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Somewhere That Isn't There

Author: Nick
last update publish date: 2026-05-02 04:04:58

Camille's apartment was on the third floor and it smelled like dog. She burned candles to fix that. It didn't fix it.

Door opened before I knocked. She'd been at the window.

"You look terrible," Camille said.

"Thank you."

She took the box inside and the dog launched himself at me and I just stood there and let it happen. He was warm. He didn't know anything. That was enough.

"You hungry?"

"No."

She went to the stove anyway.

Eggs, toast, coffee I couldn't drink because of the seven weeks I was not telling her about. I pushed the mug aside and said it was too hot and she let me lie because that's what Camille did. She always let me have my lies until she didn't.

I sat with my hands in my lap and looked at the room while she cooked. It wasn't the first time I'd been here but today the smallness of it settled differently. The low ceiling. The furniture arranged as close as it was because there was no other way. None of it was bad.

It was just real in a way I hadn't been around in a while, and I was sitting in it with one cardboard box and nowhere else to be, and I was keeping that thought at arm's length the same way I was keeping several others.

"How did he do it," she said. Not a question.

"Does it matter."

"Mara."

I looked at my toast. "He sent Dimitri to walk me out. Had the NDA ready. Everything done before I even got downstairs."

She was quiet for a second. "The tattoo?"

"Gone."

"God." She sat back. "How long ago did he"

"Before he told me. Weeks before, maybe. I don't know."

Camille had never liked Viktor. She'd never said it outright but I felt it every time his name came up, the way her face went carefully flat. She was doing it now.

There was something else in it too, something more careful than usual, like she was watching me more closely than the conversation required. I didn't look at her long enough to be sure.

"You can stay."

"I won't be long."

"Mara"

"I won't be long, Camille."

She didn't push. Good. I needed her not to push. There was a version of this conversation, close enough to touch, where she asked the right question at the wrong moment and I said something I couldn't take back. I wasn't ready for that version. I wasn't sure I'd be ready for it for a while.

She refilled her coffee and we sat there and the dog put his head in my lap and I stared at the wall and thought about my studio. The way morning light hit the north window at nine a.m. exactly, that particular angle that made every color honest.

I'd spent three months convincing Viktor's architect to adjust the roofline so it came through right.

Elara was going to put a vanity in there. Hang mirrors everywhere. Kill the light completely.

I put my hand flat on the table and pushed up.

"I need to make some calls." I picked up the box before she could argue.

The guest room hadn't changed. Small, narrow window, brick wall on the other side of it. I sat on the bed and finally looked at my phone.

Fourteen notifications. All work  clients I hadn't told yet, a supplier following up on a spring order, two emails from the fashion week coordinator who didn't know my situation had just dissolved overnight.

Nothing from Viktor.

I don't know what I expected.

I put the phone face down on the mattress and lay back and looked at the ceiling and did the thing I'd been not doing all morning, which was letting myself think about the first time.

Not the first time I realized I was in love with him  that had happened so slowly it barely had a moment, more like weather than event. I mean the actual first time.

Three years into living in that house, a night in February, a bottle of wine that turned into two, Viktor looking at me across the kitchen island like he was seeing something new.

That was my fault. I let myself believe it meant something.

Four months later he flew to Milan for a trade summit and came back with Elara Conti's number in his phone.

I stayed anyway.

Six more years. I stayed six more years after that, designing his collections, running his studio, pretending I was fine, pretending it was enough, pretending I was not the most foolish woman alive.

And now here I was. Third floor walkup. Brick wall outside the window.

Every week it was going to get harder to hide. I knew that. I just wasn't ready to know it yet.

I went to set an alarm. That's when the alert caught my eye.

A news alert. Posted forty minutes ago, while I was in the car, while I was watching the estate disappear in the window.

Volkov Industries acquires Conti Group in landmark merger  insider sources confirm personal ties between Viktor Volkov and Elara Conti drove the deal.

I read it twice.

So that was what it was. Not just a woman he'd chosen. A merger. A business arrangement built alongside whatever they were to each other, running parallel the whole time, and I had been in that house every single day while all of it was being put together.

I kept looking at the words personal ties and thinking about ten years and a tattoo that had been gone for weeks before I knew it.

Then I read the last line.

The couple is expected to announce their engagement by end of month.

I sat up.

End of month. He had walked me out this morning and in a matter of days he was going to announce his engagement, and all of it had been in motion long before today, long before the conversation in my studio, long before Dimitri and the NDA and the grocery store box.

The whole shape of it landed at once. He hadn't chosen her over me. He had never been choosing at all. I had just been the last to understand the terms.

My phone buzzed in my hand. Unknown number. I almost let it go. Something made me answer.

Six years since I'd heard that voice. I'd stopped expecting to.

Mara.

Quiet. Thin.

It's Natalia.

A breath.

Viktor's mother. I need to see you tonight. Tell nobody.

Gone before I got a word out.

I sat there with the phone in my hand and the news alert still open on the screen. Natalia Volkov had not reached out to me in six years. She had chosen tonight, of all nights, an hour after I walked out of that gate, to call me in secret.

That wasn't sentiment. That wasn't a woman checking on someone she used to know.

She knew something. And whatever it was, it was bad enough that she didn't want her own son to find out she'd told me.

