How Do Tragic Endings Affect Storytelling?

The real heiress, Alicia Grant, gets reunited with the Grant family and is scheduled to marry Cory Dawson, who's supposed to be my fiance. On the very same day, I, the vile fake heiress, get kicked out of my home. When I'm about to take my own life out of despair, I go through an awakening all of a sudden. It turns out that I'm just a vicious supporting character in a sappy romance novel whose tragic fate is already penned by the author. After I die, Alicia decides to adopt my daughter out of "kindness", only to let her get bullied from a young age. In the end, my poor daughter dies tragically in an alley. I throw the knife away immediately. With stumbling steps, I whisk my daughter into my arms and quickly immigrate elsewhere. As a supporting character, my life is already filled with misfortune. I mustn't let my daughter go down the same path as well. Initially, I thought I wouldn't see the Grants anymore. Unexpectedly, when I step into Carmont five years later, I end up bumping into them again.

The day Kris Flynn forced me to sign the divorce papers, a self-destruction system wired itself into my brain. The system ordered, [Slap him hard. Then, tell him to get out.] It startled me. Kris was ruthless by nature. If I dared to get in the way of him getting back together with his first love, he would make my life a living hell. Unfortunately, the system threatened me. [If you don’t start sabotaging your life this instant, you’ll die right now.] Without any choice, I slapped him. Fear overtook me as soon as I did it. I bolted straight out of the house. Then, the system gave me a command to smash a police car by the roadside. I was convinced the system was trying to get me killed. However, after I shattered the police car’s side mirror, I realized something. It was not my life that the system wanted me to ruin.

What happens when tragedy strikes? Do you let it define you? Or do you sit still and let it consume you until you lose face? The life of Jasmine Harts began to crumble down before her face when she discovered that her husband, Fabian Harts had impregnated his mistress. This made her feel worse as her marriage was already nothing to write home about. It seemed as though their daughter was not enough for the Harts who wanted an heir. So Jasmine thought of leaving home but Fabian would not let her as he was scared of losing face before the public. But when his mistress puts it on demand that he makes her his wife or risk his reputation getting ruined, Fabian had no choice but to frame his wife Jasmine of infidelity. This way he could get rid of her without losing face. Jasmine was prevented from taking her daughter with her when she was thrown out of the mansion. And little Aria was just four years old. Will Jasmine let things slide after the cruelty of the Harts? Will the little and innocent Aria Jasmine was forced to leave behind at the mercy of her husband’s family remain sweet and innocent? Let’s see what happens!

At the dinner celebrating our fifth wedding anniversary, I held the pregnancy test report in my pocket, planning to surprise my CEO husband. However, the moment the doors opened, I froze. A stunning woman stood there with her arm intimately linked through my husband's. She clung to Charles Lawrence with the ease and confidence of someone who clearly belonged at his side, carrying herself like the lady of the house. Neither Charles nor the guests found it strange. If anything, they seemed entertained. Someone even joked, "Mr. Lawrence and Ms. Cooper aren't just ideal partners at work. Their chemistry is something to admire as well. I've personally reserved the presidential suite at Jubilee City's finest resort for Mr. Lawrence tonight. You can be sure no one will disturb you." Fiona blushed and slipped shyly into Charles's arms. He lowered his head and kissed her hard. They fit together so naturally, so intimately, that the sight was unbearably glaring. My thoughts flashed back to the night before, when Charles had pressed me into the bed. In that moment, I had caught sight of a strange message sent by someone named Fiona: [Everyone in the company thinks we've slept together.] Charles had explained that Fiona was only his assistant, a forty-year-old woman, and that the message was nothing more than a punishment from a lost game, a foolish dare. That explanation had dissolved my suspicion and anger. Then, I finally saw the truth. I was the one who had lost everything. Inside my pocket, the pregnancy report was crushed into a tight ball. I forced the tears back, stepped away, and opened the invitation from the National Aerospace Research Institute on my phone. Without hesitation, I tapped Accept. Three days later, I would vanish completely from Charles's world.

Michail had ran away with her unborn baby and lived an average life away from the man she had divorced until she met a man whom she believed to be Alpha Alek. A misterios man who helped her after learning her child had been ki||ed.

After transmigrating through three novels in a row, the hardest thing I ever suffer through is drinking iced long black. But when I open my eyes again, I somehow become the pathetic simp side character in a trashy romance novel. Just as I debate whether to file a complaint against the system, the trembling system hurriedly explains something to me. Although this is a trashy romance novel, it is also an unfinished abandoned novel. I ask, "So you're saying I decide how the story develops?" The system replied, "Yes. Everything is completely under your control." Satisfied, I lazily stretch and begin checking the original Jacob's background. He has a trillionaire father and a billionaire mother. On top of that, he has seven rich and beautiful older sisters. With such a ridiculously overpowered setup, how can he go around simping for a broke college girl with no money? What a complete waste!