Masuk"What — what is — "
"A predator, little host. Your first kill. Are you hungry?"
The pearl is back. Whatever silence the obsidian token caused has passed. The pearl in my chest has come back online with a hunger that is not mine and a clarity that is, and the clarity is showing me — through the cold black water of the upper Hollow — a shape moving at me from the deep current with a mouth wider than my new tail is long.
It
"Hello, eighth.""You — you are alive.""I am a finger-bone. The rest of me is the floor."Her voice is sand and old breath. Each word costs her a little of whatever she is using for breath, and she is conserving carefully. Her eyes are the only living part of her — wet, focused, a clear blue I have never seen on a mer.I cross the threshold. The water stops at my own caudal fin and refuses to follow me — the chamber will not be flooded, not by my body, not by the trench-current behind me. I move through the air the way I used to move on legs the one time I tried legs, when I was eleven and my mother let me try a glamour above the waterline of Paria. My new tail compresses into something that walks. I had not known it could.I kneel beside the stone shelf."Tell me what you are.""I am what is left of a Tide Mother. The smallest piece of the smallest of us. We were seven. We tore ourselves
"Read me, host.""What — ""Read me. You are bleeding into the floor. The floor wants to know what you are. Read me, host. The walls have been waiting eighteen thousand years to tell you the rest."I am not sure who is speaking. The voice is not the pearl. The voice is not Calisto. The voice is not Vessa or Morrigwen or my father or my grandmother. The voice is the trench itself. The Hollow has been listening to me for hours, and the Hollow has decided, finally, that I have bled enough into its floor to be worth answering.I press my palm against the nearest stretch of glyph-wall.The glyphs are a script Alastor does not teach. They are a script Alastor never taught. They are older than the alphabet on my coronation-tablet by a margin I cannot measure. When my hand touches the wall, the glyphs do not light. They flow — *into* my skin, through my palm, up my arm, into my chest where the pearl waits with sudden
"What — what is — ""A predator, little host. Your first kill. Are you hungry?"The pearl is back. Whatever silence the obsidian token caused has passed. The pearl in my chest has come back online with a hunger that is not mine and a clarity that is, and the clarity is showing me — through the cold black water of the upper Hollow — a shape moving at me from the deep current with a mouth wider than my new tail is long.It is bone and teeth and a single flat eye that has been adapted to no light at all. The body is twenty feet at least. The body is older than my kingdom. It has been hunting in this trench for so long that most of its skin has fallen off. What is left is muscle, gristle, and a kind of patient hunger that recognizes me as the first prey in eighty years to ring its proper bell.The pearl pulled it. I understand, in the half-second before it reaches me, that the pearl has been calling predator
"Don't open it, eighth.""Who — ""Don't. Open. The case."She is smaller than Morrigwen. That is the first thing I notice. The other ghost in this trench was a woman built for thrones — six feet of mad queen with stars in her eyes and a bone-crown set sideways on her head. This one is a commoner. Plain grey scales. A face that knew kitchens. The coarse coral-weave robe of a province I do not recognize, the kind that has not been worn in any kingdom for at least four hundred years.She is sad. The whole of her is sad. The sadness is not new; it is settled, the way a stain is settled in old cloth."My name is Vessa.""The third host.""You read fast for a young one. Yes."She moves toward me — not by swimming, by appearing closer the way memories appear closer — and she sits, cross-tailed, in the silt at the edge of the seventh cairn. Her hands rest in her lap. The pearl in my
"Hello, little sister.""Who — who are you.""Your older sister. The other half of what you have just become. I have been waiting two hundred years for this conversation and I would like, if you don't mind, to enjoy it for a moment before you start being clever."She is in the obsidian.Not behind it, the way a face is behind a window. Inside it. Suspended in the black stone the way a small fish is suspended in a piece of amber. Silver-haired. Pale-scaled at the edges where she has scales at all. Beautiful in the way a coiled thing is beautiful, and young-faced in a way that makes my new body cold, because no woman who has lived two hundred years should still have the face of a woman who has lived twenty.I have backed away from the sliver. Three body-lengths. Four. The sliver follows me. It does not move through the water. The water moves around it, and the sliver stays where it has chosen to stay, which is wherever I am looking."Do not back away, eighth. You'll only tire yourself.
"You are the eighth.""Who — who are you — ""You will refuse me. They all do. And then, eventually, you will not."She is in front of me in the dark. A woman who is also a flame. Her crown is on sideways. Her scales are the same blood-red and gold and teal as the ones I do not yet know are spreading across my body. Her eyes are full of stars in a way that is not metaphorical — there are actual stars in them, pinpricks of cold light that have no business being inside the eyes of a creature that lives at the bottom of an ocean trench.Black veins climb her throat to her jaw. The veins are mine, in nine years, if I am not careful."My name is Morrigwen, host. I was the first. The Salt Throne was mine. I burned it down. I burned my own children. The pearl made me hungry and I ate everyone I had ever loved and then I ate the kingdom and then I ate the continent and then there was nothing left but the trench it sent me back to. I have been here for eighteen thousand years. I have been wait
"Sweet-scale. Look at me.""Father — ""Look at me, Irene. I have less time than I did last time. Look."I look. I cannot do anything else. The water around me has stopped being water — it is a held breath, a pause carved out of my falling, a small bright pocket the dead are only allowed to make on
"Don't go, cousin.""I'll be home by dark, Mabelle.""Don't go. Don't go. Don't go."Three of her words against three of mine, and in the end mine carried more weight because I was the queen and she was a Bayou cousin and nobody had ever taught either of us that the queen was the one who needed to
Mabelle of the Bayou told me, three weeks ago, in four sentences I refused to hear.I am still falling. The Forbidden Zone has my sunset-gold now, and half my teal, and the pink is almost gone — only a flush at the edges of my fins, dulling fast, the way a flower loses its color between being picke
There is no one there.I turn my head on the obsidian, slowly, using the last of what I have, and I see only the ledge and the glow at its centre and the black water around me. Nothing with a face. Nothing with a shape."Where are you," I say. Sound comes out. Thinner than my voice should be, warpe







