I still get a little giddy thinking about discovery runs through long comic runs — one of my favorite rabbit holes was tracing every big DC reset and those weird moments when you get two Batmen walking into the same story. If you want the big reboots that reshaped Batman’s continuity, start with 'Crisis on Infinite Earths' (1985) which rewired the DC Multiverse and set up modern takes like 'Batman: Year One'. Fast-forward and you hit 'Zero Hour' (1994) and then the huge modern shake-up: the 'Flashpoint' event (2011) that directly birthed 'The New 52' relaunch — both changed Batman’s status quo in notable ways. Later, 'DC Rebirth' (2016) is more of a restoration than a pure reboot, and then 'Dark Nights: Metal' + 'Death Metal' effectively remapped pieces of the Batman mythos again, feeding into 'Infinite Frontier'. Don’t forget standalone reimaginations like 'Batman: Earth One' which are great if you want a fresh, self-contained origin.
As for stories that actually put Batman against other Batmen — that’s where things get deliciously weird. 'Flashpoint' is obvious because you get Thomas Wayne as Batman while Bruce is the Joker, a literal Batman-vs.-Batman vibe in tie-ins like 'Flashpoint: Batman - Knight of Vengeance'. Morrison’s multiverse work in 'Multiversity' and the 'Dark Multiverse' arcs from 'Dark Nights: Metal' introduce a ton of alternate Batmen (notably 'The Batman Who Laughs') who are antagonists to our Bruce. 'Dark Nights: Death Metal' piles on even more variations and direct clashes. I also love the emotional rivalry you get post-'Batman R.I.P.'/'Final Crisis' when Dick Grayson wears the cowl in 'Batman Reborn' territory — it’s not a villainous rivalry, but it’s a compelling clash of philosophies.
If you want a reading path: try 'Batman: Year One' → 'The Dark Knight Returns' (for tone) → 'Flashpoint' and 'Flashpoint: Batman' tie-ins → Scott Snyder’s 'Court of Owls' in 'The New 52' → 'Dark Nights: Metal'/'Death Metal'. That way you see both reboots and the best Batman-vs-Batman confrontations unfold. Personally, I like reading these late at night with tea and a ridiculous stack of issues — the multiverse stuff always makes me grin.
I’ve spent more than a few subway commutes skimming through reboots and alternate-universe Batmen, so here’s a compact map from that perspective. The major continuity-level reboots that affected Batman most are 'Crisis on Infinite Earths' (which cleaned up the multiverse), 'Flashpoint' (which launched 'The New 52'), and the later shifts around 'Dark Nights: Metal' and 'Death Metal' that remixed the Multiverse again. 'DC Rebirth' tried to stitch things back together, and 'Infinite Frontier' consolidated stuff post-'Death Metal'. These events either changed Batman’s status quo directly or opened the door for new interpretations.
When it comes to Batman actually facing other Batmen, the best examples are the multiverse and Elseworlds-style stories. 'Flashpoint' gives us the most famous alternate Batman rivalry — Thomas Wayne’s brutal detective vs. the tragic Bruce-as-Joker — especially in 'Flashpoint: Batman - Knight of Vengeance'. Grant Morrison’s 'Multiversity' and the 'Dark Multiverse' tales bring entire armies of alternate Batmen, culminating in the nightmare figure 'The Batman Who Laughs' during 'Dark Nights: Metal' and its sequel. Other notable moments: post-'Final Crisis' stories where different men wear the cowl (Bruce vs. Dick) explore ideological rivalries, and Elseworlds like 'Kingdom Come' or 'The Dark Knight Returns' give you grizzled confrontations between versions of Batman.
If you want to explore both themes, reading a mix of core event books and the Morrison/Snyder-era Batman runs is the most fun route.
