Who Voices Edward In Fullmetal Alchemist?

Edward Elric's voice in 'Fullmetal Alchemist: Brotherhood' is brought to life by Romi Park, a legendary seiyuu whose range is just insane. I first heard her as Edward when I binged the series years ago, and her performance stuck with me—she nails the character's fiery temper, vulnerability, and growth. Park also voices iconic roles like Toshiro Hitsugaya in 'Bleach,' which blew my mind when I found out. The way she shifts between Edward's screaming fits and quieter moments is pure talent. Fun side note: the English dub’s Vic Mignogna does a stellar job too, but Park’s original portrayal has this raw energy that feels irreplaceable. Even rewatching clips now, I catch new nuances in her delivery, especially in scenes with Alphonse. It’s no wonder she’s a fan favorite in the anime community.

Alphonse Elric's voice in 'Fullmetal Alchemist' is brought to life by Rie Kugimiya in the Japanese version, and it's one of those performances that just sticks with you. Kugimiya has this incredible ability to balance Al's innocence with his underlying strength, especially in those heavier moments when the armor can't hide his emotions. I love how she captures his vulnerability during the Nina Tucker arc—those scenes wrecked me. For the English dub, Aaron Dismuke took on the role as a teenager, which was perfect casting since Al is literally a kid in a metal body. His voice had this youthful earnestness that matched the character's spirit. What's wild is that Maxey Whitehead later voiced Al in 'Brotherhood', bringing a slightly softer but equally compelling take. Both versions nail the heart of the character.

Colonel Roy Mustang's voice in 'Fullmetal Alchemist' is iconic, and the Japanese seiyuu behind him is Toru Okamura. His performance is legendary—smooth, calculating, and dripping with that charismatic arrogance that makes Mustang so compelling. Okamura nails the balance between the character's playful laziness and the terrifying intensity of his flame alchemy scenes. Funny enough, I rewatched the series last month and found myself mimicking Mustang's 'It's a terrible day for rain' line for days. The English dub voice actor, Travis Willingham, also brings a fantastic energy to the role, though his take is a bit more booming and theatrical. Both versions are stellar, but Okamura's subtle smirk in his tone will always be my favorite.

Man, I could talk about 'Fullmetal Alchemist: Brotherhood' voice acting for hours! Roy Mustang's Japanese voice is brought to life by the legendary Shinichiro Miki. His performance is just chef's kiss—perfectly capturing Mustang's smoldering charisma and hidden vulnerability. Miki's other roles, like Torbjörn in 'Overwatch' or Rider in 'Fate/Zero', show his insane range, but Mustang might be his most iconic. The way he flips from playful smugness to raw fury in the Hughes funeral scene lives rent-free in my head. For the English dub, Travis Willingham absolutely nails it. His deep, commanding voice makes Mustang feel like he was born to lead, while still letting those sly, sarcastic moments shine. Willingham's chemistry with the rest of the English cast (especially Colleen Clinkenbeard as Hawkeye) adds so much to the dub. Both versions are stellar, but I slightly prefer how Miki lingers on certain syllables—it makes Mustang's dialogue feel like he's always three steps ahead.

Alphonse Elric's voice in the English dub of 'Fullmetal Alchemist' is iconic, and I still get chills hearing it! The role was brought to life by Aaron Dismuke, who absolutely nailed Al's mix of innocence and deep emotional weight. What's wild is that Aaron was just a kid himself when he started voicing Al—talk about talent! His performance in 'Brotherhood' especially stands out, capturing both the armored version's metallic resonance and the human Al's vulnerability. Fun side note: Aaron later voiced Senku in 'Dr. Stone,' proving his range. It's cool how voice actors evolve while carrying pieces of their past roles with them. The English dub community really treasures his work on Al—it’s one of those performances that sticks with you long after the credits roll.

