Miraculous Ladybug Moth Novels & Stories

Seraphina Blackwood discovered the truth on an ordinary Thursday. After years of predawn breakfasts and midnight work sessions, after countless school plays and bedtime stories, her eight year old son had chosen someone else to call family. The other woman had been there all along, slowly taking her place, Sera's husband equally complicit…while Sera was busy keeping their household afloat.

Jay Cooper, Giselle White's assistant-slash-sugar baby, accuses me of stealing his mother's personal effects from him. That night, my mom, who's severely ill, gets dangled from a helicopter. Impatience is written all over Giselle's eyes. "If you refuse to return the cross pendant to Jay, your mom will pay for your willful act!" I do my best to suppress the throbbing pain coming from my heart as I beg hoarsely to Giselle to let my mom go. But my seven-year-old daughter, Valerie Walker, jabs a button on the remote control with an icy expression. "This is what you get for going against Mr. Cooper time and again!" I can only watch as Mom falls from a high altitude, soon smashing into the ground heavily. Sorrow fills my heart as I plead in a humble tone, "Please, I'm begging you… Please take my mom to the hospital…" "That's enough, Dylan Walker! The one dangling from the helicopter is a dummy, not your actual mom! Why are you still putting on an act?"

Bär comes to The Royal Pack with his Brother, Duke, to take their places as the Highest Ranking Werewolves. As they are meeting the Staff, Duke finds his Mates, Twins, Emma and Ada. Ada is horrified to not be mated to Bär the Crown Prince, but instead to his second in command. She is even more horrified, when her own mother, Ingrid, comes to meet them, only to find, Ingrid’s second chance is Bär! What comes next is anyone’s guess.

“Born in blood. Sworn in blood. You enter alive, you leave dead!” He spat and shot Hunter. He walked out of the room with his soldiers without looking back after wiping out a whole family of five. There is a cough in the serene room of the dead…

Rejected by her rich father, Sarah and her mother Helen moves to a slump where her mother sells her body for bread and drugs. Sold into prostitution by her mother's deadbeat boyfriend at the age of eight, Sarah must guard her true feelings or suffer the consequences. A chance meeting with her father gives Sarah the opportunity she needed for the most brutal revenge. At eighteen Sarah finds the willpower to escape but unfortunately for her, she falls into the trap of a madam that imprisons her, while makings tonnes of money off her. A fire outbreak, a second chance, Sarah finds freedom and meets Kunle. a man determined to show her that true love was possible and existed. A domineering mother-in-law, a secret buried in the sands of time threatens their marriage. Was their love for each other strong enough to withstand the tide or was Sarah willing to throw it all away.

When the power meter in the house trips, Mom's foster daughter, Juniper Hawthorne, is trapped in the dark for five minutes. Even though I have claustrophobia, Mom locks me in an empty, pitch-black room. "You knew Juniper was terrified of the dark, yet you intentionally shut off the power just to frighten her! I'll teach you how to behave today!" I cry and beg her not to, but all I receive in return is a harsh slap. "Claustrophobia? That's just what happens when a kid grows up too spoiled." Late that night, I sense someone breaking into the house. The first thing I do is to call Mom, a renowned criminal psychologist, for help, only to be yelled at. "You're still really getting into this role just to fight Juniper for attention, aren't you? "Kidnappers, huh? Well, go ahead and die so you'll stop bothering me!" As she wishes, I'm brutally tortured and killed. My body is buried beneath Mom's favorite flowerbed. After I die, my soul is trapped in the body of a cat. All I can do is helplessly circle Mom until five days have passed. The police arrive with a mangled body and request her help in creating a portrait of the killer.

