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Candice had been by Alex’s side since she was eighteen, evolving from just a partner to something more. Power and wealth gave her confidence, which got her thinking she was one of a kind in his heart. However, Alex hired a new secretarial intern, Sonia, who was youthful, naive, and charming. Despite her innocent look, Candice felt threatened; not because of what Sonia might do, but because Sonia reminded her of her younger self, of when she first met Alex.

After her mother shoved her away, Astrallaine moved in with a woman she didn't know. She must be self-sufficient and capable of standing alone — without leaning against other walls. Will she be able to continue in life when a man appears and makes her even more miserable? Will she be able to let go of the wretched version of herself?

I was a sketch artist acting for the police. On a secret mission, I was discovered by a murderer. My eyes were gouged out, and my body was dismembered, unceremoniously dumped in a garbage bin. On the brink of death, I called my boyfriend, a criminal investigator. However, he hung up on me because he was busy accompanying his first love to a prenatal checkup. A few days later, he received a painting that was a vital clue to finding the murderer, but he thought I was playing tricks on him. In his anger, he tore that portrait to shreds. After he found out the truth, he spent the whole night searching through the garbage to piece it back together.

My mother was the best portrait artist in the police station. She had a strong sense of justice and brooked no evil. However, all I got was a sharp retort when I called her to save me. "You know it's your sister's coming-of-age celebration today, and you're cursing her? Kidnapped, are you? Fine, the kidnappers can kill you for all I care." She assumed it was a prank call. So, she refused to go to the police station and do her job. I wasn't saved in time and was tortured to death. When the DNA report came out, she came to the scene all wobbly. She drew a portrait of me with my bones as reference, her hand trembling all the way. "Jessica? It can't be her. This is a mistake!" She tried again and again. Yet, it didn't matter how many times she redid it as the portrait showed my face. My mother, who had hated me my whole life, teared up.

I worked as a caregiver at a psychiatric hospital. One day, during a quiet shift, I came across a post from my husband's widowed sister-in-law. [Just launched my first AI-generated short drama! Hope you'll check it out and support me!] I tapped on the video attached to the post. The villain's face was identical to mine. I immediately messaged her and demanded that she take the video down. Instead, she posted our chat in the family group. Then she added: "If it really bothers you, I'll delete it. It's just a shame my first attempt at starting a business has already failed..." My husband replied almost instantly: "Don't delete it!" Then he tagged me. "So, what if you played a vicious villain? That's called making sacrifices for art." "This is the first business your sister-in-law has ever started. Stop being so dramatic." My mother-in-law chimed in as well: "Your sister-in-law is trying to build something of her own. What's wrong with supporting her?" "What do you mean she used your face without permission? We're family. Why make such a fuss over something so trivial?" "She used all of our faces, and none of us complained. What, do you think your face is worth more than everyone else's?" What they didn't know was that I was an undercover investigative journalist. So yes, my face really was worth more than theirs.

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.