Abridged Version Novels & Stories

The Devouring Queen is a paranormal revenge fantasy set between a blood drenched Lycan kingdom and a starving vampire empire, where every moon can crown a monarch or claim a corpse. The story follows Elara, once a gentle Luna who was betrayed and murdered on her wedding night. Instead of finding peace, she awakens three years in the past inside the stolen body of a hidden vampire princess. She returns to life in a world already preparing for her death, because in thirty nights the Lycan King must kill his true mate to awaken an ancient god beast. Now two women wear the same face, and only one can survive the prophecy that hungers for blood. Elara, reborn as a ghost wearing royal skin, abandons innocence and embraces the power she never had in her first life. With a quiet voice and a predator’s smile, she steps into a kingdom filled with secrets, manipulations and creatures who underestimate her. Cassius, the beautiful and broken Lycan King, is trapped between the woman he once loved, the version he helped destroy, and a prophecy that demands sacrifice. Their love is poisonous, irresistible and destined to end in ruin. As the nights slip away, Elara weaves a dark game of power and deception. She announces a false pregnancy, visits the chained original bride under midnight moons, and manipulates courts and armies with deadly grace. The mirrors around her begin to bleed, the lies thicken, and the prophecy tightens like a noose. The climax erupts in a courtyard filled with fallen soldiers, where the two identical brides tear the king apart to decide which destiny will rule. The kingdoms that remain have only two choices: kneel or burn.

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

TWO BOOKS IN ONE BOOK 1 - WINTER'S MATE:FATED ON ICE (COMPLETED) BOOK 2- THE GOALIE'S KEEPER (AU VERSION OF WMFOI - ONGOING) {MATURE — mid slow burn with yearning MMC. notting, claiming, mate frenzy and rutting. Check the trigger warnings. The FMC is a plus-size woman who insecure about her body, but as the book progresses, she'll learn to love herself.} ✧ SNIPPET ✧ His eyes flashed, and a growl rumbled through him. "Careful, sweetheart. Once I claim you, you'll be mine—body, heart, and soul." "Then take me." ~**~ Christmas was meant to be magical—yet for Rosie Martinez, it became the night her world ended. A cruel bet. A viral video. A betrayal that left her reputation in ruins. Desperate to breathe again, Rosie runs to a quiet mountain town where no one knows her name—where she hopes she can disappear. She didn't expect him. Jude Winters—hockey captain, future Alpha of the Winters Pack, and the stranger who saved her in the snow. The moment he touched her, he knew. Mate. His. Forever. Rosie has no idea what she is to him. No clue about the supernatural world hidden beneath this frozen town. She only feels the way her body awakens around him… and the way he watches her like she's the only woman he's ever wanted. But when her past crashes into their peaceful relationship—threatening the one person he cares about—Jude's control snaps.

This is a modern adaptation of the classic tale "Le Mort d Arthur" also known as"King Arthur and the Knights of the Round Table" told from the point of view of one of the classic villains, Morgana or Morgan Le Fay. In this version, Morgana is the hero, fighting against the forces of Queen Mab, the Evil Faerie Queen of Summer and Light. She has been trapped in a cycle of reincarnation where she has been assassinated before she rises to power as the Queen of Winter and Shadow. It is now 2025. Morgana has been reborn as a biracial woman named Faye Archer. She is living in Oakland (San Francisco East Bay) with her mother Elaine (the Lady of the Lake) and is still recovering from the tragic death of her father. She is a 23 year old college student with striking red hair and violet colored eyes. She and her best friend, Embyr (A no nonsense city girl with a sharp tongue and wit) attend a fancy bonfire party in the Kensington Hills, an exclusive neighborhood above Berkeley. She has a one night stand with a billionaire playboy, the 19 year old Arthur Drake, who happens to be the reincarnation of King Arthur. Shortly after waking up next to him, she discovers that he is her new stepbrother. She slowly starts to develop powers and runs into Devona, or Merlin, who is a beautiful woman that she is oddly attracted to. Devona, Arthur and Faye and Embyr go on several adventures together where they battle deadly monsters (the mysterious horsemen) take on the Queen of Summer, and fight for Avalon and Earth at a terrible cost.

100 years ago, amidst WW3's nuclear bombing, a deadly virus was released in the atmosphere and nearly wiping out the humanity. It lives inside the human brain thriving on the empathy receptors, leading to irrational behaviour and ultimately brain death. To slow the damage, scientists created L.O.V.E, short for Living Off Vital Emotions, a nanovaccine that numbs the virus and switches off all strong emotions. As a last resort and with a dying planet, the Supreme Government created the City, a place to contain the infected survivors suitable for the experiment. Those in the first stages of illness became ideal candidates to receive the neuroinhibitor. Having their feelings restrained and their memory altered, those who come of age are designated a life partner through a selection process, thus preserving the humankind. A few decades after the trial had started, scientists had a major breakthrough. The nanites, which are highly chemically reactive organisms, are changing their bio-engineered purpose when dopamine levels are high. With a new generation of nanoids, stronger and smarter to fight the battle, the virus doesn't have a chance. Many attempts were made to create a man-made version of synthetic dopamine and each time the outcome was a disaster. Their goal is to create new generations, immune to the virus. These are called Purebloods, the offsprings of those who find pure love, the only cure to save them from a violent death. Running out of time, the Experiment entered in its final stages. To minimize the threats, the Colonies have sent their best soldiers to oversee the trial and protect its key subjects. If only things were going according to plan, or better... stay hidden. With Iron Guard, the resistance outside the walls, hunting the Purebloods too, will the trial save human race before it's too late?