Falman's voice in 'Fullmetal Alchemist: Brotherhood' always stood out to me—it’s so distinct! The actor behind it is Shinpachi Tsuji, a veteran seiyuu with a knack for giving minor characters unforgettable presence. His dry, slightly nasally tone perfectly captures Falman’s meticulous bookworm personality. Tsuji’s other roles, like Dr. Knox in the same series, show his range—he can flip from comically rigid to deeply somber. What’s wild is how Falman’s voice contrasts with Tsuji’s real-life vibe; interviews reveal this cheerful, energetic guy who’s nothing like the stoic soldier. Brotherhood’s dub cast was stacked, but Tsuji’s subtle delivery made even exposition scenes feel weighty. I’d argue Falman’s 'It’s raining' line is iconic purely because of that voice.

Back in 2003, I was deep into 'Fullmetal Alchemist,' and Alphonse's voice actor, Rie Kugimiya, was already making waves in the industry. She was born in May 1979, which means she was around 24 when she brought Al's gentle yet metallic voice to life. It's wild to think she was relatively young at the time, considering how iconic her performance became. I remember rewatching scenes just to appreciate how she balanced Al's innocence with the weight of his circumstances. Kugimiya's range is insane—she also voiced other memorable characters like 'Shakugan no Shana' and 'Toradora!'s Taiga around that era. It makes me nostalgic for that early 2000s anime boom, where voice actors like her were defining a generation of characters. Even now, hearing Al's lines takes me back to staying up late to catch new episodes.

If you've watched either of the anime versions, Winry's voice is one of those parts of 'Fullmetal Alchemist' that never leaves you. In the Japanese track she's voiced by Megumi Toyoguchi, and in the English dub she's voiced by Caitlin Glass. Both actresses handle Winry across the TV series and most related media, so when Winry's fixing automail or yelling at Edward, it's usually Toyoguchi in the original and Glass in the English dub. What fascinates me is how each performer colors the character differently while keeping her core—practical, stubborn, deeply caring. Megumi Toyoguchi brings a warm, slightly breathy tone that carries both toughness and vulnerability; her delivery in emotional scenes leans very naturally into Japanese performance rhythms, which I love for the subtlety. Caitlin Glass gives Winry a punchier, more direct energy in English, with crisp emotional beats that land particularly well in scenes where Winry scolds or consoles. If you switch between sub and dub, you'll notice different emphases in lines and small shifts in timing, but both portrayals feel true to the character. Beyond the shows, both actresses have voiced Winry in movie adaptations and promotional material, so the voice you associate with Winry tends to stick across formats. Personally I bounce between the two depending on my mood—Japanese for nuance, English for that immediate emotional clarity—and each time I hear Winry's voice I get something fresh out of the performance.

Wild coincidence — Excalibur is one of those characters you either love to mock or secretly admire, and his voice choices reflect that nutty energy. In the Japanese version of 'Soul Eater', Excalibur is performed by Kōji Yusa, who brings that impossibly hyper, theatrical delivery that makes the sword feel both ridiculous and strangely unforgettable. Yusa layers a cartoony bravado over the character, swinging between obnoxious boasts and sudden, bizarre poetic flourishes; it’s a performance that sells Excalibur as an ancient, legendary nuisance rather than a straightforward weapon. I still chuckle thinking about how over-the-top the lines are in key scenes — they nail the surreal, comedic tone the series leans into. On the English side, Patrick Seitz handles Excalibur in the Funimation dub. His take is more gravelly and emphatic, leaning into the pompous, larger-than-life presence while keeping the comedic sting intact. Seitz gives the sword a theatrical arrogance that contrasts nicely with the often-flat reactions from the other characters, and that contrast is a big part of why Excalibur works so well in the dub. Between Yusa’s manic energy and Seitz’s bombastic swagger, the character becomes one of those oddball highlights of 'Soul Eater' that you either fast-forward to or leave on because you can’t help but laugh. I personally love both versions for different reasons — they each add a unique flavor to the absurdity of Excalibur.