Who Wrote 'A Duty To The Dead'?

There are monsters in this world. And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. Post-infection Chicago. Christmas. Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as ‘Smilers.’ Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred. Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore – at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. It won't be long before that snow-speckled ground will be salted by blood. ©️ Crystal Lake Publishing

The day I was awarded the highest service medal, I got a call that my grandfather had died. My superiors approved emergency leave, and I rushed straight back to the family estate without stopping. The moment I reached the hillside cemetery behind the house, what I saw snapped something inside me. Our family burial ground had been completely leveled. My parents' graves had been dug open. Their urns had been turned into flower pot bases, with dark-red roses planted right on top of them. My grandfather's coffin had been split apart. His body was left exposed in the dirt, already starting to rot. And my younger brother, Jerry Horton, who was on the autism spectrum, was being ordered around like a laborer by my husband's assistant, Digby Wolfe, hauling construction materials back and forth. I lost it. I grabbed Digby and slammed him into the ground with a hard shoulder throw. "You touched my family's graves and made my brother do manual labor. Are you trying to get buried here with them?" Digby coughed up blood as he struggled to his feet, sneering at me. "This was Mr. Gray's decision. He said your family plot is in a good location, with plenty of space. It's perfect for building a golf course for the future Mrs. Gray. In Joule, Mr. Gray is the law." His tone was icy. "And who do you think you are?" I swallowed my rage and called Marshall Gray. "I hear you run Joule," I said. "Well, I'm about to change that."

Aryn's journey begins with the gift of strange and life-altering book. Aptly titled 'Rules of Death' it doesn't stop with the exposure of her own identity. The book holds knowledge and power Aryn can only begin to understand.

When disgraced journalist Elliot Dorne receives an anonymous invitation to Wintercroft Hall—a decaying mansion on a fog-shrouded island—he is promised the story of a lifetime. But upon his arrival, Elliot finds himself among six strangers, each with their own shadowy past. Their enigmatic host, the frail and reclusive Vivienne Ashworth, claims she has summoned them to reveal a deadly truth about the Ashworth family legacy. Before she can confess, Vivienne collapses, and chaos ensues. A violent storm traps the guests on the island, and the discovery of a gruesome murder sets paranoia ablaze. As Elliot uncovers cryptic messages, hidden rooms, and a chilling photograph that ties him to the Ashworth family, he realizes that nothing about this gathering is random. With the mansion’s dark history unraveling and secrets surfacing at every turn, Elliot must confront the ghosts of his own past to survive. But the deeper he digs, the clearer it becomes—someone inside Wintercroft Hall is playing a deadly game, and not everyone will make it out alive. When disgraced journalist Elliot Dorne is invited to the remote and crumbling Wintercroft Hall, he’s promised the story that could save his career. But the mansion’s sinister halls conceal more than just secrets—they harbor a legacy of betrayal, murder, and lies. Elliot is joined by six strangers, all summoned by the enigmatic Vivienne Ashworth. Frail and reclusive, she claims to know the truth about their darkest sins. Before she can reveal anything, a violent storm cuts them off from the outside world—and the first body is discovered. As cryptic messages and chilling clues emerge, Elliot realizes that his connection to the Ashworth family runs deeper than he could have imagined. Someone in Wintercroft Hall knows the truth about his past, and they’ll stop at nothing .

Mia D’Lorne thought heartbreak would kill her but getting hit by a car did the job faster. One second she’s running from the sound of her boyfriend and sister fornicating, the next she’s standing in front of an abandoned bus station in what looks like purgatory. The bus that picks her up looks like a prop in a horror movie and she’s introduced to the world of the Soul Recycle Program. To exist, she has to compete in a twisted afterlife show where the dead fight their way through nightmare worlds for the amusement of unknown and unseen spectators. The rules are simple. Survive or disappear for good. Mia is joined by two strangers who are just as broken as she is. Axel Rivers, who has been dead for almost a century, and Bree DeBois, a control freak paramedic with more guilt than she can carry. Together they try to survive the challenges of the game. As the trio do their best to keep from being erased, they begin to realize the Game is more personal than they imagined.

Five years after my death, my wife, Charlotte Blake, once again asks me to take the fall for Leo Cane, her first love, in his drunk driving case. She barges into my home with fabricated evidence but finds no trace of me anywhere. Left with no other choice, she knocks on my neighbor's door. My neighbor tells her something unexpected. "Shane Foster? He's been dead for a long time. I heard the victim's family from the case he was convicted for wasn't satisfied with the verdict. "They abducted him the day he got out of prison and tortured him for three days straight." Charlotte refuses to believe it. She furiously accuses me of making up any lie to escape responsibility. She storms at the neighbor, shouting, "You think I don't know Shane paid you to cover for him? "Tell him there's no use in hiding. If he doesn't contact me within three days, he won't get a single cent of child support for that bastard." But she doesn't know that the person Leo killed in that drunk driving accident is the very "bastard" she keeps referring to.