The poem 'The Walrus and the Carpenter' from Lewis Carroll's 'Through the Looking Glass' features two central characters who are as bizarre as they are memorable. The Walrus is this larger-than-life, smooth-talking figure who comes across as almost paternal at first, luring the young oysters with his seemingly kind words. But then there’s this sinister undertone—he’s manipulative, using charm to mask his true intentions. The Carpenter, on the other hand, feels more like a sidekick, quieter but equally complicit in their scheme. Together, they trick the innocent oysters into a doomed stroll along the beach, only to devour them in the end. It’s such a darkly whimsical tale, and these two characters embody that mix of absurdity and cruelty that Carroll does so well.
What’s fascinating is how the poem plays with morality. The Walrus weeps crocodile tears after eating the oysters, pretending to feel remorse, while the Carpenter barely reacts. It makes you wonder if Carroll was critiquing hypocrisy or just having fun with nonsense. Either way, their dynamic sticks with you—a pair of con artists wrapped in a fairy tale’s veneer. I always come back to how unsettlingly charismatic the Walrus is, making him the standout in this weird, wonderful little story.
Oh, the Walrus and the Carpenter are such a peculiar duo! The Walrus is the one who does most of the talking, spinning this elaborate story to coax the oysters out of their safe little world. He’s got this oily charm, like a politician or a salesman, all false sympathy. The Carpenter is more of a silent partner, but he’s just as guilty—just nodding along while their little victims get led to slaughter. It’s wild how something so short can pack so much personality into these two. They’re like a dark comedy act, with the Walrus as the frontman and the Carpenter as the straight man, right until the punchline… which is, y’know, eating their audience. Classic Carroll, really.
2026-01-26 08:02:18
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The Human Among Wolves
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Lily’s life takes a devastating turn when her father, the only parent she’s ever known, dies unexpectedly, forcing her to move in with her estranged mother, a pack doctor in a werewolf territory.Lily doesn’t belong in this world of wolves, and she has no intention of fitting in. She just has to survive one year here before leaving for her dream school in Paris. But her mother gives her two strict rules:One—no one must know she’s her daughter.Two—she must attend Raven Academy nand pretend to be a wolf, because humans aren’t allowed inside the pack.Lily’s careful plan falls apart on her first day when she catches the attention of Rex Blackwood, the infamous hockey captain and the next Alpha in line. Arrogant, ruthless, and dangerously charming, Rex seems determined to uncover what she’s hiding.Then there’s Sebastian Blackwood, his twin brother, the opposite of Rex. Charming, reckless , and flirtatious, he claims to be her friend… but his eyes say otherwise.Now living under the same roof as the Blackwood twins, Lily must protect her secret and her heart. Because one brother could expose her, and the other might just break her and things get even messier when she starts a fake relationship with one of the brothers .
When your bosses find out your husband abuses you and they take you to their home. Once there you get mind blowing and gentleness you never had. Will being werewolves make you leave or make them hotter. Abby must choose her happiness over a tragic past and safety for her daughters as well.
Stephen was getting hit by a shoe in the morning by his mother and his father shouting at him
"When were you planning to tell us that you are engaged to this girl"
"I told you I don't even know her, I met her yesterday while was on my way to work"
"Excuse me you propose to me when I saved you from drowning 13 years ago," said Antonia
"What?!? When did you drown?!?" said Eliza, Stephen's mother
"look woman you got the wrong person," said Stephen frustratedly
"Aren't you Stephen Brown?"
"Yes"
"And your 22 years old and your birthdate is March 16, am I right?"
"Yes"
"And you went to Vermont primary school in Vermont"
"Yes"
"Well, I don't think I got the wrong person, you are my fiancé"
‘Who is this girl? where did she come from? how did she know all these informations about me? and it seems like she knows even more than that.
Why is this happening to me? It's too dang early for this’ thought Stephen
" I declare you as my mate, therefore you shall be my wife, till death do us part. Do you agree, Mi-sol-ache?"
