By evening, the team is locked in.I spend the afternoon hunting down every person I need, collecting confirmations like I'm defusing a bomb with a checklist. Leads, supporting cast, stage crew, lighting — all of it assembled in a single day out of pure stubbornness and the specific motivation that comes from having made a very public, very stupid bet.At seven, I pull everyone into one of the journalism lecture halls and hand out scripts.The school has assigned us Romeo and Juliet — which, fine, is a classic for a reason, and at least every person in this room already knows the bones of it. I'll play Juliet. Tyler Nash takes Romeo without hesitation, flashing that easy grin that I'm already counting on to carry half our crowd appeal. Chloe gets cast as the Nurse — supporting, steady, exactly what she is in real life, which makes me feel slightly better about everything."We have two weeks," I tell the room, script in hand, sta
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