Why Do Some Directors Cite The Medium Is Not The Message?

I was an emergency physician. After finishing a night shift, I had just walked out of the hospital entrance when a colleague from the hospital called me. "Dr. Doherty, hurry back. A critically injured patient was just brought in. The chief wants you to return immediately and help with the resuscitation." I turned around without thinking. But then a stream of floating comments suddenly appeared in front of my eyes. [Do not enter the operating room! Do not take part in this resuscitation!] [The patient is already dead. If you go in, you will be taking the fall for the hospital director's daughter!] [This patient's family is powerful. You will not only be sentenced to death, your parents will also be forced to jump to their deaths as well!] My steps stopped cold. A few seconds later, my heart tightened. I decided to believe the comments. I would gamble on it. My eyes swept quickly across the ground. I immediately locked onto an uncovered deep shaft on the road. I gritted my teeth, shut my eyes, and threw myself straight into the opening.

I was the kind of girl everyone called hopelessly lovestruck. That day was no different from any other. I clung to my boyfriend’s arm, leaned in close, and shamelessly asked for a kiss like I always did. However, right before my lips touched his, a line of glowing comments drifted across my vision. They floated in the air like a livestream chat. [Can this side character wake up already? Can she not see the male lead avoided her the entire time? He hated clingy relationships like this.] [The kind of person who really suits him is the female lead. Someone gentle, patient, and understanding.] [Once the real female lead shows up, this annoying clingy girlfriend is definitely getting dumped.] My body froze. I slowly loosened my arms from around his neck. In the next second, he suddenly looked up at me. “Why’d you stop?”

Among the world's female models, Julian Vance once again ranked first as the photographer they most wanted to spend a night with. And yet he had never taken a single photograph of me. When reporters asked about it, he could never hide the fondness in his eyes. "My wife is for my eyes only. No one else gets that privilege." On my birthday, I happily changed into a lace nightdress and, for the first time, asked him to record me with his camera. Several minutes passed. The shutter never sounded. Behind the camera, Julian's expression had gone stiff. "Forget it," he said. My joy collapsed into confusion. "What's wrong?" "It's just..." He laughed dryly. "Photography is work. I don't want to mix you up with work." Then he put the camera back, turned around, and went into the bathroom. The door to the darkroom where he developed his photos was half open, red light spilling through the crack. I walked inside and saw an album on the worktable titled Vivian Blair's Private Diary. I opened it. Inside were photos in every degree of intimacy and every kind of pose.

In an East London lock up, two film makers, Jimmy and Sam, are duct taped to chairs and forced to watch a snuff film by Ashkan, a loan shark to whom they owe a lot of money. If they don’t pay up, they’ll be starring in the next one. Before the film reaches its end, Ashkan and all his men are slaughtered by unknown assailants. Only Jimmy and Sam survive the massacre, leaving them with the sole copy of the snuff film. The film makers decide to build their next movie around the brutal film. While auditioning actors, they stumble upon Melissa, an enigmatic actress who seems perfect for the leading role, not least because she’s the spitting image of the snuff film’s main victim. Neither the film, nor Melissa, are entirely what they seem however. Jimmy and Sam find themselves pulled into a paranormal mystery that leads them through the shadowy streets of the city beneath the city and sees them re-enacting an ancient Mesopotamian myth cycle. As they play out the roles of long forgotten gods and goddesses, they’re drawn into the subtle web of a deadly heresy that stretches from the beginnings of civilization to the end of the world as we know it. ©️ Crystal Lake Publishing

At the start of graduation season, my boyfriend took more than two hundred photos of Madison Vale. Chase Whitman was president of Westbridge University’s photography club. He knew how to find flattering light and how to coax people out of stiff smiles. Madison stood beneath the maples outside the library in a white dress, her graduation cap tucked under one arm. “Am I taking up too much of your time?” she asked. Chase checked the last few shots and smiled. “You make my job easy.” When it was finally my turn, he barely looked at me. “Stand by the tree.” He clicked the shutter twice and lowered the camera. “Done.” I stared at him. “That’s it?” He turned the screen toward me. In one photo my eyes were half-closed; in the other, a branch shadow slashed diagonally across my face. “Can we try again?” Chase sighed. “Avery, you always tense up. Fifty more takes won’t change that.” Ten minutes later, my phone buzzed. He had posted in the Westbridge Buy: Twenty dollars for someone to spend ten minutes taking a few graduation photos of my girlfriend. Nothing fancy. She just needs something usable. Half an hour later, a stranger replied. I sent him my location, then added: Just so you know, I’m not very photogenic. His answer came almost immediately: That usually says more about the photographer than about the subject. When Rowan Hayes arrived, he looked at Chase’s two photos and said, “He didn’t even try.” An hour later, he sent me the raw files. No filters, no heavy retouching. Just me on the library steps, my hair loose in the wind and my eyes brighter than I remembered them being.

After I accidentally uploaded a rant post instead of my resignation letter, the messages went like this. Me: [Did you see the file I submitted?] He: [Mm… yeah. I saw it.] Me: [Then why didn't you reply? You don't approve?] He went quiet. I lost my patience and typed back, [If you're not saying anything, I'll take that as a yes. I'll come by your office this afternoon.] He replied almost instantly. [That fast?] Me: [Fast? How is that fast?] He: [I need some time to think.] Two seconds later, another message came in. [Is that okay?] I said yes. He ended up leaving work early and even gave the entire company three days off. Sitting at my desk, I thought about it for a long time. He was the owner of the company, yet there he was, acting like he was afraid I might leave. Was he really that desperate to keep me?