How Do Critics Decide What Counts As The Best Literature Of All Time?

️ Warning ️ This book isn’t for the faint of heart because once you enter The Pleasure Archive, there is no turning back. In a world where desire knows no boundaries, she thought surrendering once would be enough but she was wrong. Lila Bennett’s forbidden affair with her dangerously seductive literature professor, Elias Voss, was supposed to be a secret. One late-night encounter on his desk was all it took to set off an obsession neither of them could control. But when hidden cameras capture their raw, passionate sin and a mysterious blackmailer threatens to destroy them both, Lila is dragged into a dark game of blackmail and lust. Now she must journey through a web of dangerous desires: From the strict control of her possessive professor, she is pushed into the merciless empire of a cold billionaire CEO who turns her into his personal office whore, making her drip with his load while she works. Her submission then escalates inside the beastly midnight club where she is publicly used, shared, and trained by the city’s most powerful men. As the story continues, Lila becomes even wilder. From innocent student to corporate fucktoy, from secret club slave to willing cumslut, Lila’s descent into pure, filthy pleasure knows no limit. ️This is not a love story. It is dark and addictive with 200 chapters of raw, dirty, and unapologetic sins

a really good book for you. I hope you like it becuase it tells you a good story. Please read it.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Following the success of her two novels, Cela receives an offer for the TV adaptation of her stories but a third story has to be written soon to complete a three-story special. She is not in to the project until she rediscovers the paper bearing the address of the meeting place of her supposed first date with Nate. Now that her mother is no longer around to interfere, she becomes inspired to reunite with him after many years and hopefully write the third novel based on their new story. Unfortunately, he is now about to get married in two months. Disappointed with the turn of events, she decides not to meet him again. She visits their old meeting place and finds it a good place to write but unexpectedly meets him there. They agree not to talk to each other if they meet there again but fate leads them to meet again under different circumstances leaving them no choice but to speak to each other. Suddenly, Nate’s fiancée starts acting weird and suggests that he spend the weekend with Cela while she is away. Although it confuses him, he figures that it is her way of helping him get closure. The two spend one Sunday reminiscing the past expecting a closure in the end but the wonderful moment they share this time only makes it harder to achieve that closure so Cela has to put a stop to it saying, “Please don't think even for a second that there is still something left or something new to explore after everything that happened or did not happen. This is not a novel. This is reality. We don't get sequels or spin-offs in real life. We just continue. We move forward and that's how we get to the ending."

In an East London lock up, two film makers, Jimmy and Sam, are duct taped to chairs and forced to watch a snuff film by Ashkan, a loan shark to whom they owe a lot of money. If they don’t pay up, they’ll be starring in the next one. Before the film reaches its end, Ashkan and all his men are slaughtered by unknown assailants. Only Jimmy and Sam survive the massacre, leaving them with the sole copy of the snuff film. The film makers decide to build their next movie around the brutal film. While auditioning actors, they stumble upon Melissa, an enigmatic actress who seems perfect for the leading role, not least because she’s the spitting image of the snuff film’s main victim. Neither the film, nor Melissa, are entirely what they seem however. Jimmy and Sam find themselves pulled into a paranormal mystery that leads them through the shadowy streets of the city beneath the city and sees them re-enacting an ancient Mesopotamian myth cycle. As they play out the roles of long forgotten gods and goddesses, they’re drawn into the subtle web of a deadly heresy that stretches from the beginnings of civilization to the end of the world as we know it. ©️ Crystal Lake Publishing

He is the most terrifying man in the Empire—Hadrian, the Lord Protector. Cold, ruthless, and dictatorial, he rules the chaotic world with an iron fist, crushing rebellions without mercy. To the world, he is a monster devoid of human emotion; a tyrant who bathes in blood. She is a rose growing in the mire—an ordinary, low-born girl struggling to survive in the slums. She possesses nothing but her pride and a fragile life. Their worlds should never have collided. But in a twist of fate amidst the smoke of revolution, the lofty Dictator set his eyes on the humble commoner. He didn't know how to love, so he used the only method he knew: Conquest. He clipped her wings, trapped her in his gilded cage, and forced her to bloom only for him. "You fear me," Hadrian whispered, his fingers tracing her trembling lips. "Good. Because in this lifetime, you will never escape me." In a game of power and submission, can a tyrant learn to kneel for love? And can a bird in a cage tame the beast?