Man, this is a book that kinda lives between a few genres. It's set in North Korea, obviously. Pak Jun Do, who isn't actually an orphan but gets treated like one because of his father's job at an orphanage, goes through a wild series of state-assigned roles. He's a kidnapper for the regime, then a soldier on a fishing boat monitoring radio transmissions. That's just the first half. The second half becomes something else entirely when he assumes a dead national hero's identity and tries to live that man's life, all while being watched by a state interrogator whose voice weaves in and out. It's brutal, often surreal in its depiction of propaganda versus reality, and ultimately about the absolute theft of a person's story by a totalitarian system. It's less a single plot and more a cascading series of lives forced upon one man.
I found the shift in narrative style halfway through pretty jarring on first read, but it makes sense. The first part is like a dark, picaresque journey through the machinery of the state, and the second is a desperate, doomed attempt to carve out a private self within that machinery. The love story with Sun Moon, the actress, is the heart of the second half, and it's maybe the most tragic element because it's built on such an impossible lie. You finish it feeling like you've been put through a wringer, honestly.