How Does Wigs On The Green Compare To Other Novels By The Author?

Seven Classic Faery Tales are given a very adult makeover. You are entering a world of myth, magic, and Immortals. Throw in the humans for the added spice of erotica and violence. Mix together and you have dark adult faery tales ........ Do not read if easily offended!

I knew my husband, Josh Perkins, had faked his death and taken on his younger twin brother's identity—but I never said a word. Instead, I went straight to the commander of the military district and filed an official report of my husband's death, requesting his name be permanently removed from the service rolls. In my last life, my brother-in-law died in an accident. Josh gave up his rank as regimental commander, abandoned his own name, and stepped into his brother's shoes—all to spare his fragile sister-in-law from becoming a widow. Back then, I recognized him immediately. I confronted him and demanded to know why he was pretending to be a dead man. But Josh just looked through me, cold as a winter morning. "Riley, I know you're grieving Josh. But I'm not him. Don't mistake me for my brother." He shielded that delicate sister-in-law of his behind him, then shoved me into the icy river and warned me not to harbor delusions. Later, our five-year-old daughter cried, asking why her daddy didn't want her anymore. For that, she was dragged to the cowshed for "reflection"—left there, starving, for three days and nights. My mother-in-law called me a curse, a jinx who'd killed her son, and threw my daughter and me out with nothing but the clothes on our backs. Josh made sure everyone knew I'd "gone mad"—that I was lusting after my brother-in-law before my husband was even cold in the ground. The whole town turned their backs on us. That last winter, I wandered the streets with my girl, dazed and numb, until the cold finally took us both. But when I opened my eyes again, I was back. Back to the very day Josh buried his old life and stole his brother's.

Content Warning: This is a collection of dark, steamy age-gap romances centered on marriage, possession, and angst. These are stories where vows are a transaction, love is a battlefield, and the only happy ending is the one they fight for. He is always the other father—the guardian, the protector, the older man forced into a role he never asked for. She is the complication, the temptation, the younger woman who disrupts his carefully controlled world. Their unions are never simple. A marriage contract for protection. A vow sworn in desperation. A wedding to secure a future for a child. But behind every practical arrangement lies a dangerous, simmering tension that vows alone can't contain. This collection delivers standalone stories where passion is a privilege earned only after "I do." Expect charged glances across crowded rooms, kisses that feel like claims, and the slow, angsty burn of a man who believes he doesn't deserve her, fighting the overwhelming need to make her his in every way. For readers who like their romance dark, their heroes possessive, and their happy endings hard-won.

On my ninety-ninth rebirth, I stopped fighting with the real heiress, Lily Hart. I accepted every false accusation she threw at me and let my relationships with my two childhood friends fall apart. I told myself it was fine. At least Wayne Fall was still on my side. That lasted until Lily's birthday gala, when her gown suddenly slipped and nearly left her exposed in front of everyone. Wayne pulled her into his arms and, for the first time, turned his anger on me. "Do you even remember who you are? You're not a Hart by blood. What makes you think you can compete with Lily?" What he didn't know was that every time I tried to expose Lily, everyone I cared about died in horrifying ways. In the first life, my childhood friend, Adrian Cole, was crushed beneath a freight truck, his skull shattered. In the second, my cousin, Ryan Hayes, fell from a skyscraper and was torn apart on impact. In the third, my fiancé, Wayne, was trapped in a blazing fire and burned alive... Adrian and Ryan threw me into the estate's artificial lake. I couldn't swim. Water flooded my lungs until tears streamed down my face, but no matter how desperately I begged for help, neither of them reacted. By the time my consciousness finally faded away, someone dragged me out of the water. Then I heard them talking. "Looks like she's finally learned her lesson. At least you won't have to keep hypnotizing her anymore, Wayne. I was starting to worry all those pills would fry her brain." "There'll definitely be some cognitive damage... But we didn't have a choice. Lily's the Harts' real daughter. If she refused to give in, she'd end up being pushed out of the family sooner or later." So, the countless "rebirths" I'd experienced were nothing more than an illusion. I'd simply been hypnotized. But I never needed to cling to a place in the Hart family. I had a family of my own too.

“You look like her… but you’re not her. Are you?” Nina never asked for this life. But when the powerful Whitlock family offers her a chance to wipe her family's generational debt in exchange for one thing—becoming their dead daughter—she says yes. Now, she lives in Adelaide Whitlock’s mansion. Sleeps in her bed. Wears her clothes. Even answers to her name. All she has to do is fool everyone—Adelaide’s icy parents, the ruthless elite ruling the six families, and worst of all… the two men who knew Adelaide best. Axel, the perfect fiancé who seems too loyal to be true. Nathan, the forbidden flame who stirs up feelings Nina should not be having. But as Nina digs deeper into Adelaide’s past, cracks start to show. Memories don’t line up. Secrets bubble beneath the surface. And the biggest twist? Adelaide’s ghost—figuratively or not—refuses to stay buried. Now, Nina must choose: Keep the illusion alive… or destroy it before it destroys her. But what happens when ghost you're replacing refuses to stay dead ?

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.