Curious about what a Justine Kurland print costs these days? I get asked that a lot when people see her iconic tableau-like landscapes and those wandering, slightly surreal roadside scenes from the 'Girl Pictures' era. Prices are all over the map depending on size, edition, print process, and whether the piece is from an early, exhibition, or later edition. For smaller, later-edition inkjet or C-prints you might see gallery prices starting around $1,000–$3,000. Mid-sized museum-quality pigment prints that are signed and part of a small edition commonly sit in the $3,000–$12,000 range.
At the high end, rare vintage prints, exhibition prints, or particularly famous images with strong provenance can push into the $15,000–$40,000 territory, especially if they’ve been in a notable show or collection. Auction records can spike or dip, so you’ll sometimes see a work under that range sell for less or for more if bidding gets competitive. I always look at edition number, whether it’s a gallery or artist proof, the print’s condition, and where it’s being offered — established dealers and reputable auction houses often command higher prices. Personally, I’d rather save for one of her mid-sized prints; they feel like the sweet spot for both visual impact and value.
Quick take: Justine Kurland prints currently sell from the low thousands up to the mid-to-high tens of thousands depending on format and rarity. Smaller editioned pigment prints and later impressions are the most affordable — often in the $800–$4,000 neighborhood — while larger, museum-quality or low-edition pieces can range from $10,000 into the $20,000–$30,000 band. Early or unique prints tied to notable exhibitions or to books like 'Girl Pictures' can command premiums beyond those bands on the secondary market.
If I’m hunting, I focus on verifying edition size, checking for a certificate or gallery provenance, and comparing auction records and dealer listings across platforms like Artsy and auction archives. That little bit of homework usually pays off; I’ve found that patience and a careful eye turn a speculative browse into a satisfying buy — and Kurland’s atmosphere-laden images almost always reward hanging on the wall.
If you've been poking around gallery sites or scrolling through Artsy listings, you'll notice Justine Kurland prints live in a pretty wide price universe right now.
I usually see small, later-edition color pigment prints — the kind galleries list as 8x10 to 16x20 — priced in the low thousands, roughly $800 to $4,000 depending on edition number and presentation. Mid-sized works, say 20x24 to 24x30, often float between $3,000 and $12,000. Larger, museum-quality prints or low-edition, archival prints can push into the $12,000–$30,000 range. Unique vintage prints or early works from signature series like 'Girl Pictures' or special exhibition prints sometimes command more on the secondary market; those can spike higher if provenance, condition, and exhibition history align.
What really moves the needle is edition size, print dimensions, and where the piece is sold. A gallery price for a fresh edition tends to be higher than a similar work flipped on an online marketplace. Auction results and past sales listings are the best real indicators — they show what collectors actually paid rather than what dealers hope for. Also watch for signed certificates, shipping and framing costs, and whether the print is a later reprint or an original period print.
If you’re shopping, I keep tabs on auction houses, gallery catalogs, and dealer platforms, and I always compare multiple listings. Personally, I love hunting for a beautifully printed Kurland in a smaller size — they're accessible and still pack that cinematic, wanderlusty vibe she’s known for.
Lately I've been checking galleries and sold database listings to get a clearer read on Kurland's market, and the takeaway is that prices are fluid but predictable by a few key factors.
Edition number, size, and print type (C-print vs. pigment ink vs. vintage silver-based) matter most. Low-numbered impressions in small editions will always sit higher; a 1/10 is worth noticeably more than a 7/20. Condition and provenance also matter—a print that’s been in a museum show or published in a book like 'Girl Pictures' often carries a premium. On the secondary market you can see prices ranging from under $1,000 for later small prints to well over $10,000 for larger or early works.
Market context helps explain the spread: photography prices scale with demand for particular series and the photographer’s exhibition history. Online platforms such as Artnet, Artsy, and auction house archives give useful comparables, while dealer sites and 1stDibs show asking prices (which can differ from hammer results). Personally, I like to cross-reference several sources and factor in framing and shipping so I’m not surprised by the total cost when the print arrives — it keeps me confident when I decide to bid or buy.
Short takeaway: prices for Justine Kurland prints vary a lot. In my recent browsing, I see smaller or later-edition pieces often priced from around $1,000 up to $3,000; typical gallery editions for well-known series commonly range $2,000–$12,000; rarer vintage or museum-quality prints can reach into the mid five figures. What shifts the price the most is edition size, print process (vintage chromogenic or gelatin silver versus modern pigment prints), provenance, and whether the print has been part of notable exhibitions or collections. I always compare gallery listings with auction results on platforms like Artnet and LiveAuctioneers and pay attention to whether the print is signed or an artist/gallerist proof. For me, Kurland’s work is worth the cost when the composition resonates—her images have this strange, open-road poetry that sticks with you, so I’d rather own one meaningful print than several forgettable ones.
2025-10-31 01:32:02
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SOLD TO AUGUST CHILDE
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CAMILLA
As if being used by Rico for his club business wasn’t enough, he sold me to Nighthaven’s billionaire, the untouchable AUGUST CHILDE.
August Childe is dangerous in ways money can’t hide. He is intense, possessive, and beautifully broken.
He lives with bipolar disorder, a mind that swings between control and care.
I should be afraid.
Instead, I’m falling.
And loving him might cost me the last piece of myself I still own.
AUGUST
She’s a goddess. That’s the only word that fits.
I want her—desperately, irrationally—but how does someone like her survive someone like me?
I want her, but I have a fiancée forced on me by my family, and my family would rather destroy this goddess than tarnish our legacy.
I want her.
And I don’t know how, or if I can stop.
