I’ve caused you too much burden.”
“It’s no problem,” the stranger wildly smiled. His smile makes Gianni’s heart throb faster than a fleeting flame.
“You should regain back your strength,” the stranger continues feeding Gianni, “so that you can repay your debt with your life.”
“With my life?” Gianni gulps and coughs. The revelation completely surprises him. “What do you mean?”
“Your family disowned you. You have nowhere to go. You do not have any money on you nor any possessions to repay that service that I have done for you,” the stranger explains. “Thus, you shall pay back by serving as a butler."
Gianni suddenly becomes the butler to the prince, who develops an interest towards the latter. How will their relationship blossom and unfold in spite of the challenges and rivals that rock their world?
Set in the 1800s were the elite and peasants are very much set apart. Aurora is 18 years old and she is a maid in the palace, one fateful day tragic events lead to her serving Prince Caspian. Prince Caspian is used to having any woman at his abode, with his good looks, wealth, and charm, he sets his eyes on Aurora, he wants her in his bed. He knows that with social norms he can never be with her but what happens when this develops to more than they both signed up for? When sex ends up coming with strings attached.
Oh, 'The Prince of Egypt' is one of those films that feels like a grand epic but also deeply personal. It’s loosely based on the biblical story of Moses from the Book of Exodus, so while it’s rooted in religious tradition, it’s not a strict historical account. DreamWorks took creative liberties to make it more cinematic—like the rivalry between Moses and Ramses, which is dramatized for emotional impact. The plagues, the parting of the Red Sea—all those iconic moments are drawn from scripture but amplified for visual storytelling. What I love is how the film balances spectacle with intimate moments, like Moses’ doubt and his bond with Miriam. It doesn’t claim to be a documentary, but it captures the spirit of the story in a way that feels true, if that makes sense. I still get chills during 'When You Believe.'
Speaking of adaptations, it’s interesting how the film compares to other retellings, like the 1956 'The Ten Commandments.' That one leans harder into pageantry, while 'The Prince of Egypt' focuses on character arcs. Neither is 100% accurate, but they’re both valid interpretations. The animation style alone—those watercolor-inspired backgrounds—gives it a mythic quality that feels timeless. It’s less about factual accuracy and more about conveying the emotional weight of liberation and faith.
From the moment the opening chords of 'Deliver Us' hit, 'The Prince of Egypt' gripped me with its emotional depth and grandeur. The film’s message is layered—it’s about the weight of identity and the courage to defy oppression, but also about the personal cost of leadership. Moses’ journey from prince to prophet isn’t just a physical one; it’s a shedding of privilege and a reckoning with his true self. The scene where he confronts Ramses—his brother, yet his oppressor—shows how love and duty can collide tragically.
What sticks with me most, though, is the portrayal of faith as a force that demands action. The plagues aren’t just spectacle; they’re a stark reminder that liberation isn’t clean or easy. The film doesn’t shy away from the pain of change, but it also offers hope through the resilience of the enslaved and Moses’ ultimate redemption. That final shot of the parted sea closing—it’s like the world itself is healing behind them.
The Prince of Egypt holds a special place in my heart because it’s one of those rare animated films that transcends age and time. The storytelling is monumental—literally, given the scale of the Exodus narrative—but what makes it timeless is how human it feels. The conflict between Moses and Ramses isn’t just about divine plagues; it’s about brotherhood, duty, and heartbreaking choices. That scene where they sing 'Look at Your Life' still gives me chills—it’s raw emotion wrapped in stunning animation.
And the music! Oh, the music is a character in itself. Hans Zimmer and Stephen Schwartz created a soundtrack that’s both epic and intimate. 'When You Believe' won an Oscar for a reason—it’s hopeful without being saccharine. The film’s visual style, inspired by ancient Egyptian art but with a modern fluidity, makes every frame feel like a painting. It’s a masterclass in balancing spectacle with soul, which is why I keep rewatching it decades later.