Wow — killing Makima felt like catharsis the first time I read 'Chainsaw Man', but it wasn’t a tidy 'case closed.' On the surface, yes: the Control Devil’s plan to bend people to her will was stopped when Denji dealt that final blow. The immediate threat, the psychological domination over the protagonist, and the specific contract-based manipulations she orchestrated were resolved. That gave the story a visceral, emotional release that felt earned. Still, I can’t help but think about how control as a theme survives beyond one character. After Makima disappears, the world still houses systems and people who crave dominance and stability, and other devils or factions could step in to fill the void. There’s also the moral fallout: trust has been broken in deep ways, and Denji and others must rebuild their lives without that ghost hovering over them. So in narrative terms, her death wraps up the central antagonist arc but opens doors to societal consequences and personal reckonings. I loved that it wasn’t a simple vanquish—there’s real weight to the aftermath, and that makes the story hang with me long after the last panel.
Makima's death in 'chainsaw Man' lands like a punch to the throat, and on a plot level it absolutely severs the immediate web of control she was spinning. In the concrete sense—her schemes, the way she manipulated people, the specific chains she had wrapped around Denji and the organization—those are dismantled once she’s taken out. That gives the story real closure on the main villain’s active plan: no more whispered commands from her, no more staged “rescues” or machinations that used fear and desire as levers. Denji’s arc toward choosing himself over being someone’s tool is the clearest casualty-to-catharsis payoff here. But if you step back, the broader idea of 'control' in the world of 'Chainsaw Man' isn’t a single knot you can cut with a single blade. Makima was an expression of a deeper system—governments, religions, contracts, social pressure, and the terrifying ways people weaponize desire and obedience. Those systems don’t evaporate overnight. The manga makes that interesting choice: it resolves the personal, human-scale domination she enacted, while leaving institutions, trauma, and the cultural appetite for control to fester and be dealt with. New power vacuums, grief, and the ways people react to her absence keep the theme alive, so I read her death as both an ending and a pivot point. For me, that blend of satisfaction and lingering unease is what keeps the story biting.
Makima’s death did end the immediate Control plotline in 'Chainsaw Man'—the direct, active manipulation she used to steer events and people stopped with her—but it didn’t obliterate the concept of control itself. I see her death as a crucial narrative cut: it frees Denji from the most immediate chains and removes the villain driving the central conflict. At the same time, the world still contains the structures, desires, and fears that allowed someone like her to rise. Power vacuums, institutions built on obedience, and the human tendency to seek tidy answers all remain, leaving the theme of control alive in other forms. That ambiguity is what I keep thinking about; the victory feels earned but also complicated, which is exactly why the story lingers with me.
2025-11-30 05:21:21
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I just finished reading 'Chainsaw Man, Vol. 17' and the whole Makima situation left me with mixed feelings. Without spoiling too much, her presence in this volume is handled in a way that's both surprising and fitting for the story's chaotic vibe. The way Tatsuki Fujimoto plays with expectations is masterful—just when you think you've figured out the rules of the 'Chainsaw Man' universe, he flips the script. Makima's influence lingers in unexpected ways, affecting character dynamics and power struggles even when she isn't physically present on the page. The volume explores the aftermath of her actions, showing how deeply she manipulated events and people. Some scenes made me re-examine earlier volumes for clues I might have missed.
What's fascinating is how Fujimoto uses visual storytelling to hint at her legacy. There are panels where shadows fall just right, or where characters react to something off-screen, that made me wonder if we were seeing echoes of her control. The art style shifts slightly during these moments, becoming more unsettling. Power balances between devil hunters shift dramatically in this volume, and much of it ties back to the power vacuum Makima left behind. New threats emerge that feel connected to her schemes, like dominoes continuing to fall long after the first push. It's less about whether she appears and more about how her presence reshaped the world.
That final confrontation in 'Chainsaw Man' still sits with me like a cold aftertaste. I’ll cut straight to it: Denji is the one who kills Makima — he delivers the decisive blow. But the scene isn’t a tidy one-on-one knockout; Fujimoto layers it with manipulation, clones, and psychological trickery so the victory feels earned, confusing, and bleak all at once.
What made it sting was how personal it was. Makima had been pulling Denji’s strings and rewriting what he wanted, so the act of killing her reads like both revenge and a reclaiming of his own agency. There’s also that annoying, fascinating ambiguity about which Makima actually dies: she’d been using other bodies and creating near-identical versions, so the narrative leaves you thinking about identity and whether the Control Devil’s influence truly ends.
For me, Denji’s act is the climax of the series’ themes — power, longing, and the cost of freedom. It’s messy and imperfect, and I like that: it doesn’t let you walk away whistling. I still find myself turning pages in my head when I think about it.