What Happens In Namor: The First Mutant, Vol. 1: Curse Of The Mutants?

The first volume of 'Namor: The First Mutant' throws readers into a whirlwind of underwater politics and vampire chaos. Namor, the Sub-Mariner, finds himself caught between his duties as ruler of Atlantis and his reluctant alliance with the X-Men during the 'Curse of the Mutants' storyline. Vampires led by Xarus, son of Dracula, declare war on mutantkind, and Namor’s unique biology makes him a target—and a potential weapon. The story’s got this gritty, almost mythological feel, especially when Namor’s forced to confront his own arrogance and the weight of his decisions. The artwork by Ariel Olivetti is stunning, with these deep blues and reds that make every underwater scene feel like a painting. What really stuck with me was how Namor’s pride clashes with his loyalty; he’s not a team player, but he’s also not heartless. The tension between his Atlantean heritage and mutant identity adds layers to the conflict. By the end, you’re left wondering whether he’s more of a king or a mutant—or if he can even separate the two.

One of the coolest parts is seeing Namor’s underwater kingdom under threat. Vampires aren’t just lurking in shadows; they’re infiltrating Atlantis, turning his people into pawns. The X-Men’s involvement feels organic, especially since Cyclops needs Namor’s strength but doesn’t trust his motives. There’s a brutal fight scene where Namor takes on a horde of vampires solo, and it’s pure spectacle—no fancy tactics, just raw power. The volume does a great job setting up his solo series, making you question whether his alliances are temporary or if he’s truly found a new purpose. I love how it doesn’t shy away from his darker side; he’s not a hero in the traditional sense, and that ambiguity makes him fascinating.

If you’re into morally gray characters and high stakes, this volume delivers. 'Curse of the Mutants' pits Namor against an ancient enemy—vampires—but it’s really about his internal struggle. He’s dragged into the X-Men’s war after Xarus targets mutants, and Namor’s blood becomes a focal point due to its unique properties. The writing by Stuart Moore doesn’t soften Namor’s edges; he’s still arrogant, impulsive, and fiercely protective of Atlantis. But there’s vulnerability here too, especially when he’s forced to work with people he doesn’t respect. The dynamic between him and Cyclops is tense but weirdly entertaining—like two generals sizing each other up.

The underwater scenes are a visual treat, with Olivetti’s art capturing the eerie beauty of Atlantis. the vampire designs are creepy without being cliché, and the action sequences are chaotic in the best way. What stood out to me was how the story balances epic battles with quieter moments, like Namor reflecting on his past. It’s not just about punching vampires; it’s about a king realizing his kingdom isn’t as untouchable as he thought. The volume ends on a note that feels like a beginning—Namor’s story is far from over, and I was left eager to see where his loyalties would take him next.