I’m a sucker for alternate Batmen showdowns, so I’ll give you the short tour: major reboots that reshaped Batman are 'Crisis on Infinite Earths', 'Flashpoint' (which led to 'The New 52'), and the later 'Dark Nights: Metal'/'Death Metal' runs (with 'DC Rebirth' and 'Infinite Frontier' acting as fixes/patches). Comics that literally put Batman against Batman tend to live in the multiverse and tie-in space — 'Flashpoint' (and 'Flashpoint: Batman - Knight of Vengeance') is the classic example with Thomas Wayne’s Batman vs. Bruce in a different role, while 'Multiversity' and the 'Dark Multiverse' stories from 'Dark Nights: Metal' introduce dozens of rival Batmen including 'The Batman Who Laughs'. Also check out the era where Dick Grayson becomes Batman after 'Final Crisis' — it’s a more emotional, philosophical rivalry than a fight to the death, but it’s brilliant. If you want a binge plan: read a bit of 'Year One', then 'Flashpoint' and the 'Dark Nights' saga to see reboots and rival Batmen collide — it’s a wild ride that always leaves me wanting another cup of coffee and one more issue.
2025-09-06 21:47:09
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From Rebirth, to Revenge
Kat Von Beck
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Eva was an orphan who was despised by the pack she lived in. Believed to be cursed, she was an unwanted member of her pack. Dismissed and bullied, she finally decides to take her best friend up on her offer to let her come to their pack to live. Unfortunately, her plan was discovered, and she was forced to watch as her friend and her friend's older brother were killed right in front of her.
Believed to be wolfless, everyone looked down on her in the pack. She wasn't allowed to train or go to school. She was kept separate from everyone and branded an omega, as no power could be sensed within her.
The night she was killed, the Moon Goddess allowed her to be reborn. She wanted to right the wrongs Eva had been put through and lead her back to her family, which she had been taken from long ago.
Now that Eva has been brought back from the dead, she will learn who she is and how to use the power she holds. But what if wanting to right the wrongs that she's been put through keeps her from accepting her second-chance mate? Does she let go of the hate? Or will the desire to punish the ones responsible for her pain make her go too far?
"You stare at me like that, and I’ll kiss you till you drop."
"Tsk. You don’t dare do it here."
"You think so? Then tonight…"
"Tsk. I knew it."
Ethan and Ryan. Two racers who can’t stop bickering—or competing.
What starts as a teasing banter quickly turns into heated kisses… and fights that spill off the track now takes place in the bedroom.
Rivals, enemies or maybe something more. Are they ready to admit it?
Pushed off the cliff by her step-sister, Eve Knew no life other than pain and betrayal, and as she plunged to her death, she swore she was going to make all who hurt her pay.
Years later, she's back with a new face and a new name and there's only one thing on her mind. Revenge and she was going to get it, no matter what it took.
But she is not the only one with a thirst for vengeance...
Raphael Batista was framed for Eve's alleged suicide and he knew exactly who framed him and was going to make them pay, his revenge was also going to extend to anyone who tried to help them out, even if the person was a woman who made his blood burn with fierce passion and reminded him a lot of Eve who was supposedly dead.
There is no going back for them, or is there, especially when the truths are coming out to light and their antagonist is someone who would do anything, even kill to keep what they'd taken.
BLURB
Ava Carter has one dream: play elite hockey. But the Falcons Academy doesn’t recruit girls. So when her twin brother Noah walks away from his scholarship, Ava makes a reckless choice.
She steals his identity, his jersey, his future.
Now she’s living as Noah Carter, training, competing, and sleeping in the same dorm as Kai Bennett, her brother’s ruthless rival. Kai has spent years trying to defeat Noah. Now they’re roommates. And Kai is starting to notice something is wrong. The way Noah moves. The way he looks at him. The way his pulse changes when they collide on the ice.
Then there’s Liam Brooks, captain of the Eagles. Noah’s best friend. The boy who knows her better than anyone. And the only one who might recognize the truth.
Caught between her brother’s rival and her brother’s best friend, Ava is playing the most dangerous game of her life. Because the more she wins on the ice, the closer she gets to losing everything: her dream, her secret, her heart.
And when her helmet falls in front of a packed arena and her hair spills free… The silence is louder than any crowd. Now the whole world is watching. And no one feels more betrayed than the two boys staring at her from opposite ends of the ice.
Once I get reborn, the first thing I will do is swap mates with my cousin, Clara Evonfall.
