Why Do Some Books Choose A Sad Ending For The Protagonist?

As the male lead, Henry Johnston, forces himself on me, a row of comments suddenly appears before my eyes. "Henry is about to misunderstand and think Aria drugged him! The angst is about to begin!" "I'm thrilled just thinking about Henry regretting dearly after Aria dies!" "Keep up the act, Henry. After she dies, you'll be hugging her corpse and crying every day." That is when I realize that I am the tragic female lead in a story where I am destined to be tormented until I die. The readers treat my death as a highlight to push the plot forward. They are counting down to my death. As I look at Henry, who is panting on top of me, anger courses through me. I grab a table lamp and smash it into him, killing him on the spot. Who says that the one who dies in a toxic romance story must always be the female lead?

The day Kris Flynn forced me to sign the divorce papers, a self-destruction system wired itself into my brain. The system ordered, [Slap him hard. Then, tell him to get out.] It startled me. Kris was ruthless by nature. If I dared to get in the way of him getting back together with his first love, he would make my life a living hell. Unfortunately, the system threatened me. [If you don’t start sabotaging your life this instant, you’ll die right now.] Without any choice, I slapped him. Fear overtook me as soon as I did it. I bolted straight out of the house. Then, the system gave me a command to smash a police car by the roadside. I was convinced the system was trying to get me killed. However, after I shattered the police car’s side mirror, I realized something. It was not my life that the system wanted me to ruin.

After transmigrating through three novels in a row, the hardest thing I ever suffer through is drinking iced long black. But when I open my eyes again, I somehow become the pathetic simp side character in a trashy romance novel. Just as I debate whether to file a complaint against the system, the trembling system hurriedly explains something to me. Although this is a trashy romance novel, it is also an unfinished abandoned novel. I ask, "So you're saying I decide how the story develops?" The system replied, "Yes. Everything is completely under your control." Satisfied, I lazily stretch and begin checking the original Jacob's background. He has a trillionaire father and a billionaire mother. On top of that, he has seven rich and beautiful older sisters. With such a ridiculously overpowered setup, how can he go around simping for a broke college girl with no money? What a complete waste!

The real heiress, Alicia Grant, gets reunited with the Grant family and is scheduled to marry Cory Dawson, who's supposed to be my fiance. On the very same day, I, the vile fake heiress, get kicked out of my home. When I'm about to take my own life out of despair, I go through an awakening all of a sudden. It turns out that I'm just a vicious supporting character in a sappy romance novel whose tragic fate is already penned by the author. After I die, Alicia decides to adopt my daughter out of "kindness", only to let her get bullied from a young age. In the end, my poor daughter dies tragically in an alley. I throw the knife away immediately. With stumbling steps, I whisk my daughter into my arms and quickly immigrate elsewhere. As a supporting character, my life is already filled with misfortune. I mustn't let my daughter go down the same path as well. Initially, I thought I wouldn't see the Grants anymore. Unexpectedly, when I step into Carmont five years later, I end up bumping into them again.

At the dinner celebrating our fifth wedding anniversary, I held the pregnancy test report in my pocket, planning to surprise my CEO husband. However, the moment the doors opened, I froze. A stunning woman stood there with her arm intimately linked through my husband's. She clung to Charles Lawrence with the ease and confidence of someone who clearly belonged at his side, carrying herself like the lady of the house. Neither Charles nor the guests found it strange. If anything, they seemed entertained. Someone even joked, "Mr. Lawrence and Ms. Cooper aren't just ideal partners at work. Their chemistry is something to admire as well. I've personally reserved the presidential suite at Jubilee City's finest resort for Mr. Lawrence tonight. You can be sure no one will disturb you." Fiona blushed and slipped shyly into Charles's arms. He lowered his head and kissed her hard. They fit together so naturally, so intimately, that the sight was unbearably glaring. My thoughts flashed back to the night before, when Charles had pressed me into the bed. In that moment, I had caught sight of a strange message sent by someone named Fiona: [Everyone in the company thinks we've slept together.] Charles had explained that Fiona was only his assistant, a forty-year-old woman, and that the message was nothing more than a punishment from a lost game, a foolish dare. That explanation had dissolved my suspicion and anger. Then, I finally saw the truth. I was the one who had lost everything. Inside my pocket, the pregnancy report was crushed into a tight ball. I forced the tears back, stepped away, and opened the invitation from the National Aerospace Research Institute on my phone. Without hesitation, I tapped Accept. Three days later, I would vanish completely from Charles's world.

Aurelia Giliam is her name now, what her original was she can’t remember. Her past life comes back to her in a painful headache. She somehow got into the body of the villainess of an otome game she enjoyed playing. This villainess caused trouble left and right for the heroine. But in the end, she always ends up getting abandoned by her family and dying in the end with no one to mourn her death. Now she was this villainess. What shitty luck.This Novel may have some subject that may trigger some people so be cautiousCover made with Picrew - https://picrew.me/image_maker/41329