The novel 'Found' was written by Margaret Peterson Haddix, a prolific author who’s carved a niche in young adult and middle-grade fiction. Her work often blends suspense with ethical dilemmas, making her stories gripping yet thought-provoking. Beyond 'Found', her 'Shadow Children' series is a standout—dystopian and tense, exploring themes of government control and identity. 'The Missing' series, where 'Found' is the opener, twists history into thrilling adventures, perfect for readers who love puzzles with heart.
Haddix’s 'Uprising' and 'Game Changer' also shine, tackling social issues with nuance. Her ability to weave real-world stakes into fantastical plots keeps fans hooked. What I adore is how she never talks down to her audience—her prose is crisp, her pacing relentless. If you enjoy books that mix adrenaline with deeper questions, her bibliography is a goldmine.
‘Found’ is by Margaret Peterson Haddix, who writes books that kids and adults devour. Her 'Shadow Children' series is a masterclass in tension—kids fighting for survival in a world that denies their existence. ‘Double Identity’ is another hit, mixing sci-fi and mystery. Haddix’s strength is creating ordinary characters in extraordinary situations, making her stories relatable yet thrilling. Perfect for readers who crave plots that move like lightning but stick like glue.
Margaret Peterson Haddix is the genius behind 'Found'. She’s famous for books that hook you from page one, like 'Among the Hidden', where kids hide from a population-obsessed government. Her stories are fast-paced but never shallow—think conspiracy theories meets coming-of-age. 'Found' kicks off 'The Missing' series, a time-travel saga with heart. Haddix’s talent lies in making the impossible feel urgent. If you like stories where every chapter ends with a ‘no way’ moment, her work is your next obsession.
Margaret Peterson Haddix penned 'Found', and her other works are like hidden gems in YA shelves. My personal favorite is 'Running Out of Time'—it’s a wild ride about a girl discovering her town is a fabricated historical experiment. Haddix has a knack for ‘what if’ scenarios that feel eerily plausible. 'The Missing' series, starting with 'Found', involves time-traveling kidnapped kids, and it’s addictively clever. Her stories often pit kids against systemic lies, making them empowering without being preachy. The way she balances action with emotional depth is why her books linger in your mind long after the last page.
2025-06-26 19:20:52
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Foundling
Aricka Allen
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There is a War being fought that stretches beyond eternity. Waging that War are men and angels and demons and creatures and beings beyond time and space. Thrust into this conflict is a foundling boy who knows nothing of this War but is integral to tipping the balance toward whomever can control him.
As a child, Hunter’s world is attacked, and, along with a few faithful retainers and allies, his mother escapes with him, while his father, using his own life as forfeit, stays behind to ensure those he loves escape.
Mother and child are pursued. Their retainers are killed while protecting them until they are able to get out from under the net thrown by their enemies. Now, far, far away, not knowing the fate of her husband or people and with no way of getting back, she has only herself to raise and protect her son.
This is the story of what comes after, of a boy alone, having raised himself, by himself, for half his life. Then the powers that inform and rule that world become aware of him, of his power, his potential. In their ignorance and conceit, they awaken the true nature of the child, and a war, of unimaginable proportions to shake the heavens, comes to their doorstep, and the boy they thought to use, and later kill, is the only thing that can save them.
New York’s youngest bestselling author at just 19, India Seethal has taken the literary world by storm. Now 26, with countless awards and a spot among the highest-paid writers on top storytelling platforms, it seems like she has it all. But behind the fame and fierce heroines she pens, lies a woman too shy to chase her own happy ending.
She writes steamy, swoon-worthy romances but has never lived one.
She crafts perfect, flowing conversations for her characters but stumbles awkwardly through her own.
She creates bold women who fight for what they want yet she’s never had the courage to do the same.
Until she met him.
One wild night. One reckless choice.
In the backseat of a stranger’s car, India lets go for the first time in her life.
Roman Alkali is danger wrapped in desire.
He’s her undoing. The man determined to tear down her walls and awaken the fire she's buried for years. Her mind says stay away. Her body? It craves him.
Now, India is caught between the rules she’s always lived by and the temptation of a man who makes her want to rewrite her story.
She finds herself being drawn to him like a moth to a flame and fate manages to make them cross paths again.
Will she follow her heart or let fear keep writing her life’s script?
Two people meet by chance, they instantly fell in love, one is under false identity but came with good intentions, the other wants a simple sweet life, no Drama, no fear no running away from the past.
I created the story on my own please don't plagiarise my book, it is illegal to copy another person's work.
The past isn't easy to overcome.
Emily's new goal is to leave the past behind and focus on building her life. When she gets admitted to her dream college, she has three goals. Focus on her studies. Stay away from drama and get a degree.