My mother-in-law needed blood when she fell down the stairs and suffered major blood loss. The doctors were worried that the blood bank did not have enough of her blood type, so I called Rebecca Chilton on the phone to get her to hurry to the hospital to help her mother. Fortunately, she arrived on time, and my mother-in-law was saved and was no longer in danger. Before I could relax, I found out another piece of bad news. When Rebecca was not by his side, her severely depressed crush jumped off the building. It happened not long after she left for the hospital. Rebecca was filled with regret and blamed me for everything, so she pushed me off the building as well. When I opened my eyes again, I found out I had been reborn. This time, I decided to respect her choice, but she ended up regretting it instead.

Rhea Ravelle, heiress of a powerful and influential family, goes against her family's wishes and cuts ties with them. She chooses to marry Carter Jamison, a man with a failing career and two children born out of wedlock. For six years, she raises his children as if they were her own and helps Carter rebuild his crumbling business. Under her care, the kids grow into kind, well-mannered little stars, and Carter's company finally makes it big and goes public. But right at the celebration marking his entry into high society, the biological mother of his two children suddenly shows up. And Carter, who is usually so calm, completely loses it. He begs the woman to stay, making Rhea the laughingstock of the entire city. That night, he doesn't come home. Instead, he takes the children and runs straight back to his old flame, playing house as a happy family. Soon after, Carter files for divorce. "Thanks for everything, Rhea. But the kids need their birth mother." The children's mother also says, "Thank you for taking care of them all these years. But a stepmother will never compare to a birth mother." So blood beats love? If that's how it is, then she's done playing stepmother. However, the children reject their birth mother flat-out, and they don't want Carter either. They declare, "Rhea is our only mom! If you're getting divorced, then we're going wherever she goes!"

She married him to save her father. He married her to save his reputation. Neither of them planned for what happened next. Emily Carter signed a contract. One year, no emotions, no attachments. She told herself she could do it. She told herself she was strong enough to live beside a man like Alexander Kane and feel absolutely nothing. She was wrong. And then she was pregnant. She overheard him call her replaceable. So she did the only thing she had left. She disappeared. Five years later, Emily is back. Not the same woman. Not broken. Not desperate. She has built a life, a career, a son with his father's dark eyes. She has come back with one goal. But Alexander Kane has a goal of his own. He wants her back. He wants his son. And he will burn down everything in his path to get them. The only question is whether love can survive what they did to each other.

Peggy Flannery, the new recruit who's being mentored by my husband, Eugene Shaw, insists on practicing how to carve words onto a patient's heart. It so happens that my mother-in-law has suffered from a sudden heart attack. So, I quickly take her to the hospital so that Eugene, who's also known as a genius surgeon, can save her life. Unbeknownst to me, Eugene is quick to entrust my mother-in-law to Peggy, who has barely joined the hospital for three days, so that she can practice her carving on her. Peggy is very careless with her strength. When she's in the middle of carving something onto my mother-in-law's heart, she accidentally punctures a heart valve, resulting in my mother-in-law's instant death. Once the death happens, Peggy wails to Eugene, "That hag is really frail and delicate! I'm not even done carving my name onto her heart! What should I do now?" Eugene wipes her tears away gently. There's heartbreak in his eyes as he says, "It's fine. No one will be able to bully you with me around." Once Eugene exits the operating theater, he declares that the surgery is a failure and that I should start preparing the funeral matters. Unable to accept reality, I grab him by the shoulders and keep questioning him. "Isn't this just a minimally invasive surgery? How did Mom die just like that? I want to see the surgical footage!" But Eugene responds by slapping me angrily. "Your mom is already old, to begin with! How dare you pin the blame on others when her frail and weak body is the main cause of her death! I haven't even begun to settle the score with you for giving Peggy such a huge fright! "Hurry up and sign the letter of forgiveness! If this incident does affect Peggy in any way, I'll file for a divorce right away!" Needless to say, I'm so furious that I can't even utter a single word after hearing Eugene's shameless words. Does he seriously think that my mother is the one who's dead? I merely chuckle icily in return. "Honestly speaking, you have more right to sign the letter of forgiveness than I do."