In my previous life, Clara and I had held our mate-bonding ceremonies on the same day.
Clara, a docile and gentle she-wolf, was forced to become the mate of Gilbert Vargas, the cold and aloof Alpha of the Bloodthorn pack.
On their bonding anniversary, Gilbert abandoned Clara just so he could be with his childhood sweetheart, Joanna Penning. Because of that incident, Clara and Gilbert gave each other the cold shoulder for the next 50 years.
As for me, I've dreamed of becoming a Gamma warrior since I was a pup. But I ended up forming a mate bond with Oliver Stanton, a Beta playboy.
Oliver disliked me for not being romantic enough, saying that I didn't know how to doll myself up for him. We argued with each other every day to the point that he rarely came home.
When I open my eyes again, I realize that Clara and I have returned to the timeframe of two days before our bonding ceremonies.
They thought he was just another runaway.
They never knew she was a storm waiting to rise.
After the tragic death of her parents, Alex a girl mistaken for a boy all her life was one step away from being dumped into a foster home. But instead of surrendering to the system, she ran.
That night on the streets, she didn’t find safety. She found the mafia.
Dragged into the brutal underground world of Vegas, Alex was forced to train like a soldier, live like a ghost, and survive like a killer. No one ever questioned her identity not when she could fight better, bleed harder, and keep her mouth shut longer than anyone else. They called her a boy. She didn’t correct them. Not when being seen as male was the only thing keeping her alive.
Sent to Base Two, the deadliest tier of training, Alex learned to fight, spy, kill and to hide her real self behind layers of silence, steel, and scars.
Years later, she walks the streets of New York, not as the scared runaway girl from the past, but as The Rival.
A faceless vigilante by night.
A silent infiltrator by day.
And a weapon forged for one purpose: revenge.
Alex isn’t just hunting criminals. She’s chasing the truth behind her father’s deathand every masked figure connected to it. But the deeper she digs, the more twisted the game becomes. Hidden enemies, familiar faces, and a web of betrayal that leads right back to the organization that made her.
How long can she keep the mask on... before her real identity shatters everything?
If you mean “when did Batman and Robin first get shown as being on opposite sides or in serious conflict,” the short truth is: it depends on what kind of conflict you mean. The earliest place Robin shows up is 'Detective Comics' #38 (1940) — that's the origin of the partnership — and for a long time the two were textbook crime-fighting buddies rather than adversaries. Early Golden and Silver Age stories sometimes put them at odds briefly by tricks like mind control, disguises, or misunderstandings, but those were usually plot devices that got untangled by the end of the issue.
If you want the first time their relationship was treated as emotionally fraught or narratively adversarial in a way that matters to fandom, the modern era provides clearer examples. The return of Jason Todd as the Red Hood in the mid-2000s (the 'Under the Hood' storyline) is one of the first widely-read arcs where a former Robin becomes a full-on antagonist to Batman. That run really reframed the idea of a Robin who could come back and actively challenge Batman’s methods and morals.
So my practical pick for a “first real conflict” depends on whether you mean a throwaway fight in a pulp-era issue or a major storytelling beat that reshaped the mythos: check 'Detective Comics' #38 for the origin, and then jump to the mid-2000s 'Under the Hood' material if you want the first big, modern Batman-vs.-Robin confrontation that stuck with readers.
The first Batman clone that comes to mind is definitely the 'Replacement Batman' from 'Batman: The Return of Bruce Wayne' storyline. DC Comics loves their multiverse shenanigans, and this one was a wild ride. After Bruce Wayne gets lost in time, Gotham tries to replace him with a genetically engineered clone—only for things to go horribly wrong. The clone, later dubbed 'The Batman of Tomorrow,' has this eerie, almost robotic vibe, which makes him way scarier than the original in some ways.
What’s fascinating is how the story plays with identity. The clone isn’t just a physical copy; he’s got Bruce’s memories but none of the humanity. It’s like watching a dark mirror version of Batman, and it raises all these ethical questions about cloning heroes. The art in those issues is also top-notch, with shadows that make Gotham feel even more like a character itself. I’d recommend this arc to anyone who loves psychological twists in their superhero stories.