THE NEWEST ALPHA
The designs covered every inch of the walls and unfurled across the ceiling, and a large section of the wall at the end of the frieze had been smoothed over—a future canvas, waiting to be filled in, perhaps?
I used an overlay lens to draw white dotted lines across the images, dividing the paintings into panels — representing separate scenes. The scenes were easy to discern, as the same pack of wolves—two adults and three pups—appeared in most of them. The opening scenes were elaborate paintings of life in the forest—the cubs being suckled by their mother. The father wolf chasing a hare, birds in the trees singing, a cub sunbathing. Then came the scene where the wolves transformed into humans
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