Maya is twenty four, independent and very good at keeping people at a comfortable distance. After a night she never planned with a stranger she never expected, she does what she always does — she leaves before morning and tells herself it is finished. It is not finished. The stranger is Caleb Reed, her brother Derek's best friend, and he has just moved back to Chicago. He knew who Maya was from the moment he saw her at the party. He said nothing. Now they are forced into the same orbit — family dinners, group hangouts, shared spaces — pretending a night that changed everything never happened at all. The tension between them builds slowly and then all at once. A secret relationship begins. Feelings neither of them planned for take root. But the closer Maya gets to Caleb the more unsettled her world becomes, because Derek is not handling any of it the way a brother should. His anger runs too deep. His protectiveness feels like something else entirely. When Derek finally explodes and the truth comes out, it reshapes everything. Maya was adopted. Derek has known for years. And the feelings he buried under a lifetime of playing the protective older brother were never entirely brotherly at all. Maya is left to grieve an identity she thought she knew, forgive people she loves for lying, and face a love that was built on a secret. In the end she has to decide who she is without the version of her life she always believed in — and whether Caleb, the man who knew her before she knew the truth, is the one she wants to walk into whatever comes next. She chooses him. Not because it is easy. Because one night was never going to be enough.

I signed the divorce papers on a Tuesday. No tears. No phone calls. No begging. I just picked up the pen, signed my name, and let Dominic Hartley go. For four years, I tried to be everything a good wife should be. I put my career on hold. I pushed my dreams aside. I made myself smaller so he could feel bigger. And somehow, it still wasn’t enough. He looked through me like I wasn’t really there. I loved him quietly while he built his empire, not realizing he was slowly tearing mine down. When he filed for divorce, I think he expected me to fall apart. I didn’t. I started over. A new apartment. A new job. A version of myself I hadn’t seen in a long time. And for the first time in years, I felt like me again. While he stayed in his perfect penthouse, surrounded by everything money could buy and nothing that felt real, I was finally learning how to be happy. That’s when he noticed me. Of course. Too late. Now Dominic Hartley, the man who never had to chase anything, is chasing me. Calling. Showing up. Saying all the things I used to beg to hear. But I’m not that woman anymore. And I’ve learned what he hasn’t. Love isn’t enough to go back to something that broke you. He wants another chance. I just don’t know if he’s really changed… or if I’m the one thing he can’t get back.

Fūma, a cold-blooded doctor who had killed many people for revenge, no longer believed in others due to past events that happened to him. He didn't believe in love. However, it all changed when he picked up a little girl who looked like a "broken doll" with bruises and bandages all over her body. Yuki, the little girl who had to face the bitter reality of her life. She was tortured, alienated, and banished by her own family. She continued to believe that someday there would be someone who wanted and needed her, even when she was in a dying state before being discovered by Fūma. Since then, Yuki, who initially only considered Fūma as her benefactor, began to open up her heart to him. Likewise, Fūma, who originally picked Yuki just for his own sake, now began to feel different things for the little girl who was growing up. Nevertheless, both chose to hide their feelings, which resulted in frequent misunderstandings between the two of them. When they finally found out each others’ feelings, and Fūma started to believe in love, happiness, and sincerity, destiny had another plan. It actually separated the two of them. Fūma felt fooled by destiny. He vowed not to fall in love again and avenged her death. However, once again, destiny brought them together in the future. With new identities and new lives. Would they finally be together? Or would their love tragedy be repeated once again? Current release: 2-3 regular chapter/week ***** The English version was first published in 2018. Revised and re-edited (published on GoodNovel) in 2023

Olivia Reyes has her life exactly how she likes it. Quiet mornings, no disruptions, no complications. She is a therapist — she knows better than anyone what happens when you let the wrong feelings in. Then Damien Cole moves in across the hall and ruins everything. Loud music. Late nights. An easy smile that tells her he has never once been told no. She hates him immediately. Completely. Convincingly — until one ordinary morning she opens her curtain and sees him, really sees him, and realises that hate was always covering something far more dangerous. She tells herself it means nothing. She manages it. She is very good at managing things. Until her apartment floods at three in the morning and the only door open to her is his. Three days, she tells herself. Just until maintenance sorts it out. But three days with Damien strips away every version of him she invented in her head. He is not who she decided he was. He is steady and perceptive and quietly, dangerously kind — and he has been paying attention to her long before she ever noticed him doing it. What happens between them does not feel like a mistake. It feels like something that was always coming. Then his ex walks back through the door and Olivia does the one thing she swore she never would. She runs. What follows is the question at the centre of everything — how far will Damien go for a woman who does not believe she is worth chasing? And can Olivia finally stop analysing long enough to fight for something real? She was only meant to stay three days. She stayed for him.