Cut It Off Book Novels & Stories

My boy friend Caleb Ford's childhood sweetheart, Julia Leclair, is losing her hair from chemotherapy. So, he orders me to cut mine off and make her a wig. "Julia's allergic to synthetic wigs. You've been growing your hair for ten years—it's perfect." I refuse, but his friends tie me down. Someone shaves my head to the scalp, buzzing through my thick, glossy hair until nothing's left but a butchered mess. Julia sits in her wheelchair and laughs, saying I look like a toad. Caleb smiles and nods in agreement. He adds with a chuckle, "It's just some hair. Was that really necessary?" But back when I was bullied for having uneven, choppy short hair for six straight years, it was he who stood in front of me. He had his arms spread wide as he shielded me from harm. Now he's the one wielding the blade. One by one, their little circle chimes in. They tell me not to hold a grudge against someone who's sick. Caleb snaps impatiently, "Stop trying to talk sense into her. She can get lost! Did you see that fit she threw over a few strands of hair? It's not like they won't grow back." I turn around and walk away. I never look back. Later, I hear that Caleb begs for my forgiveness by kneeling his way up 9000 steps until his knees are ruined.

When Edna Crossby ditches the marriage registration for the fifth time, I block her contact number and social media accounts on the spot. If she's in any of the social gatherings, I turn down the invitations right away. I'd rather take the long route than walk past the cafe Edna frequents. If she attends a team-building session, I take the day off without hesitation. Even when Edna shows up on my doorstep with gifts in hand on Christmas Eve, I pretend that I'm not home at all. I don't answer any calls from her. I don't respond to texts she sends me. Just like that, I completely fade away from Edna's world. In the past, Edna used to be the focus of my life. My emotions fluctuated all the time because of her. When Edna flakes out on me for the fifth time, I finally snap out of my lovesick stupor. I don't want to live life like this anymore. Rather than getting abandoned time and again, I might as well live my life on my own happily.

On the day our son, Lucas Smith, turned one month old, my husband, Xavier Smith, learned that his precious childhood sweetheart, Wendy Xander, had been kidnapped. The kidnappers made an outrageous demand. They wanted him to personally cut off our son’s legs. He acted indifferent, as if it didn’t matter. But behind my back, he drugged my drink with a heavy dose of sleeping pills. Dazed and barely able to stay awake, I forced myself toward the nursery. That was when I overheard his conversation with his bodyguard. “Mr. Smith, there’s a good chance Miss Xander staged this whole kidnapping. Are you really going to do this? What if something happens to Lucas?” “It’s just a kid. If he dies, he dies. “Even if this is all fake, I won’t take a single risk when it comes to Wendy.” My hands trembled as I gripped the doorframe. So this was what I meant to him. Eight years together. His own flesh and blood. And none of it mattered more than Wendy.

My boyfriend, Harvey Seinfeld, got diagnosed with cancer and needed a liver transplant. When I found out I was a match, I didn't think twice. Two-thirds of my liver—gone. The pain was brutal. As soon as I came to, I dragged myself to his room. Right before I walked in, I heard him laughing with his friends. "Harvey, you're a genius for coming up with such an epic revenge plan." He snorted. "If I didn't have to keep it low-key, I would've taken a kidney just for fun. "It's her fault Vivi bombed her art exam and had to study abroad. Vivi's coming back next month. That's when I'll be done with her for good."

At the New Year's Eve dinner, my mom suddenly assigns some rules to me and my siblings. She claims that those who don't fit the criteria aren't allowed to eat at the table. Rule number one: One must have spent at least 50% of their time keeping Mom company at home last year. Rule number two: One must have gone shopping with Mom all the time. Rule number three: One must keep giving Mom allowance. But it appears that I, the oldest sibling, am the only one who doesn't meet the requirements. My little sister, Chelsea Cage, begins acting coquettish immediately. "All Cassidy cares about is her business, unlike me, Mom! I care about you!" Meanwhile, my younger brother, Cameron Cage, lectures me with a frown, "What's the point of you being able to earn more money than average people? No matter how good a breadwinner you are, the fact that you don't care about Mom completely nullifies it!" My mom tells my siblings to sit around her happily. Then, she criticizes me in a sarcastic tone. "As parents, when we become old, what we need is our children's company, not cold hard cash." I'm pissed off, to say the least. I'm the breadwinner of this family, and yet these freeloaders get to put on airs in front of me. The reason why I don't go shopping with my mom is that she's never satisfied with whatever gifts I've picked out for her during the times I did go out with her. That's why I gave her money straight away. I didn't give my mom any allowance at all because all the money is regularly deposited into the supplementary card, which she has. Since my long-term efforts are worth nothing compared to my siblings' sweet talk, I suppose I can quit being the ATM of this family.