Sold into South Nighthaven’s underworld, Camilla survives years of exploitation before being claimed by August Childe—the untouchable billionaire heir whose power hides a dangerous truth: a bipolar disorder he has never learned to control. What begins as captivity ignites into a forbidden, consuming love complicated by his fiancée, a woman forced on him by his family, his family’s ruthless legacy, and a mind constantly on the edge of unraveling.
When August chooses reputation and almost marries his fiancée, Camilla walks away carrying his child—only to be dragged back into the darkness she barely escaped. It is only after losing Camilla that August dismantles the empire that owned her, confronts his illness, and abandons the life that taught him love was disposable.
Love offers them a second chance—but only if August chooses healing over control, and Camilla decides whether trusting the man who once let her go is worth the risk of losing herself again.
Warning! Contains explicit sexual content and violence. For mature readers only!
A beauty. That's what she is. The most beautiful woman in the world. I want her to myself. She belongs to me! And now it is time to collect her.
Marissa Mariah Mason. Yep, that really is my name. Just your average college girl doing her best to get through college and love. Not that I have much of a love life. Everything was going great until my parents suddenly started acting strange and we moved away from the city in a try to “start over”. Then a rainy fall evening my whole life crashes. The night he comes to my home and takes me away.
In a world where werewolf elites wield power with iron claws, a clandestine auction emerges as a sinister spectacle. Caught in its whirlwind is a young woman thrust into prominence by her formidable father, Alpha Don Julio. Surrounded by towering figures of werewolf nobility, she becomes a coveted prize, her value measured by the dizzying bids that encircle her.
When the feared Alpha Johnathon Dupree of the White Wolf Pack enters the fray with a staggering one million dollar bid, the stakes soar to unprecedented heights. Whispers of Dupree's cruelty, particularly towards women, amplify the tension, shrouding his intentions in impenetrable mystery. Yet, behind his glacial gaze lies an enigma she feels inexplicably drawn to unravel.
As the saga unfolds, loyalties will be tested, veils of secrecy lifted, and a forbidden romance teeters on the brink of ignition. Enter a realm of intrigue, power struggles, and clandestine desires, where each turn of the page unveils a new revelation. In a perilous game where trust is a rare commodity and love is a potential snare, will she seize her freedom or succumb to the allure of the man who purchased her at a staggering cost?
Manhattan was doing that thing again twinkling like it had all the answers, when really it just had expensive lighting.
Alexander Knight leaned against the glass wall of his penthouse, seventy-five floors up, watching the city hum below him. Bourbon in one hand (mostly untouched), phone in the other. The merger docs stared back at him from the screen, but the part that actually kept him up at night wasn’t the billions on the line.
It was the fine print from the Japanese investors: “Family stability preferred.”
Translation: get a wife, look settled, or watch the whole deal slip away.
He exhaled, fogging the window for a second before it cleared. His assistant had already sent over a neat little list of “suitable” women—discreet, polished, zero drama. Women who understood arrangements.
He hadn’t even opened the attachments.
Because something about the whole thing felt… hollow.
His gaze drifted down, past the grid of lights, to the tiny café on the corner. Golden glow spilling onto the sidewalk, handwritten sign in the window: Local Artist Pop-Up – One Night Only.
A woman stood in front of a canvas, head tilted, paint-smudged shirt slipping off one shoulder. She was talking to someone out of view, laughing softly, then stepped back to study her work like it had personally offended her.
She glanced up—straight toward his building, straight at him somehow, even though there was no way she could see him up here.
But for a split second, their eyes locked across the impossible distance.
But right then, with the whole damn city glittering between them, he had this ridiculous, unshakable thought:
She’s the one I’m going to ask.
And hell help them both when she says yes.
Artist, Vanessa Davis, has risen from her lowly artist lifestyle to a thriving career after being signed to a high end art agency. After catching the attention of Billionaires; Anderson Jeremy and Ryan Theodore.
One falling for her with real intentions, the other using her as a pawn in a revenge scheme against his rival.
Sparks fly, anger consumes and betrayal looms when emotions rise and truth comes to light. Would Vanessa choose the one who ignites something in her but keeps his heart away, the one who draws her in only for his benefit or herself.
A talented painter, Lexi Thompson, is kidnapped by a notorious gang leader, Julian Blackwood, and she is given 60 days to paint a duplicate of a priceless artwork. As Lexi works to meet up with the deadline, she uncovers mysterious secrets about Julian's family, her troubled past and her parents demise whose deaths were linked to the painting she was asked to make a replica of. Lexi and Julian navigate through tough situations from rival gangs, their prohibited love becomes the greatest danger of all.
Will they overcome their troubled pasts and trust each other, or will the secrets unveiled tear them apart?
Wow — flipping through those big, saturated pages never gets old for me. My favorite places to see Justine Kurland’s landscape photography collected in book form are her monographs: 'Girl Pictures', 'Highway Kind', 'Spirit West', and 'Community, Sky'. Each of these feels like a different road trip through her eye for the uncanny in the American landscape. 'Girl Pictures' pairs portraits of girls with wide, wild scenery and feels almost cinematic; it's where her combination of portrait and landscape really landed for me. 'Highway Kind' is more explicitly on the road — long stretches of highway, roadside oddities, and that sense of wandering that Kurland nails. 'Spirit West' leans into myth and the West’s empty spaces, and 'Community, Sky' collects later work that softens into communal gestures and open skies.
If you want more than just the photobooks, her work also pops up in various exhibition catalogues and themed anthologies about contemporary American photography. I’ve noticed essays by curators and photographers in those catalogues that help contextualize her landscapes — like how she stages a tableau that looks documentary but reads like fable. For someone building a small shelf of image-makers who blend the road, myth, and portraiture, grabbing any of these titles will give you a strong sense of her signature scenes. Personally, holding the heavy paper of 'Girl Pictures' is still a little thrill; it’s one of those books I keep returning to for inspiration.