Philip Larkin’s 'This Be The Verse' is the kind of poem you either love or hate for its brutal honesty. I first stumbled upon it in a used bookstore, scribbled in the margin of a poetry anthology, and it felt like finding a secret. Larkin doesn’t tiptoe around the idea that parents mess up their kids—he dives headfirst into it. The poem’s rhythm makes it almost sing-songy, which contrasts hilariously with its dark content. It’s like he’s saying, 'Yeah, life’s messed up, but what can you do?' That mix of resignation and humor is why it’s still so quotable decades later.
I’ve got a soft spot for poems that don’t sugarcoat life, and 'This Be The Verse' is a prime example. Philip Larkin wrote it as part of his collection 'High Windows,' and it’s easily his most quoted work. The poem’s power lies in its simplicity and shock value—it’s a middle finger to the idea that parents know best. Larkin’s own upbringing was far from ideal, and you can sense that bitterness in lines like 'Man hands on misery to man.'
What’s fascinating is how the poem balances despair with a sly wink. The last line, 'And don’t have any kids yourself,' is delivered like a punchline, making you laugh even as it guts you. It’s a reminder that Larkin wasn’t just a grumpy old man—he was a sharp observer of human nature, able to turn existential dread into something oddly catchy.
Larkin’s 'This Be The Verse' is a masterpiece of grim humor. The way he reduces the complexities of parenting and inherited trauma to three stanzas is brilliant. I’ve always admired how he uses such plain language to say something so profound—no fancy metaphors, just straight to the point. It’s like he’s tearing down the idea of parental perfection with every word. The poem feels personal, like Larkin’s own frustrations are leaking onto the page, but it’s also weirdly comforting. If even a literary giant like him felt this way, maybe we’re not alone in our occasional resentment.
One of my favorite poems is 'This Be The Verse' by Philip Larkin, and I’ve always been fascinated by how such a short piece can pack such a punch. Larkin, a British poet known for his sharp, often bleak wit, wrote this in 1971, and it’s become infamous for its brutal honesty about family and generational trauma. The opening line, 'They fuck you up, your mum and dad,' is so jarring yet relatable—it’s like he’s voicing something we all secretly think but never say.
What’s interesting is how Larkin’s own life might’ve influenced this. He had a complicated relationship with his parents, especially his father, who was a Nazi sympathizer. You can almost feel his bitterness seeping into the poem, but there’s also a dark humor to it. The last stanza suggesting we ‘get out as early as we can’ and not have kids ourselves feels like a mix of despair and a twisted joke. It’s no wonder this poem still resonates—it’s raw, uncomfortable, and weirdly comforting in its cynicism.
Philip Larkin’s 'This Be The Verse' is one of those works that hits you like a brick. I first read it in high school, and it stuck with me because of how bluntly it tackles the idea that parents inevitably pass their flaws onto their kids. Larkin wasn’t just being edgy for the sake of it—he was a master of capturing the quiet disappointments of life. The poem’s structure is simple, almost nursery-rhyme-like, which makes its message even more jarring.
I love how it doesn’t offer solutions, just a cyclical view of Misery. It’s bleak, sure, but there’s something refreshing about how unflinchingly honest it is. Larkin’s own pessimism shines through, and while some call it overly cynical, I think it’s a darkly humorous take on something universal. It’s the kind of poem you quote to friends when complaining about family drama, laughing but also knowing there’s truth in it.
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It was raining very heavily on the day my parents got divorced.
There are two copies of the agreements on the table. One declares that the signee will stay with Dad, who's a gambling addict and has already racked up a huge debt, in the old town.
The other declares that the signee will follow Mom, who will marry a rich businessman, and move to a coastal town.
In the previous life, my younger sister, Tamara Browning, kicked up a fuss because she wanted to stay with Mom. So, I packed up my luggage quietly and went with Dad.
Soon after, Dad quit gambling and received the compensation due to our house being demolished in a governmental project. Since then, he showered me with love and affection.
Meanwhile, Tamara wasn't allowed to even leave the house. On top of that, she was neglected by everyone, so she died from depression.
Now that we're given a second chance in life, Tamara snatches the cigarette out of Dad's fingers before hugging him, refusing to let him go at all.
"Tiana, my heart aches for Dad's situation. You should live a good life with Mom. I'll give that chance to you."
I deign to say anything at all. Instead, I just pick up the train ticket that'll take me to the coastal town.
But what Tamara doesn't know is the reason behind Dad's decision to quit gambling in the previous life. At that time, I had overexhausted myself from paying off his debt, and I began vomiting blood due to my brain cancer. I practically had to risk my life just to get him to quit gambling once and for all.