But her goals and plans are quickly challenged when she meets someone from her past. The past she had worked hard to overcome is threatening to tear apart her new life.
Gabriel Ford is living the good life in college. He is popular, every girl wants him, and his football career is taking shape. But when he least expects it, he bumps into his childhood friend. The girl he thought he'd never see again. The girl that abandoned him.
Will he ever forgive her? Or better yet, is he ready to know what made her leave?
The past isn'tt easy to overcome.
Ivy's life has been riddled with nothing but misery. Sold by her father and enslaved by her buyers, she finally sought comfort in the arms of Victor.
This proved to be a fatal mistake, as Ivy would later find out. Unable to bear it anymore, Ivy decides to end her life but, she is saved by none other than Daniel, the crowned prince.
What happens when Ivy is offered a contract to become Daniel's wife?
BOOK ONE: I Found You
SPIN-OFF: A Maid For The Billionaire
Ever since I was a child, people keep saying that I am just an adopted child. I keep on denying myself that I am not adopted though many people noticed that I don’t resemble my parents, unlike my younger brother.
Until one day, a couple went to our house, claiming that I am their daughter.
I didn’t expect that aside from my birth parents, I will also found the love that I was always dreaming of having.
'I Found You' was written by Lisa Jewell, a British author known for her gripping psychological thrillers and contemporary fiction. She started her writing career almost by accident after her then-boyfriend bet she couldn’t write a novel in their summer break—she proved him wrong with her debut 'Ralph’s Party,' which became a bestseller. Jewell’s background is interesting because she didn’t follow a traditional literary path. Before writing, she worked in fashion retail and later as a secretary. Her lack of formal training makes her success even more impressive. Over the years, she’s honed her craft, shifting from romantic comedies to darker, suspense-driven narratives like 'I Found You,' which showcases her knack for weaving complex characters and unpredictable plots. Her books often explore themes of family secrets, missing persons, and the hidden tensions beneath seemingly ordinary lives. Jewell’s relatable yet sharp prose has earned her a loyal following, and she’s frequently praised for her ability to balance emotional depth with page-turning suspense.
Lisa’s rise in the crime/thriller genre is notable because she manages to keep her stories accessible without sacrificing tension. 'I Found You' exemplifies this—it’s a dual-timeline mystery that delves into memory, identity, and the lingering effects of trauma. Her research isn’t overly technical; instead, she focuses on human behavior, which gives her books a visceral realism. Living in London, she often sets her stories in atmospheric British locales, adding another layer of authenticity. Critics highlight how she avoids clichés, even in crowded genres, by creating flawed, three-dimensional characters. Her transition from lighthearted romances to psychological depth shows her versatility as a storyteller.
The novel 'I Hope This Finds You Well' was penned by Natalie Sue, a writer who crafts stories with a sharp wit and deep empathy. Her debut novel stands out for its mix of humor and heartfelt moments, exploring office dynamics through the eyes of an unconventional protagonist. Sue’s background in corporate settings adds authenticity to her work, making her characters feel real and relatable.
While 'I Hope This Finds You Well' is her only published novel so far, her short stories have appeared in literary magazines like 'The Fiddlehead' and 'Grain.' Fans appreciate her knack for turning mundane situations into compelling narratives. Her writing often tackles themes of loneliness, connection, and the absurdity of modern life. If you enjoy authors like Sally Rooney or Ottessa Moshfegh, Sue’s voice will resonate with you. I’m eagerly waiting for her next book—her talent for blending satire with sincerity is unmatched.
Curious question — there’s actually more than one song called 'Now That I Found You', and the origin depends on which version you mean. One of the most commonly referenced is the country hit by Terri Clark: that 'Now That I Found You' was written by Susan Longacre and Rick Bowles. It’s got that classic late-'90s country polish — lyrical focus on appreciation, relief, and the quiet fireworks of finally finding someone who fits. The inspiration behind the song reads like a neat country trope: celebrating the safety and joy of a found love, but written from the perspective of songwriters who often spin small personal moments into universal lines. Longacre and Bowles have a knack for compact, evocative phrasing, so the song feels sincere without being saccharine.
On the flip side, if you’re coming from indie-rock circles, there’s also 'Now That I Found You' associated with Jim James and My Morning Jacket (he’s generally the primary writer on much of their catalog). That version leans more toward spiritual longing and atmospheric textures — inspiration there is less literal and more about searching for clarity or connection, sometimes inspired by touring life and the strange, reflective spaces it creates. So depending on whether you heard it on country radio or at a late-night indie set, you’re hearing two different songwriting lineages. Personally, I love that the same title can harbor both porchlight honesty and hazy, soulful yearning — it shows how much a few words can open different emotional rooms.