Ever since I lost my Alpha, Kael, in a brutal fight with some nasty rogues, I've been raising our young son, Finn, all by myself. My old pack has been pushing me to take a new Alpha, you know, so Finn and I would have protection. But I truly believed my Mate Bond with Kael was unbreakable. Then, on the Blood Moon ceremony, the fifth anniversary of Kael's “sacrifice,” I overheard Kael's father, old Alpha Marcus, tearing into Kael's quiet twin brother, Ronan: “Kael! You damn wolf! It was Ronan who went down on Blood Moon Cliff five years ago! He was the cursed one! You faked your death, lived as Ronan, all to protect Alina? You lied to the whole pack, to your sacred mate, and your own flesh and blood! Was it worth it?!” “For five years, Elara has raised Finn from a tiny pup all alone. You gave your so-called 'niece' a fake 'father,' but did you ever think? The day you put on Ronan's mask, Finn lost his real father for good!” I felt like I'd been struck by lightning. After Kael “died,” Ronan had been the dutiful uncle, “looking after” Finn and me. I never dreamed he was Kael in disguise. And he did all this just to protect Alina, Ronan's destined mate, who was already pregnant?! That night, under the bright moon, I snuck away and sent a message to my cousin, the Head Beta of the Silver-Moon Pack: “Tell your Alpha Lucian that I, Elara, accept his courtship offer.”

In an East London lock up, two film makers, Jimmy and Sam, are duct taped to chairs and forced to watch a snuff film by Ashkan, a loan shark to whom they owe a lot of money. If they don’t pay up, they’ll be starring in the next one. Before the film reaches its end, Ashkan and all his men are slaughtered by unknown assailants. Only Jimmy and Sam survive the massacre, leaving them with the sole copy of the snuff film. The film makers decide to build their next movie around the brutal film. While auditioning actors, they stumble upon Melissa, an enigmatic actress who seems perfect for the leading role, not least because she’s the spitting image of the snuff film’s main victim. Neither the film, nor Melissa, are entirely what they seem however. Jimmy and Sam find themselves pulled into a paranormal mystery that leads them through the shadowy streets of the city beneath the city and sees them re-enacting an ancient Mesopotamian myth cycle. As they play out the roles of long forgotten gods and goddesses, they’re drawn into the subtle web of a deadly heresy that stretches from the beginnings of civilization to the end of the world as we know it. ©️ Crystal Lake Publishing

When Callie returns home for the summer, staying at her best friend Mia's house feels like slipping back into childhood, until she sees Grayson Carter again. Once her best friend's quiet, overworked dad, Grayson is now older, rougher, and dangerously irresistible. He remembers her as a girl with ink-stained fingers and a reckless laugh. Now, she is a woman who is confident, sharp-tongued, and completely off-limits. Neither of them meant to start crossing lines. But whispered glances turn into midnight encounters. Denial becomes an obsession. And one forbidden moment changes everything. As passion collides with guilt, Callie and Grayson are forced to choose between the love they shouldn't want and the consequences they can't escape. Off Limits is a slow-burn forbidden romance filled with raw chemistry, emotional damage, and a love story that is anything but clean.

After my father passed away three years ago, my mother drifted through relationships, never staying with one man for long. When we moved in with Professor Williams, I was surprised to discover his two adult sons still lived at home. Phoenix seems decent, but Jack? He despises me. He’s convinced my mother is after his father’s money, and that I’m just her useless shadow, dragged along for the ride. Their judgment hangs thick in the air—every glance feels like a scalding brand. And trapped under the same roof, there’s nowhere to hide.

One year. One watchdog. Zero touching. Phoebe Lawrence has spent nine years pretending Peter Ambrose doesn’t exist. He’s her brother’s best friend, a cold-blooded cybersecurity tycoon, and an absolute robot. Their relationship is simple: they don’t have one. Until her brother leaves the country and drops a single, devastating rule. For the next 365 days, Peter is her unofficial guardian. Peter likes control, security, and unbreakable boundaries. But trapping a chaotic spark like Phoebe in his high-tech, cold world is a dangerous game. Suddenly, the rigid rules aren't the problem—it’s the electric heat that flares every time they cross paths. Peter is supposed to protect her. But as the lines begin to blur, Phoebe realizes the biggest threat to her safety isn’t outside his walls... it's the man holding the keys.