The mystery of love is greater than the mystery of death.~Oscar Wilde~Adoration is not profound enough a word to express the depth of my love for her. From the moment she walked into my life and set my heart and soul on fire, not a day's gone by that she hasn't plagued my every thought.We were each other's completion. She was everything I wasn't--the sigh to my roar, the virtue to my sin, the cure to my wounds.We Were One.Until the unthinkable happened.That I've survived such a tragedy without having completely lost it, is a mystery in itself. But as my mind starts to blur the lines between reality and my delusional heart, I begin to question everything, including my sanity.And then the real mystery begins . . .Author's note: We Were One is an alternate POV to Girl In The Mirror but both books can be read as stand alones without the need to read the other to follow along!We Were One is created by Elizabeth Reyes, an eGlobal Creative Publishing signed author.
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If the Tiger and the Bear are put together under the same roof will they get along?
Can they learn to love each other?
This is the story about two people who were first destined to meet each other but can't be together because it is not time yet?
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Cindy Tan, an ordinary girl who only wants is to earn more, more, and more money!!
Lee Hajoon aka Taeyong, a famous singer in South Korea but retired because of the scandal about him and his long-time girlfriend Ae-ril also his ex-wife but suddenly married to his mortal enemy in the entertainment circle.
After their divorce scandal, Hajoon focus on his own company The Star Entertainment that become more famous and more popular after six months because of the numerous artist and talents that debuted there and become more successful in the present.
Now Hajoon has become more busy and workaholic at the same time his assistant send him a resignation letter many times the company decided to hire some candidate for the position.
But there so many applicants already applied but Hajoon still can't choose so he seeks help from his former personal assistant.
Coincidentally, during those hours, Cindy Tan was also looking for a job and that was the reason for them to meet each other again.
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But fate has other plans when Natacha crosses paths with a she-wolf, igniting a friendship that will forever change her destiny. As the most hunted creature in existence, can she still find solace in her dreams of a normal life? And what happens when she catches the attention of the enigmatic Alpha King himself?
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"Just because we're married, doesn't make us a real couple. Take it as a contract" He said in a business tone before leaving.
"Like I want to be with you" I muttered under my breath as my tears threatened to spill.
Natalie learns that she has been promised to the eldest son of the mighty and powerful Maxfields.
She has no choice but to accept reality and decides to proceed with the arranged marriage her parents and grandparents had fixed, long ago.
Little did she know that she would be treated as a contract wife.
-------------------------------------------
"You force your children to get married. Force them to fall in love as if they were key operated toys and now that they've fallen in love, you want to separate them?" Natalie questions, tears threatening to fall, her voice almost on the verge of breaking.
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Oh, that's a great question! 'This Be The Verse' is actually a poem, not a novel—and it's one of those pieces that sticks with you long after you read it. Written by Philip Larkin, it’s got this biting, almost darkly humorous tone that cuts straight to the point about family and the way we inherit flaws. I stumbled upon it years ago in an anthology, and its brutal honesty shocked me at first, but then I couldn’t stop thinking about it. The structure’s tight, just three stanzas, but Larkin packs so much into those lines. It’s the kind of poem you quote to friends when you’re feeling cynical, and they either laugh or gasp. Definitely not something you’d forget easily!
What’s wild is how something so short can feel so heavy. The opening line—'They fuck you up, your mum and dad'—just grabs you by the collar. It’s not flowery or vague; it’s raw. I’ve seen it referenced in everything from indie music lyrics to TV shows, which says a lot about its cultural staying power. If you’re into poetry that doesn’t sugarcoat life, this one’s a must-read.
It's wild how a poem as short as 'This Be The Verse' can pack such a punch, isn't it? Philip Larkin basically throws a grenade into the idea of perfect parenting with those opening lines—'They fuck you up, your mum and dad.' It's brutal but darkly funny, like he's shrugging at the inevitability of generational trauma. The rhythm feels almost nursery-rhyme-ish, which makes the cynicism hit even harder—like a lullaby sung by a grumpy philosopher.
What gets me is how Larkin doesn't even offer solutions. The last stanza just says 'get out as early as you can' and 'don't have any kids yourself.' It's nihilistic, sure, but there's a weird comfort in hearing someone articulate the messiness of family so plainly. Makes you wonder if he wrote it after a particularly rough holiday dinner.
The ending of 'This Be The Verse' by Philip Larkin hits like a gut punch—it’s bleak but darkly hilarious in that classic Larkin way. The poem builds up this idea that parenting is a cycle of misery passed down through generations ('They fuck you up, your mum and dad'), and just when you think there might be a glimmer of hope, the last line drops: 'Get out as early as you can, / And don’t have any kids yourself.' It’s brutally honest, no sugarcoating. Larkin’s wit makes it feel less like despair and more like a wry shrug at the human condition. I love how he wraps up the whole mess of familial baggage in three sharp stanzas, leaving you nodding along even as you laugh uncomfortably.
What sticks with me is how universal it feels—everyone’s got some parental baggage, and Larkin just... puts it on blast. The ending doesn’t offer solutions; it’s more of a resigned warning, like an older sibling who’s been through it all telling you to cut your losses. It’s why the poem still resonates decades later—it’s short, savage, and impossible to forget.