" Y...yes, I..i agree"
" Then sign the marriage certificate "
Lisa felt like her world was falling apart at that moment. With a gun pointed at her head, she had no other option but to sign her name on the paper that would bound her to the most feared Alpha in the world.
After all the abuse she had faced from her previous mate, Lisa would have never thought she would land herself into the arms of the dangerous Mafia Lord, Alpha Killian. After all, he was Nicknamed the death walker for a very good reason.
Prologue
The arrogant prince
Who is the arrogant prince ?
Well that is no other person than Prince Asim Berlin , crowned prince of Alexandria City .
24 years of age 6 ft tall broad and huge , green hazel eyes, heart-shaped lip which is full and Pink , carly dark brown hair , intelligent and super smart, in essence a Greek god the only son to King Charon and queen Stella.
Asim is every girl's wish even though he has an arrogant behavior he can't seem to chase them away he sees all women except his mother and fiance as sex toys and a typical play boy and a sex freak he always want everything to go his way no one can refuse his will, well except one crazy girl .
Who is she?
The pauper,
Naunet Domero
Naunet Domero , 21 years old, 4 ft tall ,slim and slender ,but with a domineering cleavage, full red lips, diamond blue eyes, long strawberry blonde hair ,a goddess to be precise and so beautiful.
Many times it lead her to trouble ,at 18 she had up to 100 suitors but she rejected all of them this made her parents sad but they couldn't tell her because they were always in support of her decisions all she did was work, and sometimes cause trouble more like people always troubled her , especially jealous girls .
Abby just wanted a job so she could pay all the debts and continue with her mother’s treatment. Until he gets a job to work in the werewolf house, the Alpha and the Beta of the pack.
She never imagined that in the middle of our normal world there was a universe of mystical beings, much less that they were beautiful and dangerously seductive.
Kai and Calian grew up together and learned to share everything, but not womens, they had never been attracted to the same woman, until Abby entered their lives.
The twins discover that she is their mate and they were madly mad for the human.
But no one had any idea that she was there as a spy, sent by her worst enemies: the vampires.
One of my favorite things about Lewis Carroll's 'The Walrus and the Carpenter' is how deceptively simple it seems at first glance. The poem, part of 'Through the Looking-Glass,' features two main characters: the Walrus and the Carpenter. The Walrus comes across as this smooth-talking, charismatic figure who lures the young oysters into a false sense of security, while the Carpenter plays more of a silent accomplice. There's something deeply unsettling about their dynamic—the way they manipulate the oysters with grand speeches about friendship, only to betray them in the end. It's a classic example of Carroll's dark, satirical humor, masking deeper themes of exploitation and greed beneath a whimsical surface.
Then there are the oysters themselves, especially the 'elder oyster' who wisely refuses to join the others. The younger oysters, full of naive excitement, become tragic figures as they blindly follow the Walrus and Carpenter to their doom. Carroll's portrayal of innocence exploited by cunning is hauntingly effective. The poem's rhythm and wordplay make it delightful to read aloud, but the underlying message sticks with you long after. It's one of those pieces that feels like a children's story but carries a sting tailor-made for adults.
The Walrus in 'Walrus and the Carpenter' is one of those characters that stuck with me long after I first read the poem in 'Through the Looking-Glass.' At first glance, he seems like a charming, chatty fellow who lures the oysters into a false sense of security with his smooth talk. But there’s this underlying darkness—he’s manipulative, playing the role of a friendly guide while leading them to their doom. It’s a brilliant commentary on deception and exploitation, wrapped in Lewis Carroll’s signature whimsy.
The more I think about it, the more layers I uncover. The Walrus isn’t just a villain; he’s a symbol of hypocrisy, especially when he weeps over the oysters he’s about to eat. That moment always gives me chills—it’s so eerily relatable to real-world figures who feign empathy while taking advantage of others. Carroll’s genius lies in how he makes such a seemingly silly character carry so much weight.