How Can Writers Use Getting Things Done To Finish Novels?

There’s nothing sexier than a hot jock any day of the week even if you don’t care for sports. Think sizzling dirty sweat and hard muscle that melts ice instantly. These jocks are ready to meet their match and score for life. Come along for the ride. Find a nice cool spot and bring plenty of iced water. Football, baseball, rugby, and tennis. There’s no end to dirty sex between clean sheets. Completion is created by Holly S. Roberts/D’Elen McClain, an EGlobal Creative Publishing signed author.

The doctor told me I had 72 hours left, unless I got access to the newest experimental treatment. However, there was only one slot available, and my husband Bowen Liddell gave it to my sister Yvonne Lawson instead. "Her kidney failure is more critical," he said. I nodded and swallowed the white pills that would only speed up my death. In the time I had left, I got a lot done. The lawyer's hand trembled as he passed me the documents. "Are you sure you want to transfer the two billion dollars in shares?" I replied, "Yes. Give them to Yvonne." My daughter, Candice Liddell, was giggling in Yvonne's arms. "Mommy Yvonne bought me a new dress!" I said, "It looks beautiful. Make sure you always listen to Mommy Yvonne, okay?" The art gallery I built from the ground up now had Yvonne's name on the sign. "You're too kind, Kathy," she said, crying. I told her, "You'll run it even better than I ever did." I even signed all my parents' trust fund away. That was when Bowen finally gave me his first genuine smile in years. "Kathleen, you've changed. You're not so aggressive anymore... You're beautiful like this." Indeed. This dying version of me finally became the 'perfect Kathleen Sullivan' in their eyes—obedient, generous, and no longer argumentative. The 72-hour countdown had already begun, and I couldn't help but wonder what they would remember when my heart stopped for good. The good wife who 'finally learned to let go', or the woman who completed her revenge by dying?

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Her name was Cathedra. Leave her last name blank, if you will. Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things. Three words: Lies, lies, lies. A picture that moves. And a plea: Please tell them the truth. All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know. No one believed her. No one ever did. She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless. As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone. Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind. Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.

Famous author, Valerie Adeline's world turns upside down after the death of her boyfriend, Daniel, who just so happened to be the fictional love interest in her paranormal romance series, turned real. After months of beginning to get used to her new normal, and slowly coping with the grief of her loss, Valerie is given the opportunity to travel into the fictional realms and lands of her book when she discovers that Daniel is trapped among the pages of her book. The catch? Every twelve hours she spends in the book, it shaves off a year of her own life. Now it's a fight against time to find and save her love before the clock strikes zero, and ends her life.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.