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  • WHAT HE ERASED   Two Weeks

    The room was small and the window faced east and the first morning Elena woke at five to light that came through the thin curtains and filled the room with something she immediately needed to draw.She drew it before she was fully awake. Sitting on the edge of the bed with the sketchbook on her knees, the pencil moving before her eyes had completely adjusted, the hand knowing what it was doing before the brain caught up.The east light. The way it came through old curtains, broken into pieces, each piece a slightly different quality of the same thing. Warm and specific and gone by six when the sun moved and the room became ordinary.She drew for forty minutes.Then she got dressed and went downstairs.Viktor was already there.Not waiting for her he was at the small table outside the restaurant door with a coffee and something he was reading, a paperback with a broken spine that had clearly been read several times, a man doing what he did in the morning without reference to anyone el

  • WHAT HE ERASED   June

    The plan for the summer arrived in pieces.Not a plan exactly. Elena didn't make plans the way other people made plans structured, sequential, each step leading logically to the next. She made intentions, which were looser and more honest and better suited to the way things actually unfolded, which was never sequentially and rarely logically.The intention for summer was this: stay in London through May, finish the term, take the work as far as it would go in those weeks. Then travel. Not home she'd written her mother again, explained about Paris, explained about September, promised August if she could manage it. Her mother had written back two lines: Paris is far. Come home before you go.She'd book the August flight later. For now, travel. Europe, loosely, the way she'd always wanted to see it not the tourist version, not the museums and the monuments, but the texture of places, the ordinary life of them, the light in different cities at different hours.Ruth thought this was a r

  • WHAT HE ERASED   Ruth

    January arrived without asking anyone's permission.Elena had been told about January in London. Multiple people, at multiple points before she left home, had mentioned January in London with the specific emphasis of people trying to prepare someone for something that couldn't really be prepared for. It's dark, they said. It's cold in a way that gets inside things. One woman at a party the week before Elena left had said, with great seriousness, January in London will test your commitment to everything you thought you believed.Elena had nodded and thought, how bad can it be.Quite bad, it turned out.Not dramatically. Just persistently. The grey was different in January not the layered interesting grey of autumn, the kind she'd drawn in November with some enjoyment. January grey was flat. It sat on the city like a lid and didn't lift and by the third week Elena had started drawing it just to have something to do with the feeling it produced, which wasn't quite depression and wasn't

  • WHAT HE ERASED   The Last Before

    The Before collection showed in October.One year almost exactly from the Paris trip. One year from Ruth's café and the photographs and the initial and a twenty-year-old with his arm around a woman on a French summer street.The venue was different this time. Not the Volkov Industries showcase space. A gallery in Shoreditch the same part of London where my mother had gone to design school in 1991, a fact I'd discovered three months ago when going through the fellowship archives and had kept to myself until the invitation went out, at which point I'd put it in the programme notes and Camille had called me immediately upon receiving hers."Shoreditch," she said."Yes.""Where she went to school.""Yes."A pause."You absolute" She stopped. "That's beautiful Mara.""Thank you.""Don't tell me you planned it all along.""I planned it from the moment I found out," I said. "Which was three months ago.""So you've been sitting on it for three months.""I needed to make sure the venue was av

  • WHAT HE ERASED    Before

    The piece started on a Thursday.Not because Thursday was special. Just because that was the morning I came into the studio at six and stood in front of the blank space and the single pin and something in me stopped waiting and started.I'd been carrying it for three weeks. The way I carried things that weren't ready not pushing, just letting it sit in the peripheral vision of my thinking, catching it from the side sometimes when I wasn't looking directly at it. Celestine had told me my mother worked the same way. She'd have something for weeks, she said. Nothing on paper. Then one morning she'd come in and it would all be there.I'd always thought I was impatient.Apparently not.What came out on Thursday morning wasn't a coat.It was a dress. Which surprised me I hadn't worked in dresses much, they required a different kind of thinking, more about the body underneath, less about the armor over it. But this one arrived complete, almost fully formed, the way things occasionally did

  • WHAT HE ERASED   What Aleksandra Knew

    She asked about it on a Tuesday.Not the photograph specifically we'd put it in the study, framed, on the shelf with the other photographs, the one of Camille and me at some event years ago, the one of Viktor with his father that Natalia had given him after the trial, the one of Matteo and Aleksandra at the beach last summer covered in sand and completely unbothered by it.My mother's photograph went up between those last two. The one from the Heath, where she was sitting on the ground with her sketchbook, head down, completely elsewhere. Ruth had given me a print. I'd had it framed the same week.Aleksandra noticed it immediately. She noticed everything immediately it was one of the more demanding things about her, this comprehensive attention to any change in any environment she considered hers, which at four years old was essentially everywhere she'd ever been."Who's that," she said, pointing at the Heath photograph."That's my mama," I said.She looked at it for a long moment.

  • WHAT HE ERASED   Greymill

    Viktor drove like he did everything else.Quietly. Efficiently. Without narrating it. He'd shown up at seven-twenty with two coffees and hadn't said much beyond which route he was taking and I'd gotten in and we'd left the city behind and the morning had opened up into the kind of grey October coun

  • WHAT HE ERASED   Four Words

    I stood on the pavement and read it three more times.Give it back, Mara.My name at the end of it was the part that sat wrong. Not a general warning. My name specifically. Which meant whoever sent it knew exactly who walked out of that bar.My thumb hovered over the number. Unknown. No area code I

  • WHAT HE ERASED   What She Knew

    Natalia Volkov picked a bar I'd never heard of.She'd picked somewhere I'd never been. No windows to the street, lighting so dim you had to squint. Deliberate. She was already in the back corner when I got there, coat on, untouched water in front of her.She looked different. Tired in a way that ha

  • WHAT HE ERASED   Everything Left Behind

    The box wasn't heavy.That was the part I kept coming back to. Not the humiliation of it. Not Viktor's message, delivered by his assistant at seven in the morning like I was a contractor whose contract had quietly lapsed.Not the fact that I'd woken up in this house for ten years and would not slee

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