Who Wrote 'My Last Wish' In The Witcher Saga?

Geralt's final request in 'The Last Wish' is one of those moments that sticks with you long after you put the book down. It happens during the short story of the same name, where Geralt, battered and barely alive after fighting a striga, gets taken to the temple of Melitele. Nenneke, the priestess, insists he make a wish before the healing ritual—and oh boy, does he drop a bombshell. He wishes his fate to be forever tied to Yennefer's. Not some grand heroic plea, just this raw, desperate admission that even he doesn’t fully understand yet. The djinn’s magic makes it irreversible, and suddenly, these two stubborn, emotionally constipated people are bound in ways neither anticipated. It’s less about romance and more about destiny forcing their hands—classic Witcher irony. What gets me is how this tiny moment spirals into everything later. The books, the games, even the Netflix show—Yennefer and Geralt’s messy, magnetic relationship hinges on this wish. It’s not some sweet love spell; it’s a curse disguised as devotion. Geralt spends years wrestling with whether their bond is real or just magic, and Yennefer? She’s furious when she finds out. That complexity is why I keep revisiting this scene. It’s not a fairytale ‘happily ever after’—it’s Sapkowski saying, ‘Hey, even destiny’s a messy liar sometimes.’

The short story 'My Last Wish' from Andrzej Sapkowski's 'The Last Wish' collection is basically the foundation of Geralt and Yennefer’s entire relationship in the Witcher universe. It’s where they first meet, and that chaotic, magical encounter in Rinde sets the tone for their love-hate dynamic that spans books and games. The games, especially 'The Witcher 3,' constantly reference this moment—Yennefer’s sarcasm, Geralt’s stubbornness, even the djinn’s curse binding them. CD Projekt Red didn’t just adapt the lore; they expanded it with flashbacks and dialogue that call back to that story. Like when Geralt and Yen argue about whether the djinn’s magic forced their feelings or just revealed them—that debate comes straight from the original text. What’s wild is how the games make 'My Last Wish' feel present even years later. In the 'Last Wish' side quest, Geralt can hunt down another djinn to undo the original wish, forcing players to confront whether their bond is real or fabricated. It’s a brilliant way to make book readers geek out while giving new players emotional stakes. Even small details, like Yen’s iconic violet eyes or her habit of teleporting during arguments, feel like nods to her first appearance in that story. The games don’t just connect to 'My Last Wish'—they breathe new life into it.

The Witcher series has this fascinatingly convoluted publication history that always trips people up! 'My Last Wish' is technically a short story collection published after 'The Sword of Destiny', but it serves as the perfect introduction to Geralt's world. I vividly recall picking it up years ago, expecting swords and monsters—which it delivers—but what hooked me were the twisted fairy tales and dry humor. That story where Geralt debates morality with a priest over a djinn? Pure gold. Chronologically, though, the standalone novel 'Blood of Elves' comes next, but starting with 'My Last Wish' lets you experience Andrzej Sapkowski's wit and worldbuilding organically. The way he subverts tropes—like Snow White being a politically savvy rebel—makes it feel fresh decades later. I'd argue it's the spiritual first book even if not the literal first written.

a Polish author who started writing these stories in the 1980s. His work is a blend of Slavic mythology and dark fantasy, creating a rich, immersive universe. The series began with short stories before expanding into full-length novels, and Sapkowski's unique storytelling style really sets it apart. His characters, especially Geralt of Rivia, are deeply complex and memorable. The books have gained a massive following worldwide, especially after the success of the games and Netflix adaptation.

Wait, 'My Last Wish'—that’s the English title for the first Witcher short story collection, right? Yeah, Geralt’s absolutely in it, and it’s where he struts onto the page for the very first time. Andrzej Sapkowski throws you straight into his world with these gritty, darkly funny tales that feel like folklore on steroids. The story 'The Witcher' (the one with the striga) is chef’s kiss for introducing Geralt’s monster-hunting pragmatism and dry humor. What’s wild is how Sapkowski subverts fairy-tale tropes—like, Geralt’s not some knight in shining armor; he’s a mutated outcast who follows his own code. The book’s also got 'The Last Wish,' where Yennefer crashes into his life, and their chemistry’s so charged it practically sparks off the page. Honestly, if you skip this, you’re missing Geralt’s roots—how he thinks, why he’s so jaded yet weirdly noble. The audio drama adaptation nails Dandelion’s narration too, if you’re into that.

There’s a clear split in how people talk about the books versus the games, and it’s why this question pops up so often. The short stories in 'The Last Wish' are absolutely canonical to the literary Witcher universe — they’re part of Andrzej Sapkowski’s original timeline and they introduce key moments (like the fateful wish that ties Geralt and Yennefer together). Those scenes, characters, and the tone of Sapkowski’s writing are the foundation CD Projekt Red drew on when building the games. You’ll spot direct lifts, references, and inspiration from specific stories in the games: some quest names and plot beats nod to tales from the short story collection, and the portrayal of monsters, politics, and moral ambiguity owes a lot to the books. That said, the games are their own continuity. CDPR extended Geralt’s life past where the novels leave off and invented new plotlines, characters, and relationships that aren’t in Sapkowski’s canon. Sapkowski himself has treated the games as a separate use of his world rather than a seamless part of his written continuity. Practically speaking, that means if you care about “what actually happened” in the books, read 'The Last Wish' (and the novels) — the games won’t overwrite the source material. But if you enjoy seeing elements from the stories reimagined and expanded in a new medium, the games are a delicious alternate path. For me, I like both: I read the short stories on late-night subway rides and then boot up 'The Witcher 3: Wild Hunt' to see familiar threads woven into something much bigger, and I treat them as complementary rather than strictly one